Gearslutz.com

All Advertisers
Go Back   Gearslutz.com > The Forums > Post Production forum!


New Reply New Reply Thread Tools Search this Thread
Old 23rd March 2008   #1
Gear Guru
 
charles maynes's Avatar
 
Join Date: Jan 2004
Location: out in the dirt.
Posts: 15,553

Thread Starter
Maybe the best film sound job ever....

Horton hears a Hoo-

Randy Thom

Magnificent....




cm
charles maynes is online now   Reply With Quote
Old 23rd March 2008   #2
Lives for gear
 
santacore's Avatar
 
Join Date: May 2004
Location: Los Angeles
Posts: 602

Nice, I need to check that out. Hopefully it's something that both myself and my kids will enjoy.
__________________
John Sanacore, CAS
www.core-post.com
santacore is online now   Reply With Quote
Old 23rd March 2008   #3
Gear Guru
 
charles maynes's Avatar
 
Join Date: Jan 2004
Location: out in the dirt.
Posts: 15,553

Thread Starter
Quote:
Originally Posted by santacore View Post
Nice, I need to check that out. Hopefully it's something that both myself and my kids will enjoy.
my kids all enjoyed it (8,11,13,16)...


It is really THAT good- better than most Pixar films too... (which I consider the gold standard)...


As to setting the bar- Gary Rydstrom's work on Toy Story 2 was my previous fav animated sound track- Horton kills it though...


cm
__________________
Charles Maynes credits
Charles' webpage

"Better the Arabs do it tolerably than that you do it perfectly. It is their war, and you are to help them, not to win it for them." T.E. Lawrence

today is a good day to make your obituary better....



General Smedley Butler- WAR IS A RACKET

American Rhetoric: Dwight D. Eisenhower - Farewell Address
charles maynes is online now   Reply With Quote
Old 24th March 2008   #4
Lives for gear
 
bcgood's Avatar
 
Join Date: Jun 2005
Posts: 5,904

Is it better than Rushmore's sound, doubt it...
bcgood is offline   Reply With Quote
Old 24th March 2008   #5
Gear Guru
 
charles maynes's Avatar
 
Join Date: Jan 2004
Location: out in the dirt.
Posts: 15,553

Thread Starter
Quote:
Originally Posted by bcgood View Post
Is it better than Rushmore's sound, doubt it...
yes it indeed is- I am a huge Rushmore fan actually...


cm
charles maynes is online now   Reply With Quote
Old 24th March 2008   #6
Lives for gear
 
kk@jamsync.com's Avatar
 
Join Date: May 2005
Posts: 912

Quote:
Originally Posted by charles maynes View Post
yes it indeed is- I am a huge Rushmore fan actually...


cm
I can't wait 'til the BR comes out. Our theater once again screwed the sound. This time the surrounds were off. We complained and they just turned up the dialog. Last time they played only the right channel on the Bourne Ultimatum. My kids were deeply embarassed that I went to management and asked for a different theater in the complex. That is, they were upset until they heard the full mix in the other room.

Unfortunately, tonight, we caught the last show and we just had to sit through HHaW. It's a solid shame that the biggest, newest theater complex here in Nashville gets the sound wrong so much of the time, not to mention that the center channel needs new drivers in nearly every theater. They are definitely fatigued.

I definitely enjoy the sound in my studio more than going out...maybe it's because all the channels are playing!
kk@jamsync.com is offline   Reply With Quote
Old 24th March 2008   #7
Lives for gear
 
bcgood's Avatar
 
Join Date: Jun 2005
Posts: 5,904

Quote:
Originally Posted by charles maynes View Post
yes it indeed is- I am a huge Rushmore fan actually...


cm
You're making me want to go out and see this. Maybe I'll take my nieces.
__________________
bcgood

bcgood is offline   Reply With Quote
Old 24th March 2008   #8
Lives for gear
 
danijel's Avatar
 
Join Date: Jan 2008
Location: Belgrade, Serbia
Posts: 1,566

Quote:
Originally Posted by bcgood View Post
Is it better than Rushmore's sound, doubt it...
are you guys talking about wes anderson's 1998 rushmore?
is it a well-known example of sound design, that i wasn't aware of?
if so, i can't wait to see it again, i love that movie.
danijel is offline   Reply With Quote
Old 24th March 2008   #9
Gear maniac
 
BrettMorello's Avatar
 
Join Date: Jun 2007
Location: Belgium
Posts: 208

Quote:
Originally Posted by kk@jamsync.com View Post
I can't wait 'til the BR comes out. Our theater once again screwed the sound. This time the surrounds were off. We complained and they just turned up the dialog. Last time they played only the right channel on the Bourne Ultimatum. My kids were deeply embarassed that I went to management and asked for a different theater in the complex. That is, they were upset until they heard the full mix in the other room.

Unfortunately, tonight, we caught the last show and we just had to sit through HHaW. It's a solid shame that the biggest, newest theater complex here in Nashville gets the sound wrong so much of the time, not to mention that the center channel needs new drivers in nearly every theater. They are definitely fatigued.

I definitely enjoy the sound in my studio more than going out...maybe it's because all the channels are playing!
I just hate it when stuff like that happens. When I went to The simpsons Movie there was definetelay something wrong with the center channel. Everytime the dialogue got a little loud, there was a crackling 'the speaker is broken sound'. But I start to notice it when the movie had allready begon, and at that point you really hate getting up to quit the movie and going to complain.

This weekend I went to 'Into The Wild' and all the commercials before the movie sounded distorted. I was almost ready in my seat to go and complain, but gave the movie a chance. Once it was busy, there was no problem at all, so I still wonder how or why they changed settings between commercials and the movie. i doubt that commercials made for cinema use were all mixed with incorrect levels that they overdrive the system.
__________________
www.protoolsforum.com
BrettMorello is offline   Reply With Quote
Old 24th March 2008   #10
Lives for gear
 
Join Date: Aug 2004
Location: Santa Fe, NM
Posts: 987

Quote:
Originally Posted by BrettMorello View Post
I still wonder how or why they changed settings between commercials and the movie. i doubt that commercials made for cinema use were all mixed with incorrect levels that they overdrive the system.
Dunno how it works in theaters you go to, but in the ones I've gone to over the last few years they're obviously using digital projectors for the commercials, and film projectors for the trailers and the movie. Different audio chains, different source material, different production philosophy...
dkatz42 is offline   Reply With Quote
Old 24th March 2008   #11
Lives for gear
 
danijel's Avatar
 
Join Date: Jan 2008
Location: Belgrade, Serbia
Posts: 1,566

Quote:
Originally Posted by dkatz42 View Post
Dunno how it works in theaters you go to, but in the ones I've gone to over the last few years they're obviously using digital projectors for the commercials, and film projectors for the trailers and the movie. Different audio chains, different source material, different production philosophy...
here, video commercials usually go through some small mixer, into the aux inputs of the cp650 (where the distortion is most likely to occur.) film commercials (although properly mastered for 82 LEQ) usually get attenuated by 2 notches on cp650 by individual theater regulations (because of frequent visitor's complaints on loudness). the same goes for most theaters in hungary and germany, the last time i checked (about 3 years ago).
danijel is offline   Reply With Quote
Old 24th March 2008   #12
Gear maniac
 
BrettMorello's Avatar
 
Join Date: Jun 2007
Location: Belgium
Posts: 208

Quote:
Originally Posted by danijel View Post
here, video commercials usually go through some small mixer, into the aux inputs of the cp650 (where the distortion is most likely to occur.) film commercials (although properly mastered for 82 LEQ) usually get attenuated by 2 notches on cp650 by individual theater regulations (because of frequent visitor's complaints). the same goes for most theaters in hungary and germany, the last time i checked (about 3 years ago).
Interesting stuff guys, thanks for the info.
BrettMorello is offline   Reply With Quote
Old 25th March 2008   #13
Lives for gear
 
jahtao's Avatar
 
Join Date: Dec 2005
Location: London, UK
Posts: 626

Ha! Yeah I remember going to see 28 Weeks Later (about 7 times better than the first one if you ask me) and having to tolerate a beep every 20 seconds or so from somewhere over to my right. Luckily its a very loud film, nonstop action mostly so I didn't really mind. Afterwards I found the source: an air freshener mounted on the wall was alerting the world to the fact it had run out of juice and needed refilling!?!?!?!
jahtao is offline   Reply With Quote
Old 25th March 2008   #14
Gear addict
 
Join Date: Feb 2007
Location: Chicago
Posts: 495

I hate the really bright exit signs at the corners of the theater. Not that I think they should be eliminated, but some theaters have the unobtrusive green LED ones.
__________________
________________________________________--
Dave K.
Freelance Sound Designer & Mixer
soundguydave is offline   Reply With Quote
Old 25th March 2008   #15
Gear addict
 
Join Date: Dec 2007
Posts: 367

Hey Charles,

Is it fair to compare a mix for an animated feature where all the dialog was recorded in an ultra controlled environment to a non-animated feature where all the dialog sounds like...well you know what it sounds like?

N8
nathand is offline   Reply With Quote
Old 6th April 2008   #16
Lives for gear
 
bcgood's Avatar
 
Join Date: Jun 2005
Posts: 5,904

I just got through watching Atonement on DVD. Really nice sounding, it's late so I watched it while wearing my Sennheiser HD 280 headphones. The sound was really nice to say the least. In my opinion this kind of sound design is more impressive than the sound design on animated features. YBMM
bcgood is offline   Reply With Quote
Old 6th April 2008   #17
Gear Guru
 
charles maynes's Avatar
 
Join Date: Jan 2004
Location: out in the dirt.
Posts: 15,553

Thread Starter
Quote:
Originally Posted by nathand View Post
Hey Charles,

Is it fair to compare a mix for an animated feature where all the dialog was recorded in an ultra controlled environment to a non-animated feature where all the dialog sounds like...well you know what it sounds like?

N8
the dialog is not really an issue in this film- It sounds fine, but the measure of "reality" that was constructed is what is so impressive- you should see it
charles maynes is online now   Reply With Quote
Old 7th April 2008   #18
Gear Head
 
Join Date: Dec 2007
Location: Los Angeles, CA
Posts: 52

Quote:
Originally Posted by charles maynes View Post
the dialog is not really an issue in this film- It sounds fine, but the measure of "reality" that was constructed is what is so impressive- you should see it
Definitely agree with you, even though all of the dialog was recorded in a studio they still managed to create realistic environments.
bkositzky is offline   Reply With Quote
Old 20th July 2008   #19
Lives for gear
 
danijel's Avatar
 
Join Date: Jan 2008
Location: Belgrade, Serbia
Posts: 1,566

Quote:
Originally Posted by charles maynes View Post
Horton hears a Hoo-

Randy Thom

Magnificent....




cm
I joined jwsound.net today in face of my big feature-recording gig next spring, and it turns out Randy Thom joined in today as well!

If we all shout REALLY LOUD, maybe he hears us, and joins gearslutz as well!!!??

RANDY! RANDY! RANDY! RANDY!
danijel is offline   Reply With Quote
Old 21st July 2008   #20
Lives for gear
 
danijel's Avatar
 
Join Date: Jan 2008
Location: Belgrade, Serbia
Posts: 1,566

about 150 people saw my previous post, and nobody wants to join the effort? You all liked the Horton sound-job, but where's that Horton spirit!!?

Now, let's hope Randy DOESN'T see this thread - if he does, he certainly won't join )

Maybe I delete these infantile posts of mine a couple of days down the road.....
danijel is offline   Reply With Quote
Old 21st July 2008   #21
Gear Guru
 
charles maynes's Avatar
 
Join Date: Jan 2004
Location: out in the dirt.
Posts: 15,553

Thread Starter
Quote:
Originally Posted by danijel View Post
about 150 people saw my previous post, and nobody wants to join the effort? You all liked the Horton sound-job, but where's that Horton spirit!!?

Now, let's hope Randy DOESN'T see this thread - if he does, he certainly won't join )

Maybe I delete these infantile posts of mine a couple of days down the road.....
He has been flooded with glad tidings on Horton already.....
charles maynes is online now   Reply With Quote
Old 29th July 2008   #22
Gear maniac
 
TocaLaGuitara's Avatar
 
Join Date: Apr 2007
Location: Waterbury, CT, USA
Posts: 189

Send a message via AIM to TocaLaGuitara
Glad to see I'm not the only one with movie theater woes.

Opening weekend for LOTR: Return of the King. For the first reel of the film, the audio was completely f***ed. Dialogue was distorting a bit. Not completely unlistenable but definitely recognizable for someone tuned into audio. But when the soundtrack played, especially long violin sections showcasing beautifully scenic vistas, I wanted to claw my ears off. Distorted beyond belief. If you took an SM57 and used a pin to poke multiple holes in the diaphragm, this is how the violins sounded like they were captured. I was just getting out of my seat to complain to management when the film changed to the second reel and everything was better. I'm still not sure what the problem was. I chalk it up to a bad transfer to filmstock.

On a side note: I know in the world of analogue tape recording, we are susceptible to wow and flutter. In theaters that use traditional film stock with sound on film, not digital projection, is this a phenomenon that continues to happen? There are movies that I have seen in the theater in the last year or two that, I can swear, deomonstrate signs of wow in the music soundtrack. Again it's usually violins that make it apparent to me. Most recently was The Dark Knight, on opening weekend! And the funny part is, I could have sworn the theater had a Dolby Digital symbol on the plackard next to the movie name. Oh well. One of the bad parts of being audio-sensitive.... when things aren't quite right, it bugs the hell out of you.
TocaLaGuitara is offline   Reply With Quote
Old 29th July 2008   #23
Gear addict
 
Join Date: Feb 2007
Location: Paris, France
Posts: 445

Having the Dolby Digital sign up does'nt (sadly) mean that you're hearing DD... A misaligned photocell can have you listening to the SR track for the whole movie as it cant hook onto the DD blocks, or worse: dropping from DTS or DD to SR on a regular basis.

I saw Castaway when it came out, and the sound kept going from super wide/ super defined, to near-mono (SR). It bounced back and forth like that every 2-3 minutes for the whole movie. Aaaaaaaaaaaaarrrrrrrrrrrghhhhhhhhhhhh...
__________________
Steven Ghouti


Paris, France
Heavy Nuendo users

"I don't care what they're talking about, I just want a nice fat recording" Harry Caul
My blog: http://www.filmmixer.eu
Steven1145 is offline   Reply With Quote
Old 29th July 2008   #24
Gear addict
 
Sonsey@mac.com's Avatar
 
Join Date: Apr 2008
Location: Ottawa, ON, Canada
Posts: 361

Hey... Dolby was just here... :D

(Yes, I've ACTUALLY been told that by a Theatre Manager....)
__________________
Howard Sonnenburg
Composer/Sound Designer/Engineer/Gadabout
www.sonsey.com
"Nice Camera... how's the f#$%ing script?" - Adrian Langley
Sonsey@mac.com is offline   Reply With Quote
New Reply New Reply Submit Thread to Facebook Facebook  Submit Thread to Twitter Twitter  Submit Thread to LinkedIn LinkedIn 



Thread Tools Search this Thread
Search this Thread:

Advanced Search

Similar Threads
Thread Thread starter Forum Replies Last Post
What film/s do you think have the best sound effects so far and why ? Gary5 Post Production forum! 63 30th July 2010 09:51 PM
Whats the sound of burning film ??? kosi Post Production forum! 7 22nd December 2007 11:03 AM
Remote Film Sound Curtis Franklin Remote Possibilities in Acoustic Music & Location Recording 6 19th February 2007 10:41 PM
Will digital (motion picture) film have an impact on sound recording for film? Jules Post Production forum! 10 21st December 2006 03:31 PM
film sound resource audiothings Remote Possibilities in Acoustic Music & Location Recording 9 3rd November 2006 07:55 PM


All times are GMT +1. The time now is 09:16 PM.

 
 
Powered by vBulletin®
Gearslutz.com Limited - UK Company Number 7597610.
Registered Office: 35 Ballards Lane, London, N3 1XW.

SEO by vBSEO ©2010, Crawlability, Inc.