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| | #91 |
| Gear addict Joined: Dec 2002 Location: Germany
Posts: 459
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I have only one comment for the nonsensical thesis of the OP: YouTube - Harlan Ellison -- Pay the Writer |
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| | #92 |
| Gear Guru Joined: Aug 2005 Location: underground railroad
Posts: 13,394
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. after years of wading through these kinds of threads, and 8 gagillion opinions - professional, amateur, tech, and musician, educated and self-taught, hard-working, lazy and entitled, humble and self-righteous, ignorant and insightful, talented and tone-deaf, broke and loaded, born with a silver spoon and successfully entrepreneurial, respectful and irreverent, independently creative/expressive and copycat/poser/wannabe, lucky or cursed, connected or ass out - in every freeking genre, i've come to a conclusion. the bottom line is..............there is no bottom line. every single musician, and every single human, is different. we each want different things out of life. and this changes constantly - given our environment, stage in life, etc. some folks want to read about specs on ribbon microphones until their laptop battery dies. others want to make a gazillion dollars in the industry with marketing and merch. other want to compose 85 minimalistic symphonies. some want to get high and get laid all the time. other want to spread political and social messages. still others want to stay in school their entire lives and get 8 million degrees. some want to paint themselves green and jump up and down on stage screaming. others want a union sound effects gig for a movie studio. some want to hang out and jam all night. or play covers. some want to be as famous as possible party with gaga, etc. some want to wrap cables all day, tune guitars, set up amps and mic stands. or just hang with the band. some people just get off telling everyone what to do all the time. others want to philosophize 'til the cows come home. some people just copy other people for the rest of their lives - and never discover themselves. etc., etc. but regardless, most of us in the entertainment industry live in a fantasy world, and never come to terms with the fact that we only have one life, (depending on our belief system) - so, we'd better start trying to make the best of it. at the end of the day, there's no prize. nobody's watching you. you're the only one who really matters. so be good to yourself, and be good to others. i used to think i had all the answers. the older i get, the more i realize, i don't know shit. but if i ask any one of the younger generation here, you're all driven and opinionated like mutherf*kkers. this just reminds me of myself not so long ago. FWIW, i say - do what you love. and if you don't know what that is, spend some time trying to figure it out - because you only have one life on this planet - as far as i know. anyway, cheers - and i wish you all the best, slutz - you ROK! ![]() .
__________________ Sqye (Sky) ::::::::::::::::::::::::::::::::Music 4 Film+TV+Web:::::: Wired Planet::::::Buddha Studio Cat i7 + RME UFX + Linkwitz Orions + Tyler Acoustics Linbrooks + Buzz Audio Arc + GT-67 + Sonar + Komplete + Omnisphere-Trilian-Stylus + Symphobia |
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| | #93 |
| Lives for gear |
The notion that music should be free is just plain silly. And the law is on the side of this blatantly obvious fact. There are protections for intellectual properties, period. How it all plays out is a different story. I'm all for being realistic, but allowing the enormous dilemma of piracy to somehow brainwash us all into the cynical fallacy that artists should throw in the towel and attribute no tangible value to their work would be nothing short of a travesty. Anyone who cares about music should realize we need to work together to foster a healthy mindset towards a fair marketplace. -SD
__________________ ...My goal for many, many years was to obtain a beautiful API desk and be buried with it when I die... vin-gear ...My 57 is only a few years old, but I'd like to think that someday my children can pass it down to their children. Killahurts ...I would much rather tweak a moog than that thing bro... MYAMS |
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| | #94 | |
| Gear Guru | Quote:
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| | #95 | |
| Gear Guru | Quote:
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| | #96 |
| Lives for gear |
This is what the OP's argument seems like IMO: |
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| | #97 | |
| Gear nut Joined: Dec 2007 Location: Nashville, TN
Posts: 91
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sighhhh..... | |
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| | #98 | |
| Lives for gear Joined: Jun 2009
Posts: 3,397
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If peoples' personal opinions decided anything and compliance was optional, no one would pay taxes either. | |
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| | #99 | |
| Lives for gear Joined: Jun 2009
Posts: 3,397
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Plenty of individuals with endless time and energy fight this sort of thing, forming radical "anti tax groups" and finding ways to live "off the grid". Who cares? In the end, most people don't want to be bothered, and they pay their due. If you cheat, you do so at your own risk, with real possible consequences. If every political/legal decision was subject to a referendum, nothing would get done. | |
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| | #100 | |
| Gear Guru | Quote:
so then the world should be ruled by a disgruntled anarchist mob of hackers? you really think the future should be ruled by digirati thugs? no matter how things turn out - I just don't see a future where lawlessness is the accepted norm. if you want to see how well that works take a look at Somalia, Ethiopia and Nigeria...
__________________ ... My band has a million unpaid downloads and all I got is this lousy T-shirt... | |
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| | #101 | |
| Gear Guru Joined: Oct 2002 Location: Oz
Posts: 16,853
| Quote:
![]() ![]() ![]() This very silly point has been raised so many times in threads like these it's starting to make me furious. I've rebutted it time after time, but don't seem to be making any headway. It's super, super simple. If I ascribe a fee to my services - I'm entitled to be paid that fee if someone uses those services. I'm a drummer and I also write music for tv. If someone asks me to play drums on their record and I quote my fee and they hire me.... I'm entitled to be paid. If I write a piece of music for a film and I attach a fee to it's use, I'm entitled to be paid. This is the capitalist system probably 99.9% of those posting on this forum live under. I, and the vast majority of professionals, fully understand that if my drumming and composing stinks and no one uses it, then I am NOT entitled to make a living in music. What is happening is that people do like music, do like software plug-ins, but don't feel motivated to pay for them when they consume. Those people are not being prosecuted, so the epidemic has spread almost out of control. So please tell me who is 'entitled' in the most sick and damaging way - people who charge a fee and insist on being paid for their work if it is consumed, or people who consume products that have a price, but refuse to pay for it? Please compare professional musicians to workers at Walmart, Bank Of America, or San Farncisco City Council. You expect a wage from your work in a capitalist system, and we are now being painted as greedy individuals unless we allow music consumers to take the fruit of our labour without being paid for it.
__________________ Chris Whitten | |
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| | #102 |
| Gear addict Joined: Dec 2002 Location: Germany
Posts: 459
| There are a lot of people thinking all kinds of nonsense. Should we all surrender to all kind of bullshit just because somebody or a lot of people are 'thinking' it? Where is Nietzsche when you need him ... There are two sorts of interest groups presenting 'thoughts' about their wish to take advantage from others work for free: dumb couch potatoes, the epitome of the consumer amoeba, and parts of the media and entertainment industry which simply try to save costs (the best is zero cost). You can be the voice of one or all of these groups, conscious or unconscious, until they get you in what you are doing and make a living from. |
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| | #103 | |
| Gear Guru Joined: Oct 2002 Location: Oz
Posts: 16,853
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It's no great mystery, people love something for nothing, especially if they can persuade themselves all musicians live like Puff Daddy and the recording industry is run like British Petroleum. The fact is the free music idea is a very blunt instrument. Piracy is hitting small independents and average working musicians very hard. It doesn't solely target the very wealthy and the so called 'corrupt' majors. Illegal downloaders download the music they love, which is just as likely to be an underground indie band on a small label, making pennies out of music and struggling to keep the band together. | |
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| | #104 |
| Lives for gear Joined: May 2008 Location: Memphis
Posts: 709
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| | #105 | |
| Gear Guru Joined: Oct 2002 Location: Oz
Posts: 16,853
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Put U2 on in your local venue and open the doors and thousands of people will walk in (free of charge). Publicize a ticket price and have security at the venue making sure no one comes in without a ticket and it's the system we've all accepted for a hundred years or more. Musicians have put a price on their recordings - it's like purchasing a ticket. It's not wrong for recording musicians to insist the price is paid, the same way you don't expect a band to shrug shoulders and say OK if their live audience gatecrashes the venue and no one pays for a ticket to the concert. It's an issue of security (regarding recordings), not mindset. | |
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| | #106 | |
| Lives for gear Joined: Jun 2009
Posts: 3,397
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The idea that they should need to be 'convinced' to agree with the law before they follow it is ludicrous. That is not how laws work. | |
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| | #107 | |
| Gear Guru Joined: Oct 2002 Location: Oz
Posts: 16,853
| Quote:
You, or anyone else, wouldn't accept that in any other job. This is the capitalist system. If you don't like it, change the capitalist system, don't try and live one way yourself and expect others to live by a different rule. I'm entitled to my fee under the current legal system. That's hugely important. The industry model (as a legal system) isn't changing. If no one likes my work, fair enough I don't get paid. If someone does like my work they must pay the entry fee. I feel your argument is pretty weak to be honest. With regards to my drum sample software, it takes thousands of dollars and a group of several professional people to produce the product. It costs $79 or something to buy. Most people buy it legally, some people pirate it. Am I wrong here? Am I greedily 'entitled'? Has the music industry changed so much we should happily produce software for musicians, which entails a lot of hard work and costs money from our own pockets, and then complain when individuals take it and pay nothing? I'm really struggling to see us as the bad guys and the stealers as the future..... worse, as a positive future. | |
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| | #108 |
| Gear Guru Joined: Oct 2002 Location: Oz
Posts: 16,853
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Regarding entitlement..... I would love to park near my apartment in the city free of charge. Unfortunately the meters run from 8am to 10pm. The council are entitled under law to charge a fee for parking, or fine me if I don't pay. Musicians are entitled to charge a fee for their work. Any suggestion that musicians feel they deserve a living from music regardless of anything is very wide of the reality. Musicians, more than anyone, understand the frail nature of their income earning capacity. All the more reason to pay them when the music is consumed. |
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| | #109 |
| Lives for gear Joined: Jul 2009 Location: Auckland, New Zealand
Posts: 2,119
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OP is offering to mix all our songs for free?? and Ill put them up for free and sell a tshirt with every album, and then give him $200, Ill keep the rest and the musicians can divy up the $200 between themselves, mean idea! This thread is the prolific! |
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| | #110 |
| Lives for gear Joined: Dec 2008 Location: chicago
Posts: 2,710
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noted. i don't want my music stolen, so I'll never write another song again.
__________________ Solo:http://randomlyassoertedangels.bandcamp.com/ Group:www.myspace.com/theygrowontrees Studio:http://www.myspace.com/populistrecording Label:??? i love you! soundcraft parts: http://www.gearslutz.com/board/gears...ml#post7125016 |
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| | #111 | ||
| Gear Guru | Quote:
Quote:
who is "disgruntled and invests endless time and energy?" and why exactly should I fear them? what are they going to do? they're already stealing my labor... | ||
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| | #112 | |
| Lives for gear Joined: Jun 2009
Posts: 3,397
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The law just hasn't supported it in past years like it is beginning to now. | |
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| | #113 |
| Gear Guru Joined: Oct 2002 Location: Oz
Posts: 16,853
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You completely dodged the question about how you claim so many posters feel 'entitled'. You've also dodged the question why anyone should produce software for musicians, that's costs us time and money to do, then accept people taking it for nothing. You completely dodged the question about the status quo all other members of society enjoy. They do their jobs, they get paid. Governments tax us, councils legislate for parking bays (fees or parking fines). Not many in society are for paying tax or parking fees. It's not about mindset or PR, it's about enforcing our legal rights. Musicians have fought long and hard over many years to establish a legal framework for payment. I'm talking everyone from 80 year old obscure blues artists to 16 year old kids making their first record. And you are asking us to walk away from that, just because the punters don't like paying a couple of dollars for a record? |
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| | #114 | |
| Lives for gear Joined: Jun 2009
Posts: 3,397
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It is an attitude that is not unique to copyright. | |
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| | #115 | |
| Gear Guru Joined: Oct 2002 Location: Oz
Posts: 16,853
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Artists who are ripped off, or customers who do not pay, even though they understand the law states they should AND they wouldn't accept not being paid in their employment? | |
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| | #116 | |
| Lives for gear Joined: Jun 2009
Posts: 3,397
| Privacy by proxy is no great threat. Centralized proxies are often still vulnerable to tracing. See: Huge Security Flaw Makes VPNs Useless for BitTorrent | TorrentFreak Plus, in centralized proxies, someone has to pay for the bandwidth, which makes them subject to liability no different than an ISP. Decentralized proxies like Tor are unreliable, and can also be easily infiltrated by any motivated party with a bit of money to set up a multitude of nodes. Quote:
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| | #117 | |
| Gear Guru | Quote:
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| | #118 | |
| Lives for gear Joined: Jun 2009
Posts: 3,397
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No doubt, these types of services will increase in popularity among hardcore pirates. But by their nature of passing data off 4-6 times before it gets to you, they are much slower than direct P2P. And due to their anonymous nature, they tend to be havens for hardcore illegal kinds of material the general public has no desire or tolerance for. And just like any copyright protection, they are all "crackable" should the need arise. | |
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| | #119 | |
| Gear Guru Joined: Oct 2002 Location: Oz
Posts: 16,853
| Quote:
It's slave labour (legally) to dodge paying your workers in a capitalist system, but it's greed and stubbornness when musicians demand the same employment conditions (providing they are employed of course). Secondly, I very much understand 'entitlement' as a slur on our character, especially having spent time in the U.S. It's a shame you chose to employ that accusation. Finally, you really do need to address the them and us scenario. 'Us' are expected to find a new way of earning a living, because 'them' are illegally stealing our work and it's apparently too hard or too unpopular to demand the law upholds our rights. 'Them' are still the minority, and ordinary, decent musicians (us) still charge for their services, while a majority of ordinary and decent consumers still pay to consume it. But who holds the moral high ground is 'complicated'? | |
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| | #120 | |
| Lives for gear Joined: Jun 2009
Posts: 3,397
| Quote:
Since then? Just more empty threats from pirates who believe that because the law has turned a blind eye for years now, that makes them permanently entitled and invincible. | |
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