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| | #301 |
| Gear addict Joined: May 2004 Location: San Diego
Posts: 363
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I think the "hard" hits would be more appropriate for that particular song. The quieter sections especially, because of the dynamics of the cymbals. The ride is being hit in a mellow sort of way and this makes the "cracks" sound odd to me.
__________________ Lance LaFave Free downloads at: http://www.reverbnation.com/Skydiver http://www.reverbnation.com/controll...?autoPlay=true http://www.facebook.com/SKYDIVERband http://www.facebook.com/kstreetrecorders https://www.facebook.com/media/set/?...0413af6&type=1 |
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| | #302 | |
| Lives for gear Joined: Aug 2003
Posts: 2,701
| Quote:
Yes there will be a Reason Refill kits mapping... Glad you dig the samps. We have some great surprises coming out.. new sample sets, cymbals, mappings, new and old pros revealing themselves... and of course, free for all current users.
__________________ Steven Slate Hear drum samples used by today's top mixers and used on tons of top billboard hits at: www.stevenslatedrums.com SSD Drum Suite now Available for DOWNLOAD!! 40 WORLD CLASS DRUMKITS FOR RTAS/VST/AU www.slatedigital.com DOWNLOAD NEW TRIGGER DEMO! www.slateproaudio.com | |
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| | #303 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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briefcase, try snare 4, 6, or 8. The sample you used for that song is too heavy and aggressive, you need to choose a more vintagey sample imo. Also, for most of that song, as the manual says, it needs the hards more then the cracks. I would hardly think a drummer would be rim cracking for that kind of music, so eliminate the cracks or adjust the velocity in drumagog. I honestly think this mix will sound amazing with the right sample and the right velocity tweaking, send me some tracks if you have problems and I'll help you with it. Its going to sound great, I promise.
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| | #304 |
| Lives for gear |
Bang, did you get to meet our esteemed moderator over at the Nuendo forums?
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| | #305 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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Oh you mean Fredo? Its all good, thats a great forum over there. Anyway, we'll be posting a lot of awesome new audio demos soon, some replacement drums, some programmed stuff with the new cymbals! These things program so realistically and smoothly, can't wait to show it off. |
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| | #306 |
| Gear maniac Joined: Mar 2005
Posts: 283
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I thought I read in the manual that you usually used the cracks more than the hards, but maybe you're mixing different styles of music where that would be appropriate more often. Also do you think it's weird that I would prefer the group 2 gogs, the 2nd to last hardest hits, for this song? It seems like the group 2 is edging out the group 3(hards) a little bit. I'm gonna do 2 mixdowns and compare on other speakers though. Also I think adding unprocessed samples would cut some of the negative chatter, as well as make the set EVEN MORE versatile. |
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| | #307 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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Hey man. If it sounds good, it is good. To my ears, the song you posted would work best using the HARD as the highest velocity since the original drum isn't that poppy or aggressive. I use the cracks most of the time, but the example you posted the drummer wasn't "cracking" his snare so the cracks didn't fit in. As for unprocessed, if someone wants a raw track, just use the original raw track you got! Why replace then? I'm happy to say our drums are ready for the finished mix, and they have found fans with many people including some guys I really look up to like Mike Shipley and Steve MacMillan. Briefcase, give it some more time and play with them a bit more, I think you'll get the knack, adjust your velocity zones in Drumagog according to the original sound of the snare. And really, if you find yourself stuck, email me and we'll give you an ftp to send me some wavs and I'll help you out personally. I promise we'll get it kick ass sounding, just a few tweaks with the replacement is all that is needed. |
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| | #308 |
| Gear Head | |
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| | #309 |
| Gear maniac Joined: Mar 2005 Location: Los Angeles
Posts: 175
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| | #310 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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We're going to experiment on how well EXS opens the Kontakt format. Apparently, a lot of the software samps will open each others formats. We'll see if it works well, we'll be testing all weekend. If not, we'll do a custom map for EXS. Basically, the way this thing will work with the samplers is this: There will be an audition setup where all the kicks and snares will be lined up, and then all the cymbals and toms, with a simple switch to go from Z1-3. This way you'll get a good idea of the drums and which ones you'll like for that particular mix. And then we'll have about 25 kits in GM with various samples for certain musical genres. You'll obviously be able to swap out drums and customize. Lots of cool news coming out, great to see Steve MacMillan here as well, truely an amazing talent! |
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| | #311 | |
| Gear maniac Joined: Mar 2005 Location: Los Angeles
Posts: 175
| Quote:
I'm mixing a project where I'm using your Kick2 Z2 to enhance my kick and its really working great. Last I checked, it worked the other way around. Kontakt 2 will open EXS patches, but I don't believe the EXS will open Kontakt. The EXS will import Akai, Giga, & Sample Cell though. STeve
__________________ macmandigital.com | |
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| | #312 |
| Lives for gear Joined: Dec 2004 Location: Germany / Frankfurt
Posts: 1,215
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| | #313 | |
| Lives for gear Joined: Aug 2003
Posts: 2,701
| Quote:
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| | #314 |
| Lives for gear Joined: Jul 2004 Location: Southern California
Posts: 1,174
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Re: Bang's offer to briefcase ... now that's some customer service! Dude, you rock!
__________________ " the wrist of the listener will always turn up the volume for you more effectively than any brick wall compression ever could." -- Stav from Mixing With Your Mind |
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| | #315 |
| Lives for gear Joined: Jul 2004 Location: Ottawa
Posts: 1,511
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Steve, did yiu get a chance to check into Stylus RMX? That's the only sampler I use. Mostly do live drums but it would be cool if we could get your samples working with groove control in RMX.
__________________ Michael Scott --------------------------------------------- "Two degrees in bebop, a PHD in swing, he's the master of rhythm, he's a rock and roll king" -Lowell George- "In my reality it is important that people who use these tools go into them with both eyes wide fvcking open and evaluate them in the context of their work rather than from the perspective of trying to "keep up with the herd" mentality. Peace." -Fletcher- |
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| | #316 |
| Gear maniac Joined: Sep 2004 Location: Chicago
Posts: 151
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The groove control in RMX works with chopped up loops, not individual samples. So you would have to program a loop yourself, use Recycle to make it a rex loop, use the RMX rex converter, then load it into RMX. RMX can trigger individual slices/samples, but that's what normal samplers are for. In other words, if I were Steve I wouldn't see much point in providing his samples in RMX format. Is it even possible to create a sample library in RMX format?
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| | #317 | |
| Lives for gear Joined: Jul 2004 Location: Ottawa
Posts: 1,511
| Quote:
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| | #318 |
| Lives for gear |
Cannot wait for the sampler mappings. you are gonna rule the world steven slate! lol
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| | #319 | ||
| Lives for gear Joined: May 2005 Location: Seattle
Posts: 4,300
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So, I broke down and placed an order about an hour ago ![]() I got one of the last WAV. only disc specials for $100, so I feel pretty good about the purchase. I know I won't be getting any of the upgrades, but I don't use drumagog (I prefer either tab to transient or the Kenny Gioia method), and I've got some pretty nice cymbals to work with already. I usually just use my own samples to enhance the kick and snare, but for the project I'm currently working on, my samples are a bit too "pretty", and aren't really fitting the project very well. Here's my question for either Steven or from anyone that has some experience with the disc. I read on one of the other topics for the slate drums that there are also some snare rolls on the disc, in addition to the regular "hits". Is this true? Here's a couple quotes from that topic Quote:
Quote:
I can't find any info anywhere on their site saying the disc includes rolls? Are there rolls for each of the different snares? Are there rolls that also implement the "Z" system????
__________________ www.mysteriousredx.com "Sorry man I played guitar instead of going to school." -- James Lugo | ||
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| | #320 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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Hey man, congrats, you got the last wav only disc. There are some great buzzrolls in each sample set. And yes they are sampled in the Z system in each room ambience. They will especially be useful when we release the sampler mappings. For manual use, I just paste them where needed, they work great. If you listen to the audio demo called ROCK BALLAD FULL MIX on the site you can hear subtle snare rolls between hits where I pasted them. Here it is: www.stevenslatedrums.com/demo/stevenslate4.mp3 |
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| | #321 |
| Lives for gear Joined: May 2005 Location: Seattle
Posts: 4,300
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AWSOME! I'm Soooo glad I made that purchase first thing this morning. I saw it last night while reading up on the disc, and figured that the WAV. only disc would be perfect for me. And I figured those cheaper discs would be sold out soon. So, I listened to the demo on that link, and I can hear what your talking about, as far as placing those ghost rolls between hits (sounded quite nice btw), but I was more talking about actual snare rolls, where the drummer might do a roll for the entire length of a bar. How long are those "buzz roll" samples? Do you think they would work for a long snare roll part? |
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| | #322 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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The rolls are pretty long, if you went back forth from the left right samples you'd have a real buzz roll. Basically we had Jerry and Joel do buzz rolls but told them to axe one hand.. so you got the real deal. For programming they rule.
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| | #323 |
| Lives for gear Joined: May 2005 Location: Seattle
Posts: 4,300
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You're the man. OK, one last question, I swear......I guess I'll find out when I get the disc, but I just can't wait. Are there any flam hits on the snares? Where the drummer hits the snare with both sticks, but just slightly off from each other? |
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| | #324 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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Good news is that you don't need to have premade flams because using drumagog or even doing it manually, you can create flams. A flam is just two really close hits that slightly overlap, you can literally try this now with the wav pack, put a snare on a track, then overlap it with another so the first snare's peak is still there. Whammo. Flam city. Drumagog will recreate this automatically if the there is a flam on the source.
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| | #325 |
| Lives for gear Joined: May 2005 Location: Seattle
Posts: 4,300
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Right on, that's how I've done it in the past as far as overlapping the hits. I just had to ask, because the drummer I just got done tracking flams the snare ALOT....too much if you ask me, but I had a hard enough time getting him to lay off the cymbals. Thanks again for the info. Can't wait for the disc to get here. |
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| | #326 |
| Lives for gear Joined: Dec 2004
Posts: 671
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Hey Stephen How about some more toms? It's pretty rare that the drummers I have in my studio "only" have 3 toms or less. Thats the only disappointing I got when I received the CD a few weeks ago. Keep up the good work-!! |
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| | #327 |
| Lives for gear Joined: Aug 2003
Posts: 2,701
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Yeah when the newest version comes out (which again, free for all users), you'll see that along with the sampler stuff and cymbals, there will be at least 4 new snares, a few new kicks, and then a 4 tom rock set, 10, 12, 14, 16. Its all going to be CUSTOM made drums made for drummer Adrian Ost of Powerman 5000 who will also be doing the hitting. Let me tell you, the drums sound out of this planet. FOR NOW, put the 14 inch birch tom into the Maple set so you have 10, 12, 14, 16. I should put that in the manual. Even though they are different shells, it would be hard to believe that a music listener would say "something was weird about that tom fill.. its almost as if the shell material of the third tom was different" Its a workaround but it'll work till the update.
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| | #328 | |
| Lives for gear Joined: Dec 2004
Posts: 671
| Quote:
Great, That's what I was hoping to hear! Good idea about using the 14 inch birch tom... I also thought about pitching the 16 inch tom a fifth note down, that could also work. I've done that with my samples in the past, just to get them to tune better with the acoustic toms. With a good pitch plugin e.g the Soundshifter from Waves, it sounds pretty authentic to me. Any release date for the new version yet? | |
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| | #329 |
| Lives for gear Joined: Sep 2003 Location: Sudbury, On. Canada
Posts: 1,780
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I've nuked a few stereo drum tracks through a pair of Distressors for that smashy smacky wacky effect... I'm about to start mixing with these samples now... and I just can't wait to put it all together. F**K YEA!!!! Jason
__________________ If it don't sound like a record... don't press record |
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| | #330 | |
| Gear maniac Joined: Mar 2005
Posts: 283
| Quote:
Oh, and if we did that FTP thing, how would you want the files? like a stereo mix file minus the snare, and then the snare file separated? I don't think I'll have time to use your advice before this song needs to be done for the ummm....."client", but it would be cool to see how you did your drumagog settings. | |
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