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| | #31 |
| Lives for gear Joined: Sep 2003 Location: Sudbury, On. Canada
Posts: 1,780
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Hey Steve, Reg is my dad... And yep, we got ourselves an RMS 755 as well... looking forward testing the sample disc! Once again, rad stuff man! Thanks How about a few track notes, such as mics/preamps/outboard processing that was involved? Jason
__________________ If it don't sound like a record... don't press record |
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| | #32 |
| Lives for gear Joined: May 2004 Location: Los Angeles ,Ca.
Posts: 8,853
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Well i picked em up in person from Mr Slate yesterday.. In the Brief period i played with them so far,they sound great.. I can already tell these are gonna come in very handy . I'll report back Well done Steve!thumbsup |
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| | #33 | |
| Lives for gear Joined: Aug 2003
Posts: 2,701
| Quote:
As for track notes, thanks to Mark and his crew and their gorgeous wallets , I was pretty much able to rent any gear I wanted. We had a vintage Pultec, SSL and Dbx compressors, my RMS 755 comp, 2 1176s, 2 Distressors, my beloved Neotek eqs with modded BB amps, two new issue Neve 1073s, and some samples were smacked onto 1/2" Studer and back to the workstation. Three or four days ago all that gear had to go bye bye. That really sucked. Its going to take a while for me to get over that. They just... took it all back... I even used my Brother P Touch to label all the units "MINE" but it was to no avail.. the gear is gone... the gear is gone.....
__________________ Steven Slate Hear drum samples used by today's top mixers and used on tons of top billboard hits at: www.stevenslatedrums.com SSD Drum Suite now Available for DOWNLOAD!! 40 WORLD CLASS DRUMKITS FOR RTAS/VST/AU www.slatedigital.com DOWNLOAD NEW TRIGGER DEMO! www.slateproaudio.com | |
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| | #34 | |
| Lives for gear Joined: Sep 2003 Location: Sudbury, On. Canada
Posts: 1,780
| Quote:
Very nice setup Steve. Definitely something to notice missing Too bad it's gone... but look on the bright side of it. You had a chance to try it all out. You know how they sound, worked with them, abused them...fell in love with them hahah Now you just have to buy them! One by one. (this is where reality kicks in) At least on our end it works that way. Anyhow, thanks for sharing the recording notes. That's some serious gear! Some of us will probably never ever get to use some of the vintage stuff let alone the room they were recorded in. Great to see a fellow GS member releasing good material out there to help out others As for the Eq's, I did purchase the Blackline CD and I find there are similarities on certain EQ points... Neotek all the way? did you get some photos of the tracking? Ok ok... I'm pushing lol. Good luck to you dude! and congrats! Jason | |
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| | #35 |
| Lives for gear Joined: Sep 2005 Location: Richmond Hill, Ontario (Canada)
Posts: 3,213
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Hey Steve, The Snares sound fantastic The Kicks and Toms sounded the same to me in each of the sample MP3's you gave - are they the same of different? I would really like to hear different examples of Kick and Toms - I am sold on the snare sounds so far ALSO Do you offer the samples in an unprocessed format ? Thanks. P.S. - I pm'd you a while back - just wondering if you are still hot on the Roll Super Stereo Compressor - cheers
__________________ "In the time of chimpanzees I was a monkey" - Beck, Loser "I do use compressors/limiters but not for controlling dynamics, I use EQ for that!" Jp22 (damn I miss him) "Education is a progressive discovery of our own ignorance." -- Will Durant, historian (1885-1981) "I try to get a boom out of the bass drum, in one of my albums, my CD, boom, I try to get that big boom, I could not get a big boom, I paid bucks, and could not get the boom" - Recording Expert, Tad Donley |
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| | #36 | |
| Lives for gear Joined: Aug 2003
Posts: 2,701
| Quote:
as for unprocessed... one of the main ideas of this sample CD is the fact that the samples ARE processed and are very much ready to be put in a mix with little to no tweaking. This is a feature I have not found on many other sample CDs. You always need to tweak the hell out of them to make them right. Not anymore with my guys. | |
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| | #37 | |
| Lives for gear Joined: Sep 2005 Location: Richmond Hill, Ontario (Canada)
Posts: 3,213
| Quote:
My initial listening environment wasn't ideal - I just listened closely on a pair of BM6A's and I could hear the difference. They are different sounds but from the same family. I am glad to hear the toms were not triggered, maybe I missed that point in your original post but I would make that a little clearer if it is not there. As far as the processed VS unprocessed I kind of gathered that the main point of the disc was to save the rest of us lazy asses from doing the real work It was more out of curiosity that I asked. I am really digging the snare sounds a lot and I can see some definite use for the kick samples as well but I prefer a kick sound that is a little less pointy and takes up more sonic space. I am really curious to hear the processed toms - great work, thanks for the reply, cheers! | |
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| | #38 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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Kick6 man, thats the one for you. One of our testers described it to me as "a gloriously big ass thuddy motherf$cking kick drum!" I'll get some more demos up later today. |
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| | #39 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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NEW DEMOS POSTED!! www.stevenslatedrums.com the two demos show the difference between Z2 stereo "ambient" samples and Z1 mono "natural" sounding samples there is also tom replacement, albeit the drummer is a tad sloppy on some fills, you can still hear the tom sounds here are the direct links: www.stevenslatedrums.com/demo/stevenslate7.mp3 these are Z2s -- the ambience you hear is ON the sample www.stevenslatedrums.com/demo/stevenslate8.mp3 these are Z1s Enjoy!! |
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| | #40 |
| Lives for gear Joined: Sep 2005 Location: Richmond Hill, Ontario (Canada)
Posts: 3,213
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Nice - sign me up - BTW are these Drumagog ready?
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| | #41 |
| Gear interested Joined: May 2005
Posts: 20
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Hey there, I really love the sound of the samples. I am considering buying them. However, it seems that the snare ambience in your demo files favor the right speaker. It's a little unsettling. I'm wondering if anyone else hears this as well or if I'm just mistaken. Or maybe this intentional? If it's not intentional can it be tweaked? Thanks. Charlie |
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| | #42 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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Hey Charlie. Which demos are you referring to? Let me point out that in the first three drum loops, there is NO ambience built in to the Z1 files. The ambience you hear on those, especially demo1, is from the original room mics on the track, and from artificial verb that I send the Z1 to. Basically you would use the Z1 like you would a normal snare. For the full mix Z2 stuff, I did pan the stereo file a bit off center because I feel it helps cut a bit more since there is so much going on in the middle. Makes things more interesting. So basically to answer your question, no there is no off center ambience. We did add some modulation to the room mics for the Z2 to help them sizzle more out of a mix, but so far we've been told that the Z2s are rocking. EDIT: Oh I hear ya now, its those first three demos, that verb is NOT on the sample, its just a lexicon that seems like it got panned off a bit. With Z1s, you'd want to use a bit of verb like you would a normal snare. With Z2s, it has a quick, thick, ambience built into the sample so that it sounds deep. I'm going to take a break from GOGing today and straighten out the demo situation. After the holiday break, Jerry Lyons is going to record various drum loops for the use of showing all the different types of styles and sounds. I will have some new demos, including a BEFORE and AFTER demo up soon, showing what that loop sounding like with its original drum hits. |
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| | #43 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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The DEMOS have once again been redone. We have a new demo which finally reveals what the ORIGINAL drum track sounded like. Then we bring back the samples with the whole mix. You can go to www.stevenslatedrums.com or check it out right here.. pay special attention to my fabulous voiceover work as well: www.stevenslatedrums.com/demo/stevenslate9.mp3 |
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| | #44 |
| Lives for gear Joined: Jun 2002 Location: Maryland,USA
Posts: 3,538
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the samples sound good but in that mp3 above I would NOT say there is no machine gun effect. In fact it's pretty obvious to me on the snare.
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| | #45 |
| Lives for gear Joined: Dec 2005 Location: London
Posts: 1,956
| Yeah, it's a 'fat snapp' snare alright - but hasty, unsubtle programming or insufficient velocity layered samples make it sound 'machine' like when played as 16th's in that demo.
__________________ . "There's no correlation between creativity and equipment ownership. None. Zilch. Nada." Hugh MacLeod ~ peace ~ |
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| | #46 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
|
In attempt to make the drums sound strong, I turned the dynamic tracking way down in Drumagog, which makes the hits more in your face, however adding to a less dynamic feel and causing what you hear as a machine gun effect. Before that, we had the dynamic tracking at 100% and we all thought that they weren't slamming through the mix. What I'll do next is automate Drumagog's dynamic tracking to go to 100% for the fills. It'll sound as real as real can be. I'll say this, there is more then enough hits and velocity layers to make things sound great. As of now, the original drum tracks I'm working with are not ideal, but after the holidays, after the GOG files have been fully tweaked, you guys will hear some mind blowing stuff from drummer Jerry Lyons. Much of the realness of using samples depends on how you are tweaking the replacement software. Full on velocity hits with no dynamic tracking will sound more machine gun like sure.... but it'll also cut through a mix nicely... But again, with 5 velocity layers and 4 to 6 different hits per layer, there is no reason that these samples cannot be tweaked to sound extremely realistic. And furhermore, you get TON of sounds on this disc. Tons of amazing snares, huge kicks, its a mixers wet dream. |
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| | #47 | |
| Lives for gear Joined: Aug 2003
Posts: 2,701
| Quote:
For those who don't have Drumagog, there is an effect known as Dynamic tracking. What this does is analyze the velocity of the source hit and match the output volume of the replacement drum in the given velocity zone of the sample set. So even a snare fill of top velocity hits can still sound slightly dynamic if the original drum fill was played that way, it just follows the volume of the hits. However, the percentage of this dynamic tracking can be altered, and effectively turned down so that no matter what the dynamics of the original hits are, the samples replacing them are the same volume, and while I often like the power of like sounding hits in a mix, it can sound machine gunnish because of the lack of dynamics. Given the hard rock nature of the mix for the first demo, we turned the dynamic tracking off for the snare, hence this is the way it sounds. And again, the "fatt snappy" snare in that demo is one of MANY different snares from high and cracky to low and thuddy and everything in between..., all have various velocities, hits, and room ambiences. We sold a whole lot of discs this week so I'm looking forward to more users stepping forward and discussing their thoughts. Hope everyone is having a great and safe holiday. | |
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| | #48 |
| Lives for gear |
The drums sound amazing!
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| | #49 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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Thanks Jake and everyone else who has been checking out the new disc. We just redid the first demo on the page and added more dynamic tracking with drumagog for an even more natural sound, with the same power. www.stevenslatedrums.com/demo/stevenslate9.mp3 Many more demos coming soon, pop, slow ballads, old school vintagey rock, hardcore, and more. |
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| | #50 |
| Lives for gear Joined: Dec 2004 Location: Germany / Frankfurt
Posts: 1,215
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Maybe a silly question, but why is the snare on all the ambient demos tracks not in the middle?
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| | #51 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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not a silly question at all. The Z2 samples are stereo. Because I mix on an analog board, I have the luxury of having the Z2 snares come up on 2 faders. Therefore, I push a bit more emphasis on one fader to move the snare slightly out of the middle so that it has more breathing room away from the bass, kick, and lead vocals in the center. What I'm trying to say is its a matter of taste. Normally those mixes would have a huge vocal pushing the center hard, and its in those cases where getting snare slightly out of middle can really help it cut nicely. I don't always do it, but it works.
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| | #52 |
| Lives for gear Joined: Dec 2004 Location: Germany / Frankfurt
Posts: 1,215
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Hm, okay, might be cool for you. If I replace a snare with your stereo sample it's in the middle unless you want it differently right? Thanks! |
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| | #53 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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ask and thou shall receive Mr. Sweetener.. Here now are the Z2 ambient demos posted with snare at middle... Also, the Z2/Z1 drum loop demos have been sliced from another part of the song.. First the pop rock mix, with one of my favorite snares, snare7: www.stevenslatedrums.com/demo/stevenslate5.mp3 now the Z2 snare drum live session: www.stevenslatedrums.com/demo/stevenslate7.mp3 and then the same thing with a Z1 sample: www.stevenslatedrums.com/demo/stevenslate8.mp3 REMEMBER. You can very easily send the Z1 to your favorite reverb. In the previous example I did not do this, the little ambience you hear on this is on the sample. If you want 0 ambience, then the Z3 is for you. But I love the Z2s for most stuff that I want that BIG DEEP SOUND. |
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| | #54 |
| Lives for gear Joined: Dec 2004 Location: Germany / Frankfurt
Posts: 1,215
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| | #55 |
| Lives for gear Joined: May 2004 Location: Los Angeles ,Ca.
Posts: 8,853
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Here's a quick small section of something with and without the samples Gog switched on, then halfway thru, off |
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| | #56 |
| Gear addict Joined: Apr 2004 Location: World
Posts: 481
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Bang, on the demos you posted above are you using a compressor on the 2 bus ?
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| | #57 |
| Lives for gear Joined: Sep 2003 Location: Sudbury, On. Canada
Posts: 1,780
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| | #58 | |
| Lives for gear Joined: Aug 2003
Posts: 2,701
| Quote:
Krid, as Jason said, I use the RMS 755 on my two mix a lot. Its like a hifi SSL comp, its great. | |
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| | #59 |
| Gear addict Joined: Apr 2004 Location: World
Posts: 481
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Are you using the RMS 755 on the 2 bus on stevenslate5, 7 and 8.mp3 ?
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| | #60 |
| Gear interested Joined: May 2005
Posts: 20
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Hey there, Out of curiousity, which Lexicon unit and patch are you using on the snare drum in the Slate demos? They sounds good. Is it a stock patch? Thanks! Charlie |
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