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| | #1 |
| Gear interested Join Date: Dec 2005
Posts: 28
| Horror/thriller mixing tips/tricks Hello there, Any of you guys familiar with horror/thriller movie soundtrack mixing? I've been working on the soundtrack of this low budget horror movie for a few weeks now and got tired of what I am doing. -soft eerie music with sudden in your face hit. -soft to annoyingly loud automation. -super big reverb. -short delay for out of tune piano/bell. etc... so if you guys have any ideas to make my work more interesting throw it out. Would be fun to try it out. cheers! |
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| | #2 |
| Lives for gear Join Date: Nov 2005 Location: The Netherlands
Posts: 510
| I think mixing movies like thrillers and horrors is a lot about drastic dynamics in the music. Build up string parts from a very low volume until very loud and let them fade away again. use fast staccato arrangements in quick screen changes. Also those little kid-wind-up-music boxes seem to do it well in a lot of horror movies. Add chorus and split-harmonizer to taste! good luck!
__________________ "A cold heart is a dead heart" |
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| | #3 |
| Gear maniac Join Date: Jun 2006 Location: Finland
Posts: 209
| Seemingly random arpeggiated pizzicato and violin "bulpyness"? ![]() Didn't notice this was only about mixing. How about some kind of pseudostereo effect to make the sound appear to come from side or behind? That would freak me out. Last edited by Mark1353; 11th December 2007 at 12:07 PM. Reason: EDIT: Oh this was about mixing... |
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| | #4 |
| Gear nut Join Date: Feb 2007
Posts: 99
| Don't underestimate the power of silence. Roger, love the avatar. "Maybe there are some happy trees in your mix. Its your mix...there is no right or wrong." |
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| | #5 |
| Lives for gear Join Date: Mar 2005 Location: Brooklyn
Posts: 1,141
| Silence is the key! Modern horror movies sucks. If you want good references, watch a lot of these 70's horror/terror movies...You'll notice that a lot of the atmosphere from the movie is essentially built using Silence . |
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| | #6 |
| Gear maniac Join Date: May 2005
Posts: 211
| I've done my share, unfortunately. I would rather be nibbled to death by baby ducks. 30 Hz for the bottom end of punches works wonders. The last one I did (a few years ago) had a section where there were naked 60-year-old women for an appalling five-second shot. I told my then-partner, "don't you dare schedule any more of *these*!!!" |
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| | #7 |
| Gear maniac Join Date: May 2005
Posts: 211
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| | #8 |
| Gear interested Join Date: Mar 2006
Posts: 12
| Low budget, you say? Reaktor all the way. I "scored" a short film recently using nothing but the scariest Reaktor ensembles I could find (and the occasional bit of Ivory). Worked really well.
__________________ Josh Donnelly Resonance Digital Arts - Seattle, WA http://www.resonancedigital.com |
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| | #9 |
| Gear maniac Join Date: Mar 2004 Location: Burbank, CA
Posts: 179
| Use Dynamics. I do Horror movies all the time.There is a lot going on. Use all 6 of your speakers. It can be a lot of fun if the clients give you some rope! As for "modern Horror Movies Suck", we'll I was never a fan growing up, but once you get to mix a few it can be fun.
__________________ Marti D. Humphrey CAS aka dr.sound www.thedubstage.com Imdb credits http://www.imdb.com/name/nm0401937/ |
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| | #10 | ||
| Gear interested Join Date: Dec 2005
Posts: 28
| Thanks guys, keep em coming... Yea, played a lot with the dynamics. Give them a big boom when they lease expect it :D Quote:
Most of the music are Orchestral instrument base. the typical trem strings. Big drum boom. Some bells here and there. And all mix ITB. Quote:
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| Tags: horror, mixing |
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