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| | #1 |
| Lives for gear Joined: Mar 2004 Location: Burbank, CA
Posts: 692
Thread Starter | SMPTE LA Loudness Meeting 6-15-2010 BE THERE Sorry for the late post but this is a MUST meeting for us all. See you there! SMPTE MONTHLY MEETING - JUNE 15, 2010 Linwood Dunn Theater – 1313 N. Vine Street Parking in the rear, enter on Homewood Avenue Social Hour at 6:30 pm; Program begins at 7:30 pm Loudness– TV and Related Cinema Post-Production (Can you hear me now?) Congress has now passed H.R. 1084, the CALM Act. When ratified by the Senate and signed by the President, the Act will direct the FCC to enforce provisions of the Advanced Television Systems Committee’s A/85 Recommended Practice. A/85 explains new methods for measuring and maintaining consistent television loudness. Member of our distinguished panel were all part of the ATSC subcommittee that worked for two years to develop this important new standard. The panel will explain the important elements of A/85 and how to use it. Implications of the new recommended practice are far-reaching, affecting everyone from people working in Production/Post-Production, through to Broadcast and other Distribution. Following his opening presentations, meeting coordinator Lon Neumann will moderate a panel discussion that promises to be lively, and which probably will extend to include other related topics, such as the implications for the emerging Mobile/Handheld market. Our panel: Jim Starzynski, NBC, Principal Engineer, Chief Audio Architect, Advanced Technology. Tomlinson Holman, Professor, USC School of Cinematic Arts and Viterbi School of Engineering. Jeff Riedmiller, Dolby, Director, Sound Platform Group. Rich Friedel, Fox Networks, EVP/General Manager, Engineering and Operations.
__________________ Marti D. Humphrey CAS aka dr.sound www.thedubstage.com Imdb credits http://www.imdb.com/name/nm0401937/ Like everything in life, there are no guarantee's just opportunities. |
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| | #2 |
| Lives for gear Joined: Dec 2008 Location: NYC
Posts: 503
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Would be great to see this, but not realistic for us East Coasters. Any chance it could be shot and/or recorded for a podcast like that "What Happened to my Mix" lecture?
__________________ Joseph Just |
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| | #3 |
| Lives for gear Joined: Jun 2002 Location: LA, USA
Posts: 6,836
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Do I have to be a member? I would love to go. |
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| | #4 |
| Lives for gear Joined: Mar 2004 Location: Burbank, CA
Posts: 692
Thread Starter | |
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| | #5 |
| Lives for gear Joined: Dec 2005 Location: San Francisco area
Posts: 2,422
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| | #6 |
| Lives for gear Joined: Jan 2008 Location: Belgrade, Serbia
Posts: 1,732
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Would love to see this too.... Sounds like an epic panel |
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| | #7 | |
| Lives for gear Joined: Jun 2002 Location: LA, USA
Posts: 6,836
| Quote:
I'm sick and tired if these limits being imposed on us, yet since thus started a few years ago, the main problem hasn't been addressed. The commercials. | |
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| | #8 | |
| Gear addict Joined: Dec 2007
Posts: 379
| Quote:
We've been at -24 LKFS +/- 2 for at least a year. Bet you can't say the same for some of the Fringe cold opens | |
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| | #9 | |
| Lives for gear Joined: Jun 2002 Location: LA, USA
Posts: 6,836
| Quote:
How come I'm still reaching for the remote during commercials then? | |
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| | #10 |
| Gear addict Joined: Dec 2007
Posts: 379
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| | #11 |
| Lives for gear Joined: Jun 2002 Location: LA, USA
Posts: 6,836
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| | #12 |
| Gear addict Joined: Feb 2007 Location: Warszawa, Poland
Posts: 433
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I second to Danijel - please tape it! It would be great to see it. It is really hard to fly half of the planet for such an event these days. regards, Kuba |
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| | #14 |
| Lives for gear Joined: Feb 2007 Location: Paris, France
Posts: 501
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We had a similar conference a few weeks ago in France. Just as Mark says: we get loudness limits for TV shows and movie TV masters, but commercials are left to their own design... It's ludicrous that everything has to conform to a loudness standard, yet the thing which usually has the most annoying loudness factor (commercials) is free to blast our ears as they see fit.
__________________ Steven Ghouti ![]() Paris, France Heavy Nuendo users "I don't care what they're talking about, I just want a nice fat recording" Harry Caul My blog: http://www.filmmixer.eu |
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| | #15 |
| Lives for gear Joined: Jun 2002 Location: LA, USA
Posts: 6,836
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Well, thought I'd give some feedback on this meeting. Hopefully one of the organizers will read this. first off, next time, can we not have the same information repeated ad nauseum by every single guest speaker? I was extremely annoyed that I sat through a couple of hours of something that felt like deja vu every time a new speaker got up to talk. And because if that, there was no time left to actually discuss this new standard. I'm all fine with it, I understand that the broadcasters gave to be pro-active, but my god, what a load of hogwash. I would like to say to the gentlemen from the networks that presented their case, that its all nice and dandy to talk about stopping people to play yoyo with the volume on the control, but start with your own frigging promo's ok? They are STILL louder than anything else. Especially the news promo's. So, instead of tying the hands if mixers, please, get your own frigging house in order, ok? |
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| | #16 |
| Lives for gear Joined: Mar 2004 Location: Burbank, CA
Posts: 692
Thread Starter |
Mark, I have known you for a while, but I am shocked by your comments. We are fortunate to have SMPTE here in Hollywood. They gave a seminar to educate all of us to the new standards (ATSC A-85). In a nutshell if you read and follow A-85 it will appease the networks and your TV shows should sound reasonably close to what you mixed. Those mixers who do commercials will be held to the same rules that we all will be required to match. The reason why the heads of the networks (NBC and Fox) who spoke and sounded to you Mark that they were repeating themselves is because both of the above networks are very similar in their delivery requirements. Considering that we were able to go to the SMPTE meeting for FREE and hear these Engineers discuss what we need to do to meet network delivery specs, I would think that all Mixers would feel better off after attending the meeting. I for one do. Give me a target (-24 +/- 2 LKFS) that we need to hit then at least we have a chance of making it sound decent on the air. Thank you SMPTE and ATSC. |
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| | #17 |
| Lives for gear Joined: Jun 2002 Location: LA, USA
Posts: 6,836
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Marti, my complaint is that the same thing was repeated over and over. And then tonight, I'm watching tv, and literally the biggest level jump was not commercials ( well maybe one or two), but the station promos. Of they're going to be enforcing a spec, then they need to start with themselves, don't you agree? Otherwise, what's the point? It's very frustrating. Don't get me wrong, it was very informative, and in all honesty I don't find it that hard to hit the spec on most shows. Bu I would have liked to have seem a chance for a discussion. |
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| | #18 |
| Lives for gear Joined: Mar 2004 Location: Burbank, CA
Posts: 692
Thread Starter |
First off it's Marti. Second, once Congress votes A-85 in then it will be law. Then it will ALL be the same everywhere. I guess you missed that slide during the discussion! |
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| | #19 |
| Lives for gear Joined: Jun 2002 Location: LA, USA
Posts: 6,836
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Aargh, darned autocorrect on my phone strikes again. Yes I do know it's Marti :-) And yes, I know it will be signed into law. But, all I'm saying is that they're hammering us with this spec from the Networks. and I'm fine with that. But they need to look in-house as true own promos at this point are the main offenders. Because they talk a good talk, but its all a bit "Do as I say, Not as I do" |
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| | #20 |
| Gear maniac Joined: Aug 2005
Posts: 280
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Wow. You folks are flippin' fortunate to have a standard everyone has to abide by finally be in the cards. We have specs too in Germany but they're not so great. If we can't get a video or audio recording of the meet, we can still download the A/85 document here: A/85 Reading it now. |
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| | #21 | |
| Lives for gear Joined: Mar 2004 Location: Burbank, CA
Posts: 692
Thread Starter | Quote:
The A-85 is also in my sticky here: NEW UPDATED Room Calibration for Film and TV Post - Avid Audio Forums | |
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| | #22 |
| Lives for gear Joined: Jun 2002 Location: LA, USA
Posts: 6,836
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The big advantage to all this is thatin the future we won't have to worry about spec sheets Plus it will do away with some of the really stupid - 10 specs that some broadcasters have. |
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| | #23 |
| Gear maniac Joined: Aug 2005
Posts: 280
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I'm hoping this will spread, especially because of the commercials.
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| | #24 |
| Gear maniac |
Whoa.. I'm getting deja vu from the DUC ![]() -- So, no public recording/slides? Seems like great info. PDF is great, but it's always more helpful to hear someone explain it. |
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| | #25 |
| Lives for gear Joined: Feb 2009 Location: C,Eh,N,Eh,D,Eh? "Sorry!"
Posts: 1,669
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Aw, c'mon... you're gonna make me read that entire PDF? Sigh... And, Mark...the station promos are probably done internally. 'nuff said. Specs? My speakers were 'this' loud! (and only one of them works normally, but...) Jeff
__________________ "I'm not saving lives, I'm helping to put something up there on a screen for people to glance at between text messages." - Me. Partials: http://www.imdb.com/name/nm0358864/ |
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| | #26 |
| Lives for gear Joined: Jun 2002 Location: LA, USA
Posts: 6,836
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| | #27 |
| Lives for gear Joined: Jan 2007 Location: Los Angeles
Posts: 655
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I look at the LM100 and the 737 as job security. If some newby slams a mix against brick wall limiters, it's gonna sound like crap. Hopefully, the ability to produce a good mix with these limits, counts for something.
__________________ Charles Dayton, CAS Twisted Avocado Post Audio Partial credits: http://www.imdb.com/name/nm0206743/ |
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| | #28 |
| Gear addict Joined: Feb 2007
Posts: 353
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When you guys are referring to "station promos", do you mean network promos for shows and packaging, such as those for for NBC, CBS, FOX, Disney, TNT, that sort of thing, etc.?
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| | #29 |
| Lives for gear Joined: Jun 2002 Location: LA, USA
Posts: 6,836
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| | #30 | |
| Post Freak! | Quote:
__________________ Chris M. Jacobson, CAS Re-recording Mixer, Sound Designer Imagery Productions IMDB | |
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