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| | #1 |
| Gear interested Join Date: Oct 2007
Posts: 5
Thread Starter | Recording Music for Film Hey, my questions is, when recording music for a movie, what should be my bit depth and sample rate? Because i belive sound (like dialogue) is recorded at 48. So i was wondering if it made a difference if i record music at 44.1...which i believe is what i should be recording at if i wanted to put the music on a cd. Make sense?? |
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| | #2 |
| Gear addict Join Date: Jun 2005
Posts: 437
| Need context... is this score? Or are you recording songs/music that you handing out in the hopes of getting placed? Is this for a specific project?
__________________ 47.6% of all statistics on the internet are made up on the spot. |
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| | #3 |
| Gear Guru Join Date: Jul 2006 Location: So Cal
Posts: 11,013
| If it's for film, I'm always at 24bit/48kHz. |
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| | #4 |
| Lives for gear Join Date: May 2005 Location: Copenhagen, Denmark
Posts: 2,408
| We record all orchestral music at 96/24. For movies we record and mix at 96 and typically deliver in 48/24. We archive at 96/24 in case of later demand for higher resolution for bluray. I would avoid 44.1 at any cost if the final format is 48/24. |
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| | #5 |
| Lives for gear Join Date: Dec 2002 Location: El Lay
Posts: 2,207
| 24/48 is most likely but you should really find out the specs from the sound supervisor so you can match the dialog & FX sample rates.
__________________ Purveyor of fine sounds since 1961. My very incomplete IMDB list: My very incomplete IMDB list I'm all ears. |
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| | #6 |
| Gear interested Join Date: Oct 2007
Posts: 5
Thread Starter | Thanks for the replies, everyone!! Yeah "i am the supervisor". Really, this is my own project for a movie i will be filming later. I am going to be doing a mix of more rock-type music instruments and string stuff. I'll probably be mixing the entire movie later on when i finish it. I tend to have these little questions more than the bigger ones. It's all going to be score or songs that i've written so i guess the answer is 24/48. Thanks friends |
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