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| | #1 | |
| Lives for gear Joined: Apr 2004 Location: Chennai, India
Posts: 1,257
Thread Starter | what is the center section of this console setup?
The pic is from this tour of walt disney studios and this is the ADR room. What is the center section (between the icon/d-command and expander) that the engineer is using?
__________________ http://soundcloud.com/audiothings/mudhakaratha-rm Quote:
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| | #2 |
| Gear Guru Joined: Jan 2004 Location: out in the dirt.
Posts: 15,625
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that is Doc Kane's old console plopped in-between the D-Control. I think it might be an old Lar-Tec ADR console, but maybe one of the Disney guys can clarify that- its been a while since I was in that room...
__________________ Charles Maynes credits Charles' webpage "Better the Arabs do it tolerably than that you do it perfectly. It is their war, and you are to help them, not to win it for them." T.E. Lawrence today is a good day to make your obituary better.... General Smedley Butler- WAR IS A RACKET American Rhetoric: Dwight D. Eisenhower - Farewell Address |
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| | #3 |
| Gear addict Joined: Feb 2007 Location: Chicago
Posts: 497
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nevermind that, what a great mustache.
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| | #4 |
| Gear addict Joined: Apr 2008 Location: Hollywood, CA
Posts: 412
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curious too. it almost looks like a summing mixer. custom built? |
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| | #5 |
| Lives for gear Joined: Mar 2008 Location: The Heart of Screenland
Posts: 1,603
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Back in the 80s I used to fill in for Doc at Disney when he was sick or on vacation. That center section sure looks old school, kind of like Doc. It reminds me a lot of the ADR controller we used to use back then. I can't remember the make, but they were all over Hollywood. I don't think its a LarTec. I remember them as being light gray. Love the VU meters. There are 14 of them, which reminds me of when we used to record ADR on a 16 track recorder because track 15 was left blank so the TC recorded on channel 16 wouldn't bleed into the ADR on track 14, which meant you only needed 14 VUs.
__________________ Gary Gegan |
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| | #6 | |
| Lives for gear Joined: May 2005
Posts: 927
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__________________ ___________________ K. K. Proffitt President, JamSync®, Nashville www.jamsync.com http://jamsyncnashville.blogspot.com (615) 320-5050 | |
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| | #7 |
| Gear addict Joined: Mar 2009 Location: The O.C.
Posts: 479
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And don't forget, monitoring an adjacent track for a punch-in was a no-no. And don't put cymbals on an outside track... Aah, the good 'ole days...
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| | #8 |
| Gear addict Joined: Feb 2007 Location: Warszawa, Poland
Posts: 433
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And, as the 24th track (or the 1st) was the weakest track (due to mechanical issues), there were problems with recorded timecode sometimes, and "jam sync" was often the best friend... Kuba |
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| | #9 |
| Lives for gear Joined: Jan 2010 Location: The OC
Posts: 525
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Sometimes if I have a hard time going to sleep, I try to remember the alignment procedure for an analog 2". Hi Freq record bias...1.75 dB over peak at 30 ips for Ampex 456 Repro align 10k, 1k, 100Hz +3 on the meters using a 250 nW/m ref tape for a +6 recording Record alignmennnn zzzzzzzzzzzzzzzzz
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| | #10 | |
| Gear Head Joined: Oct 2005 Location: Los Angeles
Posts: 66
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They may be using a Soundmaster for the master logic control and synchronization. It's very cool....something avid could map to their surfaces but that would NEVER happen! | |
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| | #11 |
| Gear Guru Joined: Jan 2004 Location: out in the dirt.
Posts: 15,625
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thanks for the details on that- it has been a few years since I have done any ADR with Doc. That console is very cool, and Doc is a true master at what he does....
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