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| | #1 |
| Gear interested | Sound design and A/V question.
I'm just curious as to how many of you do sound design and/or audio/visual work in conjunction with your music intrerests and work? I've done a little of this in school and it perked my interest. I'm just wondering whats the nature and type of work in both your professional and project studios. Since I'm starting out I will be trying to get some work in a project studio. What type of rig are you working on and how are you integrating the video? I've got a few connections that may lead to sound work with some freelance videographers and such. Any advice or past experiences welcome. Thanks |
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| | #2 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
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Yes. I do sound design as well as music. Mostly music these days, but things tend to shift back and forth like a pendulum. I use Pro Tools HD. At least in LA, it's all PT. Extremely efficient. Sounds good. Movies play in-sync inside of pro tools (you import a quicktime movie) and you can send them out firewire to an external box like canopus which will feed a larger TV monitor if you choose. Not sure exactly what else you are looking for. Hope that helps.
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| | #3 |
| Gear interested |
thanks for the input! Being at the stage I am, any work will be via an LE system. How or in what format do you usually put the finished product/mix in? The short film I did in school we mixed everything down in stereo onto a DAT. I don't have a DAT in my line up and I imagine most people I work with won't either.
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| | #4 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
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I deliver contiguous audio file stems. Either bounce down to the format they need - probably 24/48 - or mix back into PT and convert the files to their prefered format.
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| | #5 |
| Gear nut Joined: May 2006 Location: Pittsburgh
Posts: 116
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I teach Sound Design at Duquesne University in Pittsburgh. I have done SD for film, theatre and interactive media. I have not yet worked as a designer in transaction based game audio - I would love too - just haven't been asked yet. Most of my work is in classical production, depending on the time of year - Fall to Spring is classical, and Spring to Fall is usually when I do pop work. -D |
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| | #6 |
| Gear nut Joined: Oct 2002 Location: Berlin
Posts: 134
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Same here - sounud design and music production. Especially for sound design, protools works best for me. Where I could get by using logic for music, PT offers many easy to use features for sound design, like audiosuite, intuitive manipulation of audo, best sound design plug ins like pitchblender, the eventide stuff, echoboy, ... |
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| | #7 |
| Gear nut Joined: Oct 2002 Location: Berlin
Posts: 134
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Ohh .... about the format ... 95% these days the files go online on a ftp server, at least for me. I haven`t seen a DAT tape for at least 5 years. I realized sound and video schools still use DATs, but in the "free world", I don`t know a single persons who`s dealing with DATs. Most of the time it`s .wav, 24/48, sometimes hires mp3, sometimes 16bit, or sometimes a ProTools session containing the stems The problem with firewire out devces is that you get a 2-4 frame latency, depending on the model you use. I just installed a second grafics card to monitor my video out signal on a third screen. |
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| | #8 |
| Gear maniac Joined: Aug 2005 Location: Wilmore, KY
Posts: 185
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Protools really is the only system I've been comfortable using for sound design... Sound Design used to be my main gig, but now I'm doing about 80% band recording, and PT handles both situations great.
__________________ Wes Kawaja - Cinethetic Sound - 328 Recording The Woodsongs Old time Radio Hour - Trenches |
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| | #9 |
| Lives for gear Joined: Feb 2006 Location: Munich, Germany
Posts: 1,520
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I do classical, a little jazz, location/production sound, and a bit small-scale post. The most reliable and compact system doing my remote stuff as well as mixing at "home" is Nuendo, which in contrast to PTHD runs perfectly well on a laptop without the need for PCI slots. So far, native power has been sufficient, but on larger projects this of course is an issue.
__________________ Microphones always make me sound louder and better! -- Guitar Girl |
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| | #10 |
| Lives for gear |
living mostly on the experimental side of life, but having a strong love for melodies i do music and video. do your videos in final cut pro, or even in imovie and i import it in sorenson format 320*240 in cubase and make the music. that works great for me. |
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| | #11 |
| Lives for gear Joined: Jun 2002 Location: LA, USA
Posts: 6,836
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My main gig is mxing for Film and TV. Music is completely secondary, and I like it that way. Outside of my main gig at a post facility here in town, I do the occasioanl post gig at home for a client who's a supervisor. I'll usually do those entirely in Nuendo, because it allows me to do full surround, and deliver an encoded LTRT. As well as have no track limitations. At work we use PT's, but the owner of the facility is setting up anothe rmix room, and what's to ahve both Nuendo and PT's in there. He wants to try and get away from Digi. |
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| | #12 | |
| Gear addict Joined: Feb 2005 Location: Finland, Europe
Posts: 420
| Quote:
PS make every frame a keyframe and you can videoscratch your heart out!
__________________ Yeah! | |
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| | #13 |
| Lives for gear Joined: Dec 2006 Location: NY NY
Posts: 1,331
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I do music work a lot in the films I edit and the ones I sound design/mix. Sometime I even get my World Wide All Star Band (my staff, interns and myself) together and write/record something to fill a music cue requirement for one project or another. I'm always editing music for films and working as or with the Music Supervisor and composers.... cheers geo
__________________ ms georgia hilton mpe(editor) mpse cas NY NY http://www.filmdoctors.com http://www.hiltonmediamanagement.com http://www.hmmproductions.com http://www.editingtruck.com http://www.stage32.com/profile/6569/georgia-hilton http://www.imdb.com/name/nm0385255/resume MEMBER: IATSE LOCAL 700 |
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| | #14 | |
| Lives for gear Joined: Nov 2004 Location: minneapolis, mn
Posts: 2,029
| Quote:
now i do both (more than) full-time. sometimes just the music. sometimes just the post. sometimes both music and post for a film or commercial piece (tv or high-end corp.). occasionally do a music only project. occasionally just record music. occasionally record/produce. 60% Music 40% Post can be done. oh, you can also sometimes music supervise...or select from produiction library tracks. i guess that is music... however, this is not quite possible in LA. unless, you do a small side-business of your own clients at night. but who has time for that?
__________________ Tom Hambleton CAS Ministry of Fancy Noises IMDb Undertone on Facebook Undertone on Vimeo | |
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| | #15 |
| Gear maniac Joined: Aug 2006 Location: NC
Posts: 231
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Sock, you may get a kick browsing this site: http://www.digitaljuice.com Click "DJ TV" at top and check archives. |
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