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| | #1 |
| Lives for gear Joined: May 2005
Posts: 927
Thread Starter | Flux Elixir
Has anyone used this? Comments? Thanks! |
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| | #2 |
| Lives for gear Joined: Mar 2004 Location: Burbank, CA
Posts: 692
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Two people who I really respect when I asked them about it said "buy it"! That was good enough for me. The Flux Elixir is on my Christmas list. Download a demo and see.
__________________ Marti D. Humphrey CAS aka dr.sound www.thedubstage.com Imdb credits http://www.imdb.com/name/nm0401937/ Like everything in life, there are no guarantee's just opportunities. |
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| | #3 |
| Lives for gear Joined: May 2005
Posts: 927
Thread Starter | |
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| | #4 |
| Lives for gear Joined: Aug 2004 Location: Up here
Posts: 6,181
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| | #5 |
| Post Freak! |
Actually 5 stages are available, but it becomes VERY processor heavy (and a lot of latency as well). Probably one of the most CPU intensive limiter plug-ins I've ever used, but it does sound REALLY GOOD! I've never heard a limiter as transparent as this. One problem I've found is that some multichannel formats aren't working in Pro Tools 10 (haven't tried it in PT9, and probably never will). For instance: Quad works, but there's no LCRS available, 7.0 doesn't work but 6.1 does, also 6.0 doesn't work, but 5.1 does. Go figure…
__________________ Chris M. Jacobson, CAS Re-recording Mixer, Sound Designer Imagery Productions IMDB |
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| | #6 |
| Lives for gear Joined: Mar 2004 Location: Burbank, CA
Posts: 692
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KK, Chris Jacobson is one of the two people I told you about. Trust him! I do everyday. |
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| | #7 |
| Lives for gear Joined: Apr 2010 Location: London, UK
Posts: 560
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Only tried the demo, but noticed the high-resolution mode also increases CPU a lot, would be nice if it was as efficient as Massey L2007, but does sound a lot better. at €99 it's a bargain.
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| | #8 | |
| Lives for gear Joined: Aug 2004 Location: Up here
Posts: 6,181
| Quote:
I feel that Hi-Res is a must, but I'm not sure how many stages you need. 5 is nearly impossible as it's the largest CPU hog I've ever come across, but 1 is certainly acceptable, and 3 is manageable in most sessions. | |
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| | #9 | |
| Lives for gear Joined: May 2005
Posts: 927
Thread Starter | Quote:
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| | #10 | |
| Lives for gear Joined: May 2005
Posts: 927
Thread Starter | Quote: | |
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| | #11 | |
| Post Freak! |
I've reported the bug/s to them and they said they're going to fix it int the next release. Quote:
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| | #12 |
| Gear addict Joined: Sep 2008 Location: Melbourne
Posts: 369
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| | #13 |
| Post Freak! |
Yeah, I've heard that, though I haven't really used their stuff to really see it myself. I figured that the Elixir limiter is more of a set and forget tool, rather than something I'll automate much. |
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| | #14 |
| Lives for gear Joined: Aug 2004 Location: Up here
Posts: 6,181
| I've heard that automation works in this case, but beyond that why would I automate a final stage limiter? Yes, the option is there (and supposedly working) but that doesn't mean it's going to see a lot of use.
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| | #15 |
| Post Freak! |
Yeah, exactly my point. I may even turn off automation completely on this limiter, as I don't really see the need for automating it except for maybe some specific sound design applications. |
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| | #16 | |
| Gear addict Joined: Sep 2008 Location: Melbourne
Posts: 369
| Quote:
He now has $$$$$$ flux plugins he never uses.
__________________ ProTools HD Native, C 24 control surface, Mac Pro Intel duo Quad, Decklink Studio 2 and a Coleman VU Microphones, Nuemann Tlm 103, SE GeminII Twin Tube and a H4 Massey De-esser and L2007, Izotope RX2, DMG Audio Equality and Compassion. Waves w43, Dorrough, Rbass, Rcomp plus heaps more. | |
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| | #17 | |
| Gear Head Joined: Jan 2010 Location: San Francisco, CA, USA
Posts: 46
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Haven't tried the new versions myself. | |
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| | #18 |
| Lives for gear Joined: Jan 2010
Posts: 1,411
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related, free, but maybe not pro enough for you guys... LoudMax (mac,pc) http://www.vstplanet.com/VST_effects.../broadcast.zip (PC only) |
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| | #19 | |
| Lives for gear Joined: Apr 2010 Location: London, UK
Posts: 560
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| | #20 |
| Lives for gear Joined: Jan 2010
Posts: 1,411
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what does that mean: True peak limiter? sorry, I'm new here ![]() Loudmax will pump when used wrong, but never distort, and an easier, helpful tool I've never found. Broadcast gets weird but extremely usable. I find both very usable. Maybe not a TRUE PEAK though? |
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| | #21 |
| Gear Head Joined: Nov 2009
Posts: 34
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I have been looking for a loudness meter plug-in (EBU128 compliant) and Elixir has caught my attention, but my question is: is it reasonable to use it as a (basic) meter, or, being a limiter, will this always affect the sound in some way ? At this price point I have not found any other EBU128 meter, please someone correct me if I am missing something. |
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| | #22 |
| Lives for gear Joined: Jan 2010
Posts: 1,411
| DYNAMIC RANGE | pleasurize music! kinda awkward to find the download now, but effective. http://www.vstplanet.com/VST_other_a...ter%201_4a.zip |
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| | #23 |
| Gear Head Joined: Nov 2009
Posts: 34
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Thanks, wwjd, but as far as I could see this is VST & PC only, I am running PT9 on an iMac. Any input regarding the meter-only possibilities with Elixir? |
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| | #24 |
| Lives for gear Joined: Jan 2007 Location: Barcelona
Posts: 586
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The ToneBoosters TB Barricade plug-in (PC VST)TB Barricade claims to.. "Last but not least, inter-sample peak (ISP) detection circuits that are in line with EBU R-128, ATSC A/85 and ITU-R 1770 allow to generate true-peak compliant audio signals." |
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| | #25 | |
| Lives for gear Joined: Jan 2010
Posts: 1,411
| Quote:
Real-time audio spectrum analyzer plugin (AU, VST) - SPAN - Voxengo Span is nice, but not sure if it is "True Peak" whatever that is, or EBU128, but does K system Melda does mac: MeldaProduction MAnalyzer, free audio effect And my personal favorite cross platform is RND INSPECTOR: Roger Nichols Digital Inspector – Audio Analysis Plugin - Kreativ Sounds the meter on right is Peak, and the slim side meters are RMS again not sure about "True Peak" or EBU128 compliance so, sorry to run off topic here | |
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| | #26 |
| Gear addict Joined: May 2009 Location: France
Posts: 329
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Here's a few docs that probably will be of interest in this discussion: Terminology for loudness and level dBTP, LU, and all that http://downloads.bbc.co.uk/rd/pubs/w...les/WHP202.pdf EBU R128 http://tech.ebu.ch/webdav/site/tech/shared/r/r128.pdf ITU-R BS.1770 http://www.itu.int/dms_pubrec/itu-r/...7-S!!PDF-E.pdf Cheers, /Felix
__________________ http://fluxhome.com/ http://twitter.com/FluxPlugins http://youtube.com/FluxPlugins |
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| | #27 | |
| Lives for gear Joined: Mar 2006 Location: the Netherlands
Posts: 3,953
| Quote:
There is a freeware Win VST meter that does R128: KVR: Audiocation releases AC-R128 - Freeware VST Loudness Meter Otherwise for Mac users I think NuGen VisLM is still the cheapest standalone R128 meter. Ozone 5 advanced also features a R128 meter. It works well but iZotope still need to fine-tune a few GUI things to make it practical for every day use. (But it works!). I've been comparing the Elixir to the Ozone 5 limiter. At the moment I'm leaning on the side of Ozone but I need to do more testing. Alistair
__________________ Alistair Johnston - TV & Film Post, Mastering, Sound Design -- "The first principle is that you must not fool yourself -- and you are the easiest person to fool" -- Richard P. Feynman "There's a sucker born every minute" -- P.T. Barnum | |
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| | #28 | |
| Lives for gear Joined: Apr 2010 Location: London, UK
Posts: 560
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| | #29 |
| Lives for gear Joined: Mar 2008 Location: The Heart of Screenland
Posts: 1,603
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I've been trying to work with this limiter, and while it is excellent in terms of being a transparent brick wall that you need in order to hit broadcast true peak specs, I am having too many issues due to the latency to be able to use it. On my 8 core Harpertown HD6 system, with Eilxir on the FX stem, I have to set the HW buffer at minimum 1024 samples in order to avoid getting constant snits and snats. That makes the latency over 2600 samples, which is more than a frame delay. I can definitely see one frame of delay, so everything looks out of sync, and even at 1024 samples HW buffer, I still get the occasional anomaly. Until they come up with a DSP version that has reasonable latency, it is unusable for me. Too bad, because I could use a decent true peak limiter. Using L1's to maintain a true peak of -3, I sometimes have to lower the threshold to -7 or -8 for gunshots and other big dynamic effects to compensate for overshoot, and that is too low - you hear the limiter too much, and backing off the source level sounds anemic. I need to find a solution, so if anyone has a good suggestion for a DSP based true peak limiter, I would appreciate a heads up.
__________________ Gary Gegan |
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