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| | #1 |
| Lives for gear Joined: Jan 2008 Location: Houston, Texas
Posts: 2,443
Thread Starter | Capturing Audio for Post
Guys(and Gals), I am using a pair of Panny HMC-40's, one with an XLR adapter. I h ave been shy of capturing audio on board and instead have been using a small interface and a PC. In post (Vegas Pro 9) I usually have to time stretch video or audio a smidgen to get things locked up and it is ok but it bothers me that I haven't gotten to the point of being able to use the onboard audio ability. I would like the redundancy and would like the simplicity when it works. I generally capture lectures and am catching audio from whatever facility's mixer, via feed. In most cases, the audio isn't loud enough and/or, I get hum that I have to later sculpt out with EQ. So, my point in posting is to see if any of you have experience doing this and may be able to give me a tip or procedure or two towards better post "posture". Thanks in advance, Rob |
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| | #2 |
| Gear nut Joined: Jul 2007 Location: NYC
Posts: 127
| If possible eliminate problems before you record
If you are not happy with the level you are recieving you need to turn it up at the board, do a level check before the presentation with your loudest peaks at about -6db. If you are getting a hum have you tried an iso-transformer? These are used in corporate presentations often to avoid hum. here's an example, I can't say anything about the brand or product Connectronics XLR-ISO 600 Ohm XLR Audio Isolation Transformer at Markertek.co.uk |
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| | #3 |
| Lives for gear Joined: Jan 2008 Location: Houston, Texas
Posts: 2,443
Thread Starter |
I guess those things are a bit obvious. I appreciate the lead on the transformer. I will pick that up. On the volume thing, I guess it was a bit of venting about tech performance. On a related note, is it typical for people to capture audio separately for post or do you see a lot of footage with audio and video both captured on-board the camera? I am wanting to work towards the latter unless it is a given that it usually isn't the best answer. Also, if you were to split audio for recording devices, as in my case (camera/PC Interface), is it typical to ask for two feeds or is there an easy way to split the feed, yourself? Sorry if the questions seem a bit basic. Rob |
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| | #4 |
| Lives for gear |
probably better to bring your own mixer to the party to split the audio. for sync though, both recorders should be locked together.
__________________ Ray Trujillo Senior Audio Engineer Discovery Channel Latin America/US Hispanic MTP&O Miami, FL |
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| | #5 | |
| Lives for gear Joined: Dec 2005 Location: San Francisco area
Posts: 2,422
| Quote:
Philip Perkins | |
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