This is interesting.
For my current project I recorded some slimy leather foleys (eggs, fruits, leather) for an alien creature animation at 192 KHZ to reopen them without conversion in my 16 Bit 48 KHZ mastersession.
Boy this sounded so different from just pitching 48 KHZ material down.
But I also had problems with aliasing frequencies when playing back the high samplerate material at 48 KHZ. Anyone aware of this problem. It was on a
protools HD system.
For the future I will always record with high samplerates when I already know that I want to pitch the material down. Shure the best thing for these pitch Efx
would be a stereo nagra, but at the moment I can not aford one.
But still my mastersession is 16 Bit 48 Khz.