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| Gear maniac Join Date: Sep 2008
Posts: 160
Thread Starter | Dual-purpose dub room? Just wondering if anyone has a Dolby approved room that they use to record in as well as mix? I'm designing a 20x15 room and it seems to me that the 12' in front of mix position would make a great foley stage if I can keep the noise floor down in the room. Since I'll most likely be the one tracking as well as performing, isolation from the control room isn't really necessary. Does anybody else work in this same capacity? Just wondering what steps in room design were taken to make for a good mix room while allowing for a decent recording environment. I apologize for the similar thread I have running in the Studio Building forum but I really wanted to find out how many dub mix engineers and sound designers are working like this.
__________________ Jason Kanter NYC -End of line. |
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| | #2 |
| Gear maniac Join Date: Aug 2008 Location: NY/DF
Posts: 214
| i'm not so sure about foley, but i've recorded some great sounding adr in mix stages... |
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| | #3 |
| Gear nut Join Date: Feb 2008 Location: Los Angeles
Posts: 87
| No. Hire a real foley mixer and foley artists. Jack of all trades ... |
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| | #4 |
| Lives for gear Join Date: Dec 2006 Location: NY NY
Posts: 1,248
| I've recorded ADR, Foley, VO, even a guru group from Japan, and some overdubs from music.... if the room is acoustically nice and you don't have machine noise... Consider it just another space to work. For all these it's not just about the room, it's about the talent required to do it right. cheers geo
__________________ ms georgia hilton mpe(editor) mpse cas NY NY http://www.filmdoctors.com http://www.hiltonmediamanagement.com http://www.hmmproductions.com http://www.editingtruck.com http://www.stage32.com/profile/6569/georgia-hilton http://www.imdb.com/name/nm0385255/resume MEMBER: IATSE LOCAL 700 |
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| | #5 |
| Lives for gear Join Date: Jan 2008 Location: Belgrade, Serbia
Posts: 1,566
| It's doable sound-wise, the only problem would be dust, dirt and debris. |
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| | #6 |
| Lives for gear Join Date: Oct 2007 Location: Granada Hills
Posts: 845
| Also the car fender rattling during those deep sub moments!! |
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| | #7 |
| Lives for gear Join Date: Mar 2008 Location: The Heart of Screenland
Posts: 1,516
| The problem with recording foley on a dub stage is that it generates a lot of dust which does not play nice with consoles. Also, the different surfaces and props can create acoustic problems and weird resonances and rattles. Like Ruy said, ADR is fine.
__________________ Gary Gegan |
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| | #8 |
| Lives for gear Join Date: Apr 2005 Location: Los Angeles
Posts: 1,523
| I've seen cloth tracks being done on a dubstage but yeah dirty pits on the dubstage would be crazy |
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| | #9 |
| Gear maniac Join Date: Sep 2008
Posts: 160
Thread Starter | |
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| | #10 |
| Lives for gear Join Date: Dec 2006 Location: NY NY
Posts: 1,248
| Good point!! cheers geo |
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| | #11 |
| Lives for gear Join Date: Aug 2008 Location: North Hollywood, CA
Posts: 659
| If you use any dirt pits, there is no curtain that will keep the dust down. You could do hand props, carpet wood, tile, cement, but anything with dust would be a disaster to the equipment.
__________________ Rick Sanchez Post Haste Media, Inc. 11115 Magnolia Blvd. North Hollywood, CA. 91601 818-232-7556 http://www.posthastemedia.com |
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| | #12 |
| Gear maniac Join Date: Sep 2008
Posts: 160
Thread Starter | |
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