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can i reduce big room sound on dialogue?

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Old 19th March 2010   #1
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can i reduce big room sound on dialogue?

hello

i am adding music to scenes shot against green screen - mainly two or three actors, and i have also been given the task of sorting out the dialogue, which is not my normal line of work (sound design/music).

apparently they used a pro recordist, but every mic feed sounds pretty bad, (boom, camera, radio) all covered in reverb from the studio - which was a hard concrete box.

even the radio mics have got room sound on. . .

can i do anything to reduce the effect?

gating it helps a bit, compression brings up the background level.

thanks

mg
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Old 19th March 2010   #2
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Even though they are used for noise reduction, the side effects of Dolby CAT43 or Cedar DNS box, is reverb attenuation.

Rent one, and try it.
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Old 19th March 2010   #3
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Izotope RX does a pretty good job at reducing unwanted background noise.
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Old 19th March 2010   #4
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as does the T.C. 6000 Backdrop. If you have a Reverb or Mastering 6000 you can rent the license.
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Old 20th March 2010   #5
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You could use the DNS which has a setup for minimizing reverb. But be careful. Do it in smalls steps until you hear some artifacts on the dialogue.

Best regards,
Marco
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Old 20th March 2010   #6
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Obviously the best thing would be to ADR. Although a lot of the processes mentioned above reduces thereverb tails but if there are a lot of hard early reflections and in a concrete wall room there would be, you will never get it to sound really good.
So if ADR is in the budget, DO IT.
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Old 20th March 2010   #7
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Get a SPL Transient Designer. Turn the "sustain" down. Works like a charm.
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Old 20th March 2010   #8
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Cedar DNS does a great job at this
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Old 20th March 2010   #9
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i have had pretty good results with the new Waves WNS- using it in a similar way as the Cedar. Put all the faders down and raise the threshold until you get sounding better without making the dialog sounding overly gated.
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Old 21st March 2010   #10
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What about a well tuned expander? Along with a little dip in the EQ if there is a critical frequency in the reverb... When you only have Pro Tools LE you learn to do stuff with what you have at hand
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Old 21st March 2010   #11
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thanks for all the replies

much appreciated, and very helpful.

MG
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Old 21st March 2010   #12
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One lo-budget option that works amazingly well is the Logic's "enveloper" plug-in (some sort of a expander/gate thingy..).
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Old 21st March 2010   #13
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Quote:
Originally Posted by M-Goldie View Post
apparently they used a pro recordist, but every mic feed sounds pretty bad, (boom, camera, radio) all covered in reverb from the studio - which was a hard concrete box.
a) "pro" means someone who gets paid to do a job.... that is all.

b) SPL De-Verb

The demo should give you a good time period to 'play around'.

Jeff
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