24th September 2012
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#1 | | Gear Head
Joined: Jul 2009 Location: Serbia Thread Starter | What do you think about this new approach http://www.youtube.com/watch?feature...&v=wwgQjfg0hZw
As the thread says, what do you think about this?
Personally, I'm little skeptic about it, but I can't wait how it will turn out. The main problem that I see is the quality of recording songs on set, and after that syncing orchestra with the performance, it will be pain in the ass |
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24th September 2012
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#2 | | Gear Head
Joined: Jan 2011 Location: New York, NY
Posts: 32
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Definitely looks like a great film, I'm sure the location sound mixer/recordist had one heck of a time capturing all of that audio.
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25th September 2012
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#3 | | Lives for gear
Joined: Mar 2012 Location: NYC |
I'm not generally a huge fan of musicals, but I think I'll be seeing that one.
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Jesse Flaitz - Production sound and audio post. Greater NYC area. http://pedanticsound.net
“A cable is a source of potential trouble connecting two other sources of potential trouble.”
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25th September 2012
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#4 | | Gear Head
Joined: Aug 2012 Location: In a cave
Posts: 52
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Brilliant.I do feel sorry for whoever has to sync the orchestra and the vocals afterwards |
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25th September 2012
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#5 | | Lives for gear
Joined: Jul 2009
Posts: 4,659
| .It is very nice to see that there ARE folks ballsy enough to decide to use technology for the AVOIDANCE of "cheating" for a change!
I must admit that I have always wanted to be involved with this exact approach...
...But every time I ever even mentioned the idea (even hypothetically), all I got was eyerolls, facepalms, and outright laughter.
I really hope this works out well for these people. . |
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25th September 2012
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#6 | | Matt R. Sherman
Joined: Jan 2010 Location: Montreal, Canada
Posts: 507
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+1 to all that's been said. What an endeavor indeed!
Nice technical challenges for good reason.
It's the best of both worlds really, perform and shoot it like a live play, cut and post it like a dramatic feature. Awesome!
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25th September 2012
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#7 | | Gear addict
Joined: Dec 2008
Posts: 491
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Sure, it's a challenge, but isn't it really capturing a live theatre performance on film - and you get to do retakes?
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25th September 2012
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#8 | | Gear interested
Joined: Apr 2012 Location: Manchester UK
Posts: 29
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Melodyne! |
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25th September 2012
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#9 | | Lives for gear
Joined: Feb 2007 Location: Stockholm, Sweden
Posts: 635
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I'd say a major issue is editing this different emotional and tempo based shots together... And then eventually rewriting that full score to chase the singers tempo on set...
A hugely ballsy, fun nightmare!
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Europa Sound & Vision
Euphonix 32 fader S5MC + stand alone MC, Nuendo x 7, Protools x 7
Dub stage with HD projection (13m throw), VVTR,
and soon a complete picture department with online, grading and more. http://www.europasoundvision.se |
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25th September 2012
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#10 | | Lives for gear
Joined: Feb 2007 Location: Paris, France |
Wow! For once this might be a musical I'd like to see. Kudos to Simon Hayes the production sound mixer.
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Steven Ghouti 
Paris, France Heavy Nuendo users
"I don't care what they're talking about, I just want a nice fat recording" Harry Caul
My blog: http://www.filmmixer.eu |
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25th September 2012
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#11 | | Gear nut
Joined: Jan 2007 Location: Ireland |
Wow maybe the next person to win an Oscar for best sound mixing of a Musical will actually have earned it. |
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25th September 2012
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#12 | | Gear addict
Joined: Aug 2008
Posts: 496
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Great concept, definitely see the advantages in performance. Can you imagine the sense of "justice" the sound recorder will have when asking for a retake because something wasn't right, and getting it ;-)?
I'm sure if he/she is any good, most major acoustic problems will be delt with before the start of the recording, so it should sound great properly eq'd and compressed to fit with the orchestra.
"sounds great, but what's that hammering sound in the background? That my friend, is the sound of a pianist playing his mute 88 weighted keyboard, but I'm sure you have a plugin for that"
I do hope the picture-editor has a feel for music, otherwise this is going to be a lot harder to crack for the orchestra than the bizarre music-edits I get sometime. "yeah but it worked in the editsuite..." No it didn't....
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25th September 2012
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#13 | | Lives for gear
Joined: Jul 2009
Posts: 4,659
| Quote:
Originally Posted by ErikG I'd say a major issue is editing this different emotional and tempo based shots together... And then eventually rewriting that full score to chase the singers tempo on set...
A hugely ballsy, fun nightmare! | I would think there'd have to be some pretty interesting judgement calls being made on set during shooting:
After the master shot was done, I'd think that (at least in some cases) the same keyboard track would serve for subsequent shots.
...Might also be doing a few "test edits" right there on set before moving on to the next shot/setup/scene.
If this thing ends up working really well (and the fact that this YouTube video exists indicates that they have every confidence that it will), it would be VERY nice to see a musical film wherein the lead vocals actually LEAD for a change!
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25th September 2012
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#14 | | Gear Head
Joined: Jan 2010 Location: Ithaca, NY
Posts: 57
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I've always wanted to do something like this as well. Excited to see the final product!
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25th September 2012
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#15 | | Gear Head
Joined: Jun 2011 Location: Calgary Ab Canada
Posts: 33
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holy crap! soooo excited to see this!! other than having to watch crowe and jackman singing...cringe!
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26th September 2012
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#16 | | Lives for gear
Joined: Jan 2007 Location: Los Angeles
Posts: 781
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Originally Posted by loois holy crap! soooo excited to see this!! other than having to watch crowe and jackman singing...cringe! | Jackman has huge musical theater creds, and Crowe has had a band for years!
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26th September 2012
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#17 | | Gear interested
Joined: Jun 2012
Posts: 8
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Originally Posted by soundboy Jackman has huge musical theater creds, and Crowe has had a band for years! | Indeed.. I believe a local band has even written a song in tribute to the greatness of Mr Crowe's musical output.. https://www.youtube.com/watch?v=o1DRTnP0gY8 |
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26th September 2012
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#18 | | Gear Head
Joined: Jun 2011 Location: Calgary Ab Canada
Posts: 33
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Originally Posted by soundboy Jackman has huge musical theater creds, and Crowe has had a band for years! | haha, i don't doubt that jackman has, here's hoping his singing is better than his acting..
and i have seen clips of russell crowe's band...which was part of the reason why i was cringing...
Les Mis has been my favorite musical since i was a child, i guess i just got a little  when i saw wolverine and the gladiator in the cast...
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27th September 2012
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#19 | | Lives for gear
Joined: Apr 2010 Location: London, UK
Posts: 734
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Originally Posted by deadtrick I'm sure the location sound mixer/recordist had one heck of a time capturing all of that audio. | No doubt, but I'm also pretty certain he'd have just taken it in his stride. Probably one of the best choices they could have made was getting him.
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30th September 2012
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#20 | | Gear Head
Joined: Jun 2011
Posts: 65
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Oh, that looks wonderful - and the result will be great, it works a treat!
First time I'm seeing it on this scale (cinema) , but the system is not new - the first time I worked this way was back in 1995 - last time a couple of months ago. Try working for a small-time public broadcaster who doesn't see the use of spending good money on prerecording songs for playback!
It's great fun (although timeconsuming of course) and very rewarding for the mixer - but the composer usually has very little hair left at the end of the run.
The work is worth it - especially in group songs, as every character is recorded separately, you can bring out the voices to follow the image edit, which simply works better for TV/cinema sound than simple playback, with a nice "even" music mix. And of course, the actors have the freedom to do what they like with their acting...
The one thing I always worry about is the actual mixing of the music - after all, I'm a dubbing mixer and not a music mixer, and they are different jobs, whichever way you look at it. So that makes me nervous. However, somehow, it always turns out OK in the end. 
And I suppose a production like this one has top people for each specialty available.
So Barajevic: no need to be sceptical......
__________________ . There are some who call me... "Tim"...? |
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29th November 2012
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#21 | | Gear interested
Joined: Nov 2012
Posts: 3
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They can't record all the singing on location ? One scene in the trailer she is standing in the rain, you can't record singing in the rain? So they must do some "ADR singing" in post, or what do you think?
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29th November 2012
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#22 | | Gear interested
Joined: Mar 2008
Posts: 12
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Originally Posted by zealen They can't record all the singing on location ? One scene in the trailer she is standing in the rain, you can't record singing in the rain? So they must do some "ADR singing" in post, or what do you think? | Some ADR was shot yes, but the scene you are referring to had a custom made rain machine built to make the water droplets so small, with a special material on the ground, to make the sound of rain barely there on the recording. Granted there was some bleed still.. but with library rain ontop of it, it's not noticeable.
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29th November 2012
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#23 | | Gear interested
Joined: Nov 2012
Posts: 3
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Originally Posted by sitbh Some ADR was shot yes, but the scene you are referring to had a custom made rain machine built to make the water droplets so small, with a special material on the ground, to make the sound of rain barely there on the recording. Granted there was some bleed still.. but with library rain ontop of it, it's not noticeable. | oh that's cool. So are they also going to use the recordings from the location to the Official Soundtrack ?
I know that when they did Mamma Mia Meryl Streep did sing on location like this too.
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29th November 2012
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#24 | | Gear addict
Joined: May 2008
Posts: 401
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I think this is brilliant, esp. for a work like Les Miserables. The emotional aspect of the live performances should be stunning.
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29th November 2012
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#25 | | Gear Head
Joined: Aug 2011 Location: Los Angeles |
There is a fantastic post about Les Miserables over on the JWSound forum, with production mixer Simon Hayes writing some really great posts about the process. Well worth a read, seems like a fantastic team effort by all departments involved. Les Miserables, live singing.... - Current - Discussion Group |
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