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| | #1 |
| Lives for gear Joined: Jan 2008 Location: Philly/New York
Posts: 5,114
Thread Starter | limiting in 4 stems
Doing the final mix down off of my four stems. Post isn't my main thing, I do it once in a while. I'd like to know how people are applying limiting in their final mix? On the master, or a little bit on each stem? And generally speaking where are people setting their peaks and rms levels. This is to be played in a theater, not a network broadcast. Thanks greatly for your help!
__________________ I have a new website - check it out: www.Weiss-Sound.com Member of The Pyramid Recording Collective. Grammy Nominations, Platinum & Gold credits, yeah... we got that. |
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| | #2 |
| Gear nut Joined: Aug 2008 Location: Santa Clarita, CA
Posts: 125
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For theatrical there's usually no limiting of stems needed.
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| | #3 |
| Gear addict Joined: Apr 2009 Location: Los Angeles
Posts: 361
| limiting in 4 stems
There is no such thing as Mastering for feature films. That's not to say it hasn't been done, but it isn't a job title in the industry. Don't put any type of limiting on your tracks unless you absolutely have to. Let your stems play unaltered and if it sounds good, print it. RMS for dialogue is typically around -31dBFS and I don't like to let my dialogue peak more than -8dBFS, the most I typically like to go is -10dBFS. There really aren't any standards for foley, SFX, BGs, or Music levels. Just make it sound good in relation to your dialogue. Since you already have stems made for your Printmaster, I would just do trim automation on individual channels if you hear something funky. Good luck and have fun!
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| | #4 | |
| Lives for gear Joined: Jan 2008 Location: Philly/New York
Posts: 5,114
Thread Starter | Quote:
Thanks! (clarification: When I said master, I meant on the master bus). | |
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