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| | #91 | |
| Gear nut Join Date: Mar 2003 Location: Los Angeles
Posts: 95
| Quote:
I sourced a vocal track and just listened to the return from the 960 and both Bricastis, one in analog, one in digital. in the direct comparison to the 960. The biggest difference between the analog and the digital. The analog felt a little "smoother", whatever that means. (BTW, I'm running Nuendo thru Euphonix Madi to analog and madi to AES convertors on a system 5mc.) Both felt more "size-y" (whatever that means) than the 960. In the track the tail seemed to last longer, probably due to the massive cpu they use. It would probably make an awesone AD/DA in bypass mode. YMMV. | |
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| | #92 | |
| Lives for gear Join Date: Mar 2005 Location: L. A.-ish
Posts: 2,158
| Quote:
Please report back once you've tried it on orchestra please. | |
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| | #93 |
| Lives for gear Join Date: Jun 2002 Location: Amsterdam - now Steyning, UK
Posts: 567
| How about some mp3 examples? Just a dry/50%wet example with a few different examples would be interesting to hear! Cheers, Joris |
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| | #94 |
| Gear nut Join Date: Mar 2003 Location: Los Angeles
Posts: 95
| all smiles I used my Bricasti on a big string session today. Great group...28 celli , 8 basses, no hi strings, for the new Sony picture "Vantage Point" at Sony Scoring Stage. I work there alot and know the sound of the room really well. The Bricasti was REALLY great. I'm sticking with the word "size-y", I hardly had to use any to make a big difference. You know how sometimes with reverb you get it to where it sounds right, go for a pee, and come back and you can't believe how wet it sounds! I hate when that happens. Well, this might be the cure. It sparkled with very little effort. I wish I could post files, but that's kind of against the law on a movie that's not out yet. |
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| | #95 | |
| Lives for gear Join Date: Aug 2003 Location: ma.
Posts: 1,520
| Quote:
when I think of space music I see Eventide H8000....Most of the reverbs are dark and cold....Eventide has a sound of it's own...I will get a Bricasti myself to add to the collection soon....
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| | #96 | |
| Lives for gear Join Date: Jun 2002 Location: Amsterdam - now Steyning, UK
Posts: 567
| Quote:
)Just wanted to say I really love your mixing work! Stuff like Gladiator, Solaris and Hannibal are some of my favourite scores in terms of sound&mix. Excellent work! Do you mix exclusively on Nuendo these days? And a question about the Bricasti in general; how does it compare to TC's 6000 reverb? Cheers, Joris | |
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| | #97 | ||
| Lives for gear Join Date: Mar 2005 Location: L. A.-ish
Posts: 2,158
| Quote:
Quote:
I found that one the TC, it sounded great, then switch to M7 and all of the reverb washiness, and artificiallness disapeared, then back to the TC it sounded really fake, and wet. Then I put it against a Lexicon PCM91, again the PCM is a great sounded box, then when I put up the M7, the tail feels more alive, and there is a new depth and texture in the sound of the hall that makes everything feel more real and alive to me. Tonality-wise it was closer to a Lexicon sound than a TC sound, but as you flip though patches, it does have it's own character. I mainly use outboard verb for orchestra, so I was really focusing on the "large hall" patches, but I did try out the "delayed plate" which sounded AWESOME on vocals, the "studio" presets were fantastic rooms, and there was an "A&M Chamber" that was pretty kick-ass too. Well, put it this way, I liked everything that came from the M7 better than my TC4000 and my partners PMC91. Not everything was a clear-cut destructo hands-down winner, it was for all of my go-to patches. What I really liked too was that for the way I work, it fit right in as though I've used it for years. I called up a patch, dailed in the amount, and it sat perfectly. I didn't have to go back and forth, "maybe a db more, no that's too wet, maybe it's not the right patch?" etc. It's gooooood.
__________________ Michael David Nielsen - Composer / Producer / Lover ...of gear http://michaelnielsenmusic.com/ | ||
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| | #98 |
| Lives for gear Join Date: Sep 2004 Location: Washington, DC
Posts: 6,978
| can barely justify the expense... but I want it! Very exciting and I agree. I didn't expect to get excited about a hardware reverb ever again, but when I heard it I got all of these kid-in-a-candy-store irrational "I want it!!! I don't care whether it makes sense or not!!" feelings. We are building a new modestly appointed production-oriented control room (very small upgrade budget: $80k) and now I'm trying to justify putting the Bricasti on the shopping list... $80k is not an extravagant number to outfit a control room, when you consider all of the expenses that go into it. So spending a LOT of dough on a hardware reverb is... maybe not so responsible. So, yeah, strictly with respect to fiscal responsibility and utility, it's hard to justify the expense in the age of Altiverb, etc. [There are some Altiverb patches that I think are mindblowing.] But still, I think it would make me happy to come to work every day and have the Bricasti as a tool. - c |
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| | #99 |
| Lives for gear Join Date: Mar 2005 Location: L. A.-ish
Posts: 2,158
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| | #100 |
| Lives for gear Join Date: Sep 2004 Location: Washington, DC
Posts: 6,978
| Never owned a high-end hardware reverb/fx. No Eventide or Lexicon or TC high-end stuff for me. As many people know here, I am probably best known in this neck of the woods for my work as a mastering engineer. So, obviously, very little need for reverberation there. ![]() In my creative production work (the secret life I don't advertise --- only select projects), I really don't use a lot of artificial reverberation, and when I do, Altiverb and the UAD Plate 140 usually answer my needs. That and some Soundtoys delays (I often prefer a dark, short delay to a reverb... this is my Tchad Blake influence coming out...)... these things address my needs, generally. All that being said, I fllipped for the Bricasti and I want one bad. I got all sorts of ideas about ways to use it... it's just so... vivid! One listen gets you psyched. - c |
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| | #101 |
| Gear Guru Join Date: Dec 2002 Location: Columbus, Ohio
Posts: 12,365
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| | #102 | |
| Gear maniac Join Date: Oct 2007
Posts: 159
| Quote:
I saw an heard the Bricasti at NAMM this year. I loved it! I am just waiting for some to be available - they basically sold out. I got to meet the designer and was impressed with how much attention he put into designing this thing. It really shows as this processor sounds incredible. Lots of depth and dimension. It's definitely worth every penny. I have owned a PCM91, PCM70, Eventide H 3000 series, TC M series,etc... This one is definitely worth getting and keeping however! IMHO | |
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| | #103 |
| Lives for gear Join Date: Nov 2004 Location: here
Posts: 4,285
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| | #104 |
| Gear nut Join Date: Mar 2003 Location: Los Angeles
Posts: 95
| update I have added 2 more Bricastis to my rig, and I ordered 3 more. It's REALLY that good. |
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| | #105 |
| Lives for gear Join Date: Aug 2004 Location: Up here
Posts: 6,037
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| | #106 |
| Gear Guru Join Date: Dec 2002 Location: Columbus, Ohio
Posts: 12,365
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| | #107 |
| Lives for gear Join Date: Dec 2005 Location: Sherman Oaks
Posts: 1,083
| I agree, I have had mine since they were first released and it still puts a smile on my face. Hands down a must have on Strings and vocals. The box sounds absolutely beautiful. I am looking to get a second one soon as well. |
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| | #108 |
| Lives for gear Join Date: May 2005
Posts: 775
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| | #109 |
| Lives for gear Join Date: Aug 2003 Location: ma.
Posts: 1,520
| My Bricasti should be in next week....anyone get the pcm 96 yet? I wonder if they are shipping ![]() |
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| | #110 |
| Lives for gear Join Date: Aug 2004 Location: Up here
Posts: 6,037
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| | #111 |
| Gear addict Join Date: Sep 2004 Location: Denmark
Posts: 400
| Thats correct - 2 inputs and 6 outputs. The 2498 version has 8 inputs and 8 outputs. |
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| | #112 |
| Lives for gear Join Date: Aug 2004 Location: Up here
Posts: 6,037
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| | #113 |
| Gear addict Join Date: Jul 2004 Location: Midtown, NYC
Posts: 446
| Alan for guest mod??? Please... |
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