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| | #1 |
| Lives for gear Joined: May 2003 Location: warsaw, poland
Posts: 529
Thread Starter | Does this surround plugin exist?
It is difficult to pan surround tracks in protools. They are hard wired to bus outputs with no possibility to change anything. What i need is a simple plugin that at least lets me control the volume of all the channels on multichannel track. I know i can always use trim plugin in multimono mode, but this is not an elegant solution. I cant see all the volumes at once, and it's difficult to switch between channels. The perfect plugin would allow me to pan the channels on a multichannel track, for example move the L channel to center. It should be easy to do. Does such a plugin exist? Sent from my GT-I9100 using Gearslutz.com
__________________ http://myspace.com/witkacy_mix |
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| | #2 |
| Lives for gear Joined: May 2003 Location: warsaw, poland
Posts: 529
Thread Starter |
of course there is the waves 360 bundle with surround panner, but it costs 900$ which is quite a lot for this simple task and i don't need the other stuff from this bundle. and actually i'm not sure if it can do what i need to do. |
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| | #3 |
| Lives for gear Joined: Apr 2005 Location: Los Angeles
Posts: 1,749
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the only way is to blow out the surround track into 5 or 6 mono tracks and feed them into another surround track OR a surround aux. This is how I would work. Work with your chosen multichannel plug in and get the sound close to what you want. Print it. Blow that out into multimono tracks and feed an aux bus and adjust your pans. unfortunately panman by sound toys is only stereo. The above seems cluggy but really its the best way. |
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| | #4 |
| Lives for gear Joined: Apr 2005 Location: amsterdam
Posts: 1,207
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I use a Lawo console, which is completely flexible when it comes to surround anyway, but it has this thing called hyperpanning, which is available as a plug in. No idea what the price is.. Hyperpanning |
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| | #5 | |
| Lives for gear Joined: Apr 2009
Posts: 819
| Quote:
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| | #6 |
| Lives for gear |
I use Cakewalk Sonar X1 PE. This can use a simple joystick for panning. It allso has stereo in surround. So if you have a great sounding leadvocal in M-S on a stereo track, you can now pan it in surround... If you want, I can do the mix for you.... Just let me know.
__________________ I use BAGEND SPEAKERS. you should hear em too. http://www.myspace.com/a-muze#!/556701704 |
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| | #7 | |
| Lives for gear Joined: Apr 2009
Posts: 819
| Quote:
Not sure what that could be good for... | |
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| | #8 | |
| Gear addict Joined: Feb 2010 Location: London
Posts: 437
| Quote:
+1 - 6 mono channels into a 5.1 aux. Pan and level each channel as you'd like. Group the 6 channels together for editing and it'll feel like one. That'll be way more powerful and more hands on than any plugin could ever be anyway!
__________________ FF dubbing mixer / sound designer and all things post sound related! ![]() My IMDB My Full Credits My 2011 Showreel | |
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| | #9 |
| Gear addict Joined: Feb 2007
Posts: 373
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In Nuendo we can re-pan a 5.1 stem quite easily. but rebalancing requires it to be split/sent to multiple mono channels or using a plugin like the built in "mixer delay", it has fader/mute/solo and delay on each channel.
__________________ Europa Sound Production Euphonix 32 fader S5MC + stand alone MC, Nuendo x 7, Protools x 10 4 x VVTR, Avid Adrenaline, Final Cut Pro http://www.europasound.se |
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| | #10 |
| Lives for gear Joined: Jan 2008 Location: Belgrade, Serbia
Posts: 1,732
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There are the free AcousModules VST plugins that can do just that, so maybe you could run them via RTAS adapter if that thing works anyway. But, I too consider that probably unnecessary, except for some very special application.
__________________ Danijel Milosevic |
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| | #11 |
| Lives for gear Joined: May 2003 Location: warsaw, poland
Posts: 529
Thread Starter | imagine a 5-channel SFX of train on station. the train starts, leaves the screen, going for example to the right. i can follow the train with my SFX, panning the 5-channel track. or just attenuating the rears and front left channel. |
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| | #12 |
| Lives for gear Joined: May 2003 Location: warsaw, poland
Posts: 529
Thread Starter | |
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| | #13 |
| Post Freak! |
I don't have an answer for you , but this is really something that should be built into Pro Tools. We should rally to get Avid to build multi-channel tracks that have pan/volume & waveform editing on individual channels.
__________________ Chris M. Jacobson, CAS Re-recording Mixer, Sound Designer Imagery Productions IMDB |
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| | #14 | |
| Lives for gear Joined: Apr 2009
Posts: 819
| Quote:
What you´re asking for is essentially having another 5-in-5-mixer as a plugin. Like a DAW inside a DAW. If you pan a quad recording from C to R you are essential mixing it down to mono and panning it from C to R. | |
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| | #15 | |
| Lives for gear Joined: May 2003 Location: warsaw, poland
Posts: 529
Thread Starter | Quote:
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| | #16 |
| Lives for gear Joined: May 2003 Location: warsaw, poland
Posts: 529
Thread Starter | |
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| | #17 | |
| Lives for gear Joined: Apr 2009
Posts: 819
| Quote:
Meaning: Why pan an entire complex stem when you can pan the single elements in the first place? Technically there is no difference between panning 5 mono tracks to a 5.0 sum to that plugin that you suggest. Or am I missing something? | |
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| | #18 |
| Gear addict Joined: Feb 2007
Posts: 373
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Lots Of good reasons to. During the design stage you create a selement that is multichannel that needs to be panned according to the picture (think late arriving cgi) with Nuendo panning a multichannel sound the focus sound (that might be panned center normally) will now rotate with all the belonging side elements rotating along with it. Works awesome for POV style scenes. Other times re-panning a music stem is also dead simple. No need to split to mono. |
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| | #19 |
| Gear Head Joined: Dec 2011
Posts: 31
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I think you are looking for waves S360 imager If you got a track in 5.1 Use that plugin as a panner and a distance from speaker with width adjustment So you can control amount in %center rotation Distance Width And Er reflection |
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| | #20 |
| Lives for gear Joined: Apr 2005 Location: amsterdam
Posts: 1,207
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"Lots Of good reasons to. During the design stage you create a selement that is multichannel that needs to be panned according to the picture (think late arriving cgi) with Nuendo panning a multichannel sound the focus sound (that might be panned center normally) will now rotate with all the belonging side elements rotating along with it. Works awesome for POV style scenes. Other times re-panning a music stem is also dead simple. No need to split to mono." The aforementioned Lawo plug in also does exactly that. |
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| | #21 | |
| Lives for gear Joined: May 2003 Location: warsaw, poland
Posts: 529
Thread Starter | Quote:
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| | #22 |
| Gear interested Joined: Oct 2011 Location: memphis TN
Posts: 28
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so you mean the train was not on a specific channel? and there was bleed into the other mics because it was tracked as double m/s? It seems like that movement should have been tracked naturally? or maybe im confused.
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| | #23 |
| Gear Head Joined: Jan 2007 Location: Ireland
Posts: 46
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Another good example of why it would be useful is if you have 5.0 recorded ambiences. You have no easy way of changing the balance between channels without splitting to mono at the moment so I avoid them usually.
__________________ G5 2.5Ghz,4GigRam,OS10.4.8,HD6,192,Sync,Mojo,D-Control,PT7.3.1,Waves Plat (Dell M70 2.13Ghz,Windows XP,1Gig Ram,DV Toolkit2, Mbox,Command 8,PT 7.3.1) |
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| | #24 |
| Lives for gear Joined: May 2003 Location: warsaw, poland
Posts: 529
Thread Starter |
The train was just an example. Another example is the 5 channels atmos. I might want to pan them differently. So far the conclusion is there is no elegant way of doing it in protools? The non elegant ways are splitting to mono tracks or putting a multimono trim plugin. Sent from my GT-I9100 using Gearslutz.com |
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| | #25 |
| Lives for gear Joined: Apr 2005 Location: Los Angeles
Posts: 1,749
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when I work with quads I just put them on 2 stereo tracks and feed a 5.1 aux. I would do the same with a 5 channel recording but add a mono track to that. Its not really a thought.
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| | #26 |
| Lives for gear Joined: May 2003 Location: warsaw, poland
Posts: 529
Thread Starter |
I think it's the best solution so far. 3 tracks, better than 5. Still not perfect, but ok. So it would be mono track for C, stereo for LR and another stereo for LsRs. All editgrouped. Sent from my GT-I9100 using Gearslutz.com |
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| | #27 |
| Lives for gear Joined: Aug 2008 Location: North Hollywood, CA
Posts: 668
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I almost always use a mono track when I'm panning through a 5.0 space (the LFE does not pan, so I'll leave that out of the equation. If you want to do something really creative, take the mono source, do your perspective panning, to a 5.1 aux then route the LCR Ls Rs to individual auxes each with a separate reverb on it. Adjust the reverb to give you dimension and as you pan around, the changes in reverb perspective will change. Reverbs can be mono, stereo or 5.1 but with different characteristics. If there is an open field on the left, it would have significantly different characteristics than the brick buildings on the right. Takes a while to set up, but can be very effective.
__________________ Rick Sanchez Post Haste Media, Inc. 11115 Magnolia Blvd. North Hollywood, CA. 91601 818-232-7556 http://www.posthastemedia.com |
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| | #28 |
| Lives for gear Joined: May 2003 Location: warsaw, poland
Posts: 529
Thread Starter |
wow. interesting idea. have to try that. |
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