![]() | All Advertisers |
| |||||||
Similar Threads | ||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Mixing country music | deardaddy | So much gear, so little time! | 31 | 13th July 2007 06:48 PM |
| Mixing/Mastering for the Telephone | OVERNIGHT | So much gear, so little time! | 2 | 15th January 2007 10:22 AM |
| Soft for mixing music | VincedB | Music computers | 0 | 22nd December 2006 04:04 PM |
| Electronic Music Mixing | BigAl | Electronic Music Instruments & Electronic Music Production | 3 | 15th August 2006 01:08 PM |
| what is your reference music when mixing for a particular genre of music? | ine-kpro... | High end | 14 | 24th November 2005 04:52 PM |
![]() |
| | Thread Tools | Search this Thread | Rate Thread | Display Modes |
| | #1 |
| Gear nut | mixing...telephone music? Hey all, I've got a cool job on my plate, I'm redoing the voiceover/hold music for a company since it's over 10 years old. It'll consist of basic instrumental in the back and male voice work talking about the website/services/etc. I'm wondering if any of you have advice for perfecting the mix to sound the best it can on a telephone line (taming frequencies, mixing ideas)? Certainly not a normal task, but exciting nonetheless. I don't think I'll have any test runs to try it out so I'd like to get it as optimal as possible. Thanks! |
| | |
| | #2 |
| Gear addict Join Date: Jul 2007 Location: NYC
Posts: 385
| Good mix is a good mix. Telephone, Genelec speakers, Pa system at a bad venue, does'nt matter. Good luck checking for bass response over a telephone. Just make sure it sounds good on your system, convert it into an mp3 and check it on a laptop. |
| | |
| | #3 |
| Gear addict Join Date: Mar 2007 Location: Wakefield, UK
Posts: 448
| Maybe try monitoring through an Altiverb or other convolution telephone? |
| | |
| | #4 | |
| Lives for gear Join Date: Nov 2004 Location: minneapolis, mn
Posts: 1,114
| Quote:
when i do phone prompts, i often make the audio a bit brighter than i might normally -- but not TOO bright. best thing to do it is get on the phone or voice mail take a gander at this : Interfacing Audio and POTS
__________________ tom hambleton C.A.S. I CAN'T BELIEVE HOW GOOD THAT MIX LOOKS! ministry of fancy noises | |
| | |
| | #5 |
| Moderator Join Date: Sep 2003 Location: Belgium
Posts: 3,625
| The telephone bandwidth is roughly something like 300Hz to 3,3KHz. Mix with such filters on your masterbus maybe? Kinda the same idea as using a telephone impulse response, but maybe faster to set up and almost as good ![]()
__________________ Mathijs Indesteege aka Mathew Lane mixing - mastering - audio restoration - plugins http://www.mathewlane.com DrMS. Focus on your stereo field. DrMS spatial processor RTAS/AU/VST plugin » Digital Audio Product Support Joystick Audio - Benelux High End Distributor http://www.joystick.be |
| | |
| | #6 |
| Gear nut Join Date: Sep 2004 Location: Utah
Posts: 114
| As one of the other posters mentioned - a good mix is a good mix. There are some things to keep in mind: 1) any digital conversion (T1 lines etc), audio playback will be at 8kHz 8 bit. 2) the frequency on a phone line will be limited between roughly 300Hz and 4000-z So once you have your mix for the MOH sounding good, set up an EQ on the master bus and steeply roll off everything above 4k and everything below 300hz and see if the mix falls apart. If you are using a music bed with a male voice-over then dip the music slightly (1-2db) around 200Hz. For female dip around 500Hz. Also watch the sssss and Ps. When the phone system codecs convert the audio a lot of line noise will get introduced and make any lower frequency sibilance that much more noticeable. Depending on the quality of the phone system's codecs you may want to test bounce a version with the EQ already filtered and see which one sounds better through the phone equipment. Most new IVRs and Auto-Attendants have pretty decent filters and converters built in so that any well mixed music/VO will sound decent. |
| | |
| | #7 |
| Gear nut Join Date: Sep 2004 Location: Utah
Posts: 114
| Something else I thought of... make sure your audio sounds good in mono. You might just want to mix/bounce it mono to begin with. |
| | |
| | #8 |
| Gear maniac Join Date: Aug 2006 Location: NC
Posts: 203
| Best advice that works for me: Roll off below 200hz and above 9,000hz. Bump slightly at 2,000hz. Compress and limit the heck out of it. Yes on the mono file, too. Processing steps for telephony voice prompts... Willie E. Vocal Impact Media Last edited by jowillie; 23rd July 2007 at 04:04 PM.. Reason: added search link |
| | |
| | #9 |
| Gear interested Join Date: Feb 2007
Posts: 6
| Hello, Try to mix this through a phone. When I do on hold messages, I'll get it close on the Genelecs. Then with a Gentner hybrid phone box, I'll tweek the mix while monitoring through the telephone speaker. More often than not, the music needs to drop because with such limited bandwith, the music and VO are fighting for space. good luck! |
| | |
| | #10 |
| Gear addict Join Date: Jul 2007 Location: East Bay, Ca
Posts: 308
| I think making sure that you get rid of any sonic information that will absolutely NOT be reproduced through a phone's speaker ( IE-anything below 100HZ) and boosting the top end just a touch (as someone previously said) will definitely help out. And I agree 100% with playing it back on crappy, tiny speakers. Laptop speakers, as someone suggested, rule for this purpose. |
| | |
![]() |
| Tags: hold music, mono, telephone, voiceover |
| Bookmarks |
| Thread Tools | Search this Thread |
| Display Modes | Rate This Thread |
| |