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| | #1 |
| Lives for gear Joined: May 2008 Location: New York
Posts: 501
Thread Starter | if only one adr mic, short or long shotgun?
Hey guys. About to do my first ADR session on a shortt film. I know that when selecting a mic for ADR, I should try to match the mic used in production. I currently don't have any shotguns, and have a budget under $250. If I can only buy one shotgun for general ADR should I go with a short or long? Thanks
__________________ Ken Wilkinson |
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| | #2 |
| Lives for gear Joined: Apr 2009
Posts: 823
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Since the only options for that money are a rode NTG-2 or an AUDIO TECHNICA AT897 your choices are limited. On professional shoots people use Sennheiser MKH60 or 70 MKH 416, Neumman KMR81/82 or Sanken when it comes to shotguns. But they cost about 5-9 times more. It´s not about short or long. It´s about matching to what is used on set. |
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| | #3 |
| Lives for gear Joined: May 2008 Location: New York
Posts: 501
Thread Starter |
I understand being so limited will make it difficult to match production recordings. I guess what I am looking to find out is would the wider polar pattern of a short mic be preferred over the narrower pattern of a long shotgun, when trying to match a wide array of dialogue takes?
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| | #4 | |
| Gear addict Joined: Apr 2008 Location: Ottawa, ON, Canada
Posts: 377
| Quote:
If your budget is limited, consider RENTING the appropriate mic(s) for the sessions. You'll probably spend less money, and the client will be a lot happier in the end. Also be sure to check out the ADR sticky on the DUC. Excellent advice there.
__________________ Howard Sonnenburg Composer/Sound Designer/Engineer/Gadabout www.sonsey.com "Nice Camera... how's the f#$%ing script?" - Adrian Langley | |
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| | #5 |
| Lives for gear Joined: May 2008 Location: New York
Posts: 501
Thread Starter |
I checked with a local rental house(60 miles away) and was suprised at how affordable the rates were. Plus they fedex overnight. Thanks for the great advice.
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