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| | #31 | |
| Gear addict Joined: Feb 2010 Location: London
Posts: 437
Thread Starter | Quote:
Have done the "live" style before (even more so than today) too, although not on feature level, or any way close. In my case it was laying to tape whilst i mixed, which is actually a surprisingly great adrenaline burst - makes up for the content of the show! Talking of films mixed in the style you mention above Gary, I worked on a film about a year or so ago that had been mixed in 2 days at a very well known film studio over here. I had the stems and just had to make a few changes after the event, but I've actually kept the project on my rig at home and have learned so much about setting scenes in different ways and giving elements their own space without detracting from the story. Whenever I work on something with a little more to it, i always try to apply the things i've learned from the stems - It's definitely made a difference to the quality of my work ![]() FF | |
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| | #32 |
| Gear maniac Joined: Oct 2005 Location: Paris
Posts: 189
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I write music for cartoons which is a curse - my kids and most of their friends watch/listen to my work on TV as often as they can... Strangely I enjoy watching my work after a year or so has passed. After the final mix I can't stand what I've written, I hate the mix, the SFX are too loud etc. Mixing guy and director knew what they were doing though, and I'm glad I kept my mouth shut at the time ;-)
__________________ www.nicholasvarley.com |
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