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| | #1 |
| Gear interested Joined: Jan 2012
Posts: 4
Thread Starter | Probelm with K-weighting in BS1770
I've been having a tough time understanding the K-wieghting filter in the BS-1770. The shelving filter is used to simulate the diffraction effects of the head, and the RLB filter to account for the fact that our ears are less sensitive to sounds of lower frequencies. But why do we boost the higher frequencies in the K-weighted filter? According to the equal loudness curves, we notice that at lower freq, for the same loudness, the intensity must be greater than that of freq around 1-6khz. This is because our ears are less sensitive to lower freq, and this has been modelled rightly in the RLB filter. But, the equal loudness curves also show that the higher freq also have to have high intensity in order to sound as loud as freq in range of 1-6khz(which can be of lesser intensity). If this is the case, then the K-weighted filters should not boost higher freq, but rather diminish it. Have i gone wrong in reasoning this out somewhere? |
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| | #2 |
| Lives for gear Joined: Apr 2010 Location: London, UK
Posts: 560
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I don't know the ins and outs, all I do know is that both the ITU and EBU P.LOUD group put a lot of research and development into this, so doubt they will have got it wrong. Maybe someone with more information would like to chime in. |
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| | #3 |
| Lives for gear Joined: Jan 2008 Location: Belgrade, Serbia
Posts: 1,732
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I think you'd get more informed responses at the DSP section of the KVR forum.
__________________ Danijel Milosevic |
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| | #4 |
| Gear nut Joined: Jul 2011
Posts: 107
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...the ITU and EBU P.LOUD group put a lot of research and development into this, so doubt they will have got it wrong.... I wouldn't be so sure about that. So far, none of the architects of LKFS have been able to explain why RLB, which is essentially flat through most of the bass range, gives more accurate results than other loudness models that rolloff the lowend consistent with equal loudness curves. Furthermore, the HF shelving curve that is supposed to compensate for "head diffraction" is a joke! It's almost like someone threw that in at the last minute for whatever reason. When is the last time you saw someone using a weighting curve to compensate for "head diffraction"? Never? Bob Orban has a white paper on his web site that shows how much better the CBS Loudness algorithm is than LKFS. Ben Bauer and Emil Torrick developed the CBS algorithm throughout the 70's and it has stood the test of time. When the ITU did their loudness studies, they never included the CBS Loudness model! They never had a very good explanation for that omission, either! |
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| | #5 |
| Lives for gear Joined: May 2008 Location: New York
Posts: 501
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I can't answer your question but will add that it is really irrelevant as long as everybody uses the same standard. Sent from my DROIDX using Gearslutz.com App
__________________ Ken Wilkinson |
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| | #6 |
| Gear interested Joined: Jan 2012
Posts: 4
Thread Starter | |
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| | #7 | |
| Lives for gear Joined: Apr 2010 Location: London, UK
Posts: 560
| Quote:
*UPDATE* I've just had a quick read of the aforementioned paper, something that immediately stuck out was that Orban's own products use the CBS algorithm. Now, I'm sure he conducted very thorough research, however, he does state that ITU.1770 would be more effective if it used gating. Gating has been implemented in both ITU 1770 and EBU R.128, so perhaps the findings of his white paper should be re-examined. | |
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| | #8 |
| Gear nut Joined: Jul 2011
Posts: 107
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I'm not aware that there is any licensing involved these days, since CBS Labs went bust quite awhile ago (not when Orban initially decided to use their technique). Skovenburg and Nielsen briefly commented in their AES paper that the CBS model wasn't included in the ITU tests because there was no software implementation. Pure bull, because Orban had created a software version of the (analog) CBS algorithm for his own Optimod product. If you read the Jones/Torrick/Bauer IEEE papers on the development of the CBS algorithm, you'll see what the real meaning of -thorough- research is.
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| | #9 |
| Gear maniac | This is kind of my thought. As long as we're all on the same level, is it really a problem?
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| | #10 |
| Gear nut Joined: Jul 2011
Posts: 107
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Not a problem if you want to be like everyone else and use a flawed algorithm. The reason that the so-called "loudness" problem exists is because the same mentality prevailed when Dolby sweet talked everyone into playing Dialnorm and they responded by taking all of the automatic level controls off. There never was a "loudness" problem in the first place; just an inconsistent level control problem due to poor operating technique. There was no need to re-invent the wheel and spend all of the time "discovering" how to measure loudness when a more accurate model (the CBS model) was already in place. Another example of what you might call flawed science.
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| | #11 |
| Lives for gear Joined: Jan 2007 Location: Barcelona
Posts: 586
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hi tpad if you're making bold claims, please provide examples of audio that is significantly louder than another while measuring the same LUFS, before calling it flawed. The 1770 was designed to 1) be simple algorithm 2) provide good correlation between subjective and measured loudness. The filters and weightings were found empirically, personally I don't care if they call it head diffraction or ear lobe scattering, as long as the correlation is good. I don't underestimate the work of CBS, they have contributed to the advancement of this science just as many others: http://www.tcelectronic.com/media/sk...loudness_m.pdf cheers |
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| | #12 |
| Lives for gear Joined: Jan 2008 Location: Belgrade, Serbia
Posts: 1,732
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| | #13 |
| Gear nut Joined: Jul 2011
Posts: 107
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nuclear. There is no such thing as "measured loudness". Loudness "is a psychological term used to describe the magnitude of an auditory sensation [Harvey Fletcher and W.A. Munson]". It's the sensation of what you hear, not what is carried in a pair of audio program wires or in an audio data file. LKFS was being discussed at an AES convention years back and I asked one of the architects of LKFS what it was they were listening to for evaluation. He said they were using samples of off air broadcast material. When I further asked if the material was significantly compressed (as with a multiband broadcast processor), he said yes. A conventional volume indicator (aka VU meter) is perfect for this. You don't need any fancy meters or algos to balance this stuff; just peak it at zero VU and it all comes out nice and uniform sounding. Amazing how well the old technology still works! |
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| | #14 | |
| Lives for gear Joined: Apr 2010 Location: London, UK
Posts: 560
| Quote:
Yes, but we all know a VU is Virtually Useless :-P besides, this is starting to sound like you have a general problem with technology that has been introduced since the 1970s, specifically metering technology. The whole reason ITU.1770 was developed was because broadcasters have always had issues with matching the level of programmes and adverts. If this was achievable using VU, why was it not done? | |
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| | #15 |
| Gear nut Joined: Jul 2011
Posts: 107
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It's beginning to sound like YOU have a problem accepting the fact that technology introduced as far back as the 70's may have been more thoroughly and intelligently researched than what is currently in vogue. You're extrapolating to assume that just because I'm not enamored with BS-1770 (ONE instance of "modern" technology) that "I have a general problem with technology that has been introduced since the 1970's". Do Gearslutz a favor and don't try and psychoanalyze me or other members over the internet, because you don't know WTF you're talking about! If broadcasters have been having problems trying to balance program material using the CBS algorithm, I would like to see where that has been discussed in -legitimate- broadcast literature. I don't think you'll find any, because I don't think anyone other than Orban actually gave it a real try. Actually, broadcasters were NOT having problems matching levels when they were using intelligently applied processing. The whole problem started when they took the processing off and started aligning unprocessed program segments by using the single number measurement of program level (loudness), aka Dialnorm (LKFS). You can't claim that VU meters didn't work because the broadcasters gave up on them likewise, and started using PPMs and then eventually transitioned to using the LM100. I don't agree that the VU meter is totally useless. They never were accepted in the UK and through most of Europe either, and so that is your apparent bias against them. |
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| | #16 | |
| Lives for gear Joined: Apr 2010 Location: London, UK
Posts: 560
| Quote:
Also, how do you KNOW CBS did more research than TC Electronic, ITU and P.LOUD did in to this? | |
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| | #17 | |
| Gear addict Joined: Apr 2008 Location: Ottawa, ON, Canada
Posts: 377
| Quote:
Audio Perception | Communications Research Centre Canada
__________________ Howard Sonnenburg Composer/Sound Designer/Engineer/Gadabout www.sonsey.com "Nice Camera... how's the f#$%ing script?" - Adrian Langley | |
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| | #18 |
| Gear nut Joined: Jul 2011
Posts: 107
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Howard and Tom I KNOW what CBS Labs did because they published the information in a number of IEEE and SMPTE papers (which I have). I know CRC did a lot of research on the ITU program but it always comes across as hearsay. Maybe you should post or publish the material so we can all see it. Then maybe I'll have to eat my words! The intelligence part refers to the lack of expertise on program balancing and level matching that was commonplace knowledge back in olden days. I've got a I.R.E paper written by the legendary Howard Chinn from way back in 1947. Funny how they didn't have any problem balancing program material back then. They knew exactly what they were doing. Why is it that no one seems to know how to do it in modern times? |
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| | #19 |
| Gear addict Joined: Apr 2008 Location: Ottawa, ON, Canada
Posts: 377
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Hi Tpad, CRC Publication Database ~ Search Results | Communications Research Centre Canada All can be requested from CRC. I hear red wine goes well with white papers... |
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| | #20 | |
| Lives for gear Joined: Apr 2010 Location: London, UK
Posts: 560
| Quote:
Anyway, this is all elementary since the CBS method wasn't widely adopted and ITU.1770 in it's various guises is gaining a lot of momentum on both sides of the pond and elsewhere too. | |
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| | #21 |
| Lives for gear Joined: Apr 2010 Location: London, UK
Posts: 560
| Automated playout and cost cutting. This was also made worse by the loudness wars in commercials and even some programmes and broadcasters metering only the peaks, not overall loudness, certainly here in the UK at least.
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| | #22 | |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,953
| Quote:
Maybe not exactly an unbiased source... Alistair
__________________ Alistair Johnston - TV & Film Post, Mastering, Sound Design -- "The first principle is that you must not fool yourself -- and you are the easiest person to fool" -- Richard P. Feynman "There's a sucker born every minute" -- P.T. Barnum | |
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| | #23 |
| Gear nut Joined: Jul 2011
Posts: 107
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Yes, it's the same Bob Orban. He wrote the paper on loud music masters after noticing how bad they sounded with additional processing added on top. Brutal radio processing is totally the fault of the broadcaster, not the processor vendor. You can easily set an Optimod, Omnia, etc to process very mildy, to the extent that most listeners would not be aware of the processing at all. It's entirely up to the station management as to how the processing is being applied.
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| | #24 | |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,953
| Quote:
Alistair | |
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| | #25 |
| Gear nut Joined: Jul 2011
Posts: 107
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....It seems Mr Orban has a blind spot for his own products or the technology in his own products... The problem is not unique to just his product(s). Same thing happens with the Omnia broadcast processor line (Orban's primary competition). Omnia probably has a tech note on their website saying the same basic thing. There have a number of forums and discussions on the hazards of loud mastering at past AES conventions. You need to do more research on this. |
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| | #26 | |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,953
| Quote:
Sure user settings determine how much damage is done but why even include multi-band clippers if you have any respect for sound quality? No, it is about making and selling products that aim to make a signal hotter than anything else at any sonic cost and then trying to shift the blame elsewhere. Anyway, you missed the point entirely: The point was to question the objectivity of Mr Orban's papers. Alistair | |
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| | #27 |
| Lives for gear Joined: Apr 2010 Location: London, UK
Posts: 560
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tpad, do you know Mr Orban personally or hold shares in his company?
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| | #28 |
| Gear nut Joined: Jul 2011
Posts: 107
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nope. I have absolutely no connection with Orban or any of the other equipment vendors discussed here. I do own a couple of his limiters (also own a couple of TC Electronics limiters too). I have talked to Bob briefly several times at the NY AES conventions, but that is the extent of my involvement with him. I used to deal extensively with radio broadcasters years ago, and were always talking processing, so his (Orban's) designs and philosophies are sort of hard-wired in my brain as a result. Wish we could get him to participate on Gearslutz, he makes for some real interesting discussion and reading!
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| | #29 |
| Gear nut Joined: Jul 2011
Posts: 107
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Undertow. I think YOU missed the point. FM broadcasters use processing - period. Whether it is Orban's or some other brand, they all do similar things to the signal. An undesired side effect of ANY of the popular brands is that hypercompressed rock music sounds pretty dreadful after it has been run through them. Rather than nitpick about Orban's alleged bias, you should be thanking him for identifying the problem cause. He originally published that observation on rec.pro.audio in the 90's, so it is rather dated material. Similar degradation occurs when you try and encode hypercompressed material with AAC, MP3, etc. So the finger points back to the hypercompressed material, not the audio processing. Incidentally, FM Optimods don't use mutiband clipping. That's why I suggested you do a little more research on the art of broadcast processing before trying to discuss here.
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| | #30 | |
| Lives for gear Joined: Apr 2010 Location: London, UK
Posts: 560
| Quote:
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