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| | #1 |
| Gear interested Joined: Apr 2009
Posts: 18
Thread Starter | 5.1 Mix Encoding
Typically when doing 5.1 mixes, I've been submitting L,C,R,Ls,Rs, and LFE files separately to post houses. This time I need to encode the files myself for Blu Ray. My question is: Do I need to create a separate downmix file in stereo (in addition to the surround ac3) or can the surround encoded ac3 file be played in a 2 channel stereo. Some receivers do downmixes, but I wanted to know if I am safe with one 5.1 ac3 file. Any insight to the process would help. I'll be using A Pack to encode the surround wave files. Thanks. |
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| | #2 |
| Gear maniac Joined: Oct 2006 Location: NYC
Posts: 150
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No separate stereo downmix required for dolby digital. The question is, why use dolby digital for blu-ray? There are better options. |
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| | #3 |
| Lives for gear Joined: Jan 2008 Location: Belgrade, Serbia
Posts: 1,732
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+1 Absolutely safe. |
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| | #4 | |
| Gear nut Joined: Feb 2009
Posts: 75
| Quote:
Paul Neyrinck Neyrinck Audio | |
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| | #5 | |
| Lives for gear Joined: Jan 2009 Location: Los Angeles, CA
Posts: 1,025
| Quote:
Not sure if there is still some sort of dolby downmix going on or if it's 6 discrete channels of PCM audio... but either way, it sounded pretty damn good!
__________________ Derek Jones Audio Engineer - Producer - Composer http://www.linkedin.com/pub/derek-jones/8/986/9b9 http://www.myspace.com/daogkilla "We were working on Raiders [of the Lost Ark]. He [Ben Burt] told me that the sound source for opening the lid of the ark in the last reel was within 20'. I couldn't figure it out. It turned out to be lifting the back off the toilet above the water chamber, and slowing it down." -Tomlinson Holman | |
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| | #6 |
| Gear interested Joined: Apr 2009
Posts: 18
Thread Starter | |
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| | #7 |
| Lives for gear Joined: Jan 2007 Location: Los Angeles
Posts: 655
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| | #8 | |
| Lives for gear Joined: Sep 2005 Location: London, England
Posts: 931
| Quote:
Much better to include a dedicated stereo stream if possible. AC3 downmixing is very primitive with just 3 possible values for C/Surrounds. DTS-HD is a far better codec to use. If you use DTS-HD Master Audio, you get all in one stream for every DTS decoder. Plus it is a mandatory BD codec, so all players are required to be capable of decoding it.
__________________ Mixing,Mastering & Post Production Surround Specialists (all formats) Blu-Ray (Pure Audio Blu Ray & HDMV authoring) DVD-Audio/DVD-Video Authoring (Music, Film & TV) | |
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| | #9 | |
| Lives for gear Joined: May 2005
Posts: 927
| Quote:
Any development on the 5.1 LPCM/Blu-Ray front? From what I can tell, it's pretty much of a no-go at the moment with a lot of the cheaper authoring systems. What are you using for DTS-HD? I read about some problems vis a vis Encore with that. My problem with DTS is that you need one setup for Blu-Ray and then a different one for broadcast. With the Dolby system, you've got both areas nailed.
__________________ ___________________ K. K. Proffitt President, JamSync®, Nashville www.jamsync.com http://jamsyncnashville.blogspot.com (615) 320-5050 | |
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