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| | #1 |
| Gear interested Joined: Mar 2007
Posts: 18
Thread Starter |
Hi all, I am a composer who often gets jobs for broadcast. I am never really involved in the final mixdown, but just submit my music masters and leave the rest to guys like yourself. However, I have a job now where the client is asking that i do the final mix with the VO and my music track. The spot will be a web video. I am used to mastering my music with a ceiling of -0.2. Do i need to lower the ceiling for this application? Are there standard low and hi filters that are used to accommodate web play? Any other tips I should consider? Thanks! |
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| | #2 |
| GS Community Manager |
There are no real rules for web delivery. Usually I'll do a TV-ready mix, but generally make it a touch louder as that's what the client generally wants (say, -6 dbFS peaks rather than -10). I'll often limit it a little harder than usual too to compensate for small, tinny speakers. But really, you can do whatever you like! No special EQ or level requirements at all.
__________________ Scott J. - Gearslutz.com Community Manager my other job: http://www.whitecat.tv - film/web/tv/video/audio post & music Gear for sale! @WhitecatTV |
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| | #3 |
| Gear interested Joined: Mar 2007
Posts: 18
Thread Starter |
thanks terminal3!!! So, even though there are no specific guidelines, a seling of -0.2 would, in general, be considred too hot, huh? I guess I'll shoot for -6 like you said. |
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| | #4 |
| GS Community Manager | It's pretty hot, yeah! I don't go that high just because I HATE it myself when I put on web videos and they blow my head off right from the start, it's aggravating!
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| | #5 |
| Gear interested Joined: Mar 2007
Posts: 18
Thread Starter |
Great! Since you said you usually go for a TV-type mix, and correct if I'm wrong, but don't TV mixes often roll off the lows between 50-100 hz and also the highs above 15k-16k? Seems like that would make sense especially when considering computer speakers... thoughts on that? |
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| | #6 | |
| GS Community Manager | Quote:
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| | #7 |
| Gear interested Joined: Mar 2007
Posts: 18
Thread Starter |
ok, thanks again... much appreciated!thumbsup
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| | #8 |
| Gear nut Joined: Jun 2008 Location: nyc
Posts: 91
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seedhay, get yourself some cheap $20 desktop speakers to check your mixes on. find the best of both worlds between those and your regular monitors. and i'll second terminal's advice about the levels. -greg- |
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| | #9 |
| Gear interested Joined: Mar 2007
Posts: 18
Thread Starter | |
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| | #10 |
| Lives for gear Joined: Aug 2008 Location: North Hollywood, CA
Posts: 668
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Hey Seed, I concur with Terminal and usually deliver my web mixes with peaks around -6 dBfs. I have done some web trailers for video games where they want them loud and in those cases I set a brick wall at -1dBfs and give myself a bit more room for dynamics.
__________________ Rick Sanchez Post Haste Media, Inc. 11115 Magnolia Blvd. North Hollywood, CA. 91601 818-232-7556 http://www.posthastemedia.com |
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| | #11 |
| Gear interested Joined: Mar 2007
Posts: 18
Thread Starter | thanks!
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| | #12 |
| Gear maniac Joined: Oct 2007 Location: Moscow, Russia
Posts: 153
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Hi frinds. I mix most of the time for theatrical, but just this week I happened to do a web trailer version of the trailer of my recent feature. I limited at -2 dBFS, average RMS around -17dBFS and the subjective loudness appeared comparable to many trailers at Apple's site. BUT I noticed that all those trailers feel like they have been heavily processed with some stereo field enhansers (which are almost forbidden in theatrical film sound). Is this a common practice in sound for web and what's with mono compatibility?
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| | #13 |
| GS Community Manager | |
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| | #14 |
| Gear addict Joined: Feb 2004 Location: Auckland, New Zealand
Posts: 315
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Iphone, Ipod touch etc.. Also most desktops' like Mac Pros internal speakers are mono, aren't they?
__________________ Vedat Automatic volume riding for Pro Tools® Wave Rider v2.1 is out now with Trace function Get it from our Facebook Page http://www.automaticmixing.com |
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| | #15 |
| Gear Head Joined: Jun 2009 Location: Pensacola, FL
Posts: 72
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Getting the mix just right is important, and there's some great advice here on that topic already. But if there's any other thoughts I could contribute, it might be compression artifacts. Keep in mind that depending on how it will be integrated (and ultimately digitally compressed), there might be significant "digital garble". This is especially true if it's playing back in a flash environment. To get an idea of the effect, you could experiment by uploading your mix as a video file into a video sharing site and listen to the artifacts, particularly at lower-resolution playback. Once you get a feel for how this affects your audio, you can make better decisions about the final mix. Of course if it's playing back in the browser in a quicktime player, etc - this shouldn't really be much of an issue. Mix as you normally would for broadcast work. Good luck, Andy |
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| | #16 | |
| GS Community Manager | Quote:
Seriously: while mono compatibility might be a requirement in TV, I don't even consider it with web stuff. Widen away!! | |
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| | #17 |
| Gear maniac Joined: Oct 2007 Location: Moscow, Russia
Posts: 153
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| | #18 |
| Gear addict Joined: Feb 2004 Location: Auckland, New Zealand
Posts: 315
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| | #19 |
| GS Community Manager | |
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| | #20 |
| Gear addict Joined: Oct 2007 Location: Charlotte, NC
Posts: 318
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| | #21 |
| GS Community Manager | |
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| | #22 |
| Gear addict Joined: Feb 2004 Location: Auckland, New Zealand
Posts: 315
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I swear I do.. ![]() Quite often. (youtube etc.) But the point is, mono is still a reality and should be complied to IMO. |
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| | #23 | |
| GS Community Manager | Quote:
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| | #24 | |
| Gear maniac Joined: Dec 2006 Location: DC
Posts: 249
| Quote:
Actually I use the speaker on my iPhone often too because the (proprietary ) headphones break in about a week. I noticed last week when watching a web video on my PC that some stuff was panned really wide. Later in the day when I was showing the video to someone else using my iPhone the stuff that had been panned to one of the sides was missing. -Richard | |
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| | #25 |
| Lives for gear Joined: May 2005
Posts: 927
| The only thing the desktop speaker is good for is to check that the thing is booting properly if you have a problem.
__________________ ___________________ K. K. Proffitt President, JamSync®, Nashville www.jamsync.com http://jamsyncnashville.blogspot.com (615) 320-5050 |
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| | #26 |
| Lives for gear Joined: Aug 2008 Location: North Hollywood, CA
Posts: 668
| True, but I do have clients who have approved mixes on Macbook Pros using the built-in laptop speakers while talking on a speakerphone. Frightening...yes.
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| | #27 | |
| GS Community Manager | Quote:
Them: "We just heard our mix on TV and it's terrible!!!" You: "But you approved it!! Remember??!?" | |
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| | #28 |
| Gear nut Joined: Feb 2007 Location: London
Posts: 123
| I've always had to laugh when a client on the phone asks me to hold the phone up to the speakers to hear a mix. Then they comment on it!
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| | #29 |
| Gear addict Joined: Aug 2007 Location: Northern Virginia
Posts: 368
| I did almost an entire major political campaign this past season this way. Ridiculous. The client would direct VO and approve mixes via speakerphone.
__________________ This skull rocks.
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| | #30 |
| Gear maniac Joined: Jun 2008 Location: Planet Earth
Posts: 266
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We use the same video and audio for web as we do for TV.
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