Help with Lav gain structure - Gearslutz.com

Gearslutz.com

All Advertisers
Go Back   Gearslutz.com > The Forums > Post Production forum!


Help with Lav gain structure

New Reply New Reply Thread Tools Search this Thread
Old 17th July 2008   #1
Lives for gear
 
superwack's Avatar
 
Joined: Mar 2007
Location: Burbank, CA
Posts: 1,410

Thread Starter
Help with Lav gain structure

I was hoping someone could give me some advice about the proper gain structure when using a wireless lav. I’ll admit I really don’t have any experience using wireless mics/Lavs and am kinda trying to apply “studio” knowledge so I may be over/under thinking this all. I did do a search but didn’t find the info I was looking for.

A friend loaned me a LECTROSONICS UM200 pack and a UCR210D receiver and I downloaded the manuals from the website to get started.

I adjusted the trim on the mic pack until it only occasional lit the red light during normal volumes (as it said to do in the manual). I noticed, however, that BOTH red lights lit up on the receiver (which the manual says is an indication of limiting/peaking) long before the red light on the mic pack illuminated! It makes me wonder which I should be watching… I’m assuming the receiver’s LEDs as the mic pack won’t be visible when hidden on the talent.

Aas far as I understand it - the LEVEL switch on the back of the receiver (-20, 0, +8) relates to the scale of the knob on the front… -20 equals a scale of -50 to -20, 0 equals 0 to +30 and the +8 is a “fixed output” is that correct? If the receiver is plugged in to a mixer (then on to a camera line in) what would be the proper level to set the output switch to? If it is important, let’s say the operating level of the editing system I would be transferring this in to would be at -12 or -20. I don’t think I should be adding/subtracting output gain - shouldn’t that be done with the mixer?

So... does this “gain structure” make sense:

LAV (adjusted until one red light on RECIEVER lights irregardless of the mic pack) with 0 gain from the receiver in to the mixer then the mixer line out in to the camera line in - monitoring the return from the camera on the mixer? Perhaps I’m all wrong - happy to find that out too!

As with all recording, I’ll use my ears to judge BUT I’d feel a little bit better knowing that I wasn’t totally destroying my headroom, frequency response, etc.

Thanks for your help…

Mark
superwack is online now   Reply With Quote
Old 18th July 2008   #2
Gear nut
 
Joined: Jun 2008
Location: nyc
Posts: 91

you might consider posting this question over on r.a.m.p.s. or jwsound.net. there are primarily location mixers on those sites who can probably best answer your question.

-greg-
eastwestaudio is offline   Reply With Quote
Old 18th July 2008   #3
Lives for gear
 
superwack's Avatar
 
Joined: Mar 2007
Location: Burbank, CA
Posts: 1,410

Thread Starter
thanks - will do!
superwack is online now   Reply With Quote
New Reply New Reply Submit Thread to Facebook Facebook  Submit Thread to Twitter Twitter  Submit Thread to LinkedIn LinkedIn 



Thread Tools Search this Thread
Search this Thread:

Advanced Search

Similar Threads
Thread Thread starter Forum Replies Last Post
New to Logic 8 - Gain Structure? RMcFarland Music computers 10 13th February 2008 08:23 AM
gain structure???? chasman So much gear, so little time! 33 30th October 2007 02:12 AM
Gain structure - Please Read Pollyrythm Electronic Music Instruments & Electronic Music Production 17 2nd October 2007 10:36 PM
PT Gain structure and calibration. Wiggy Neve Slut Q&A with Michael H. Brauer 1 21st September 2005 01:22 PM
DJ Mixing - Gain structure explorer So much gear, so little time! 0 19th August 2005 10:39 AM


All times are GMT +1. The time now is 08:03 AM.

Home - Search Forum - Contact Us - Terms Of Use - Advertise on Gearslutz - All Advertisers - Archive - Top
 
 
Powered by vBulletin®
Gearslutz.com LTD - UK Company Number 7597610.
Registered Office - 35 Ballards Lane, London, N3 1XW.
Hosted by Nimbus Hosting.

SEO by vBSEO ©2010, Crawlability, Inc.