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| | #1 |
| Gear maniac Join Date: Jul 2003 Location: Seattle, WA USA
Posts: 201
| Studio Remodel Photo Story Hi fellow slutz! Not sure if this is the right section for this, but it was a "high end" deal for me as far as cost! Not so long ago, I just did a pretty sizable remodel to the existing spaces I was using for my home based production studio. I posted all the photos I took during the process, and put little captions on each photo to tell the story. You can view it here: http://www.dbar-productions.com/album/index.html I didn't get many photos of the contractors actually doing the work, since I was quite busy at the time working on projects in my office, but I generally took photos at the end of each day to show that day's progress. I couldn't afford everything that I really wanted to do with the place, but this was a good starting point, and I may do more later. Got rid of my old Whisper Room vocal booth and have a big enough space to track drums now... just got the extra mics and stands for doing drums, so hopefully I'll be able to test the room out for that in the near future. Steve
__________________ DBAR Productions & MusicTECH - Greater Seattle area Producers & Composers Wanted for LoopLibrary.com & NetMusicLibrary.com! |
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| | #2 |
| Gear maniac Join Date: Jun 2003 Location: Chicago
Posts: 260
| Steve, Let me be the first to say congratulations, nice job. Maybe we could see some wide shots of the whole control room, when you get a chance. Great job very professional.
__________________ Tousana www.absoluteaudioinc.com ___________________________ Technology is taking us backwards. It's making it easier to make things worse. People who like good sound are gonna be thought of as some kind of strange zoo animal. "Lou Reed". |
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| | #3 | |
| Gear maniac Join Date: Jul 2003 Location: Seattle, WA USA
Posts: 201
| Quote:
I was planning on getting a professional photographer with a good camera and wide angle lens in at some point in the future to take some nice shots that show most of the room, which I can use for my web site and other things (although I'm mostly a private production company now, so I really don't advertise for new clients). Steve
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| | #4 | |
| Gear maniac Join Date: Jul 2003 Location: Seattle, WA USA
Posts: 201
| Quote:
There are a couple of reasons I didn't build the absorbers into the walls: 1. The only walls we rebuilt were the wall between the control and studio, and half of the opposite wall where we basically extended a wall that went out half way into the room for a bathroom (that wall now separates the "lounge" and control room). I didn't have the budget to tear apart and rebuild all the walls and celings. 2. I already had a bunch of RealTraps products and some other similar products, and I put many of them on stands or mounted them in such a way that they could be easily removed without any major wall damage in case we move later and need to sell the house. Also, I can move them around and use them for tracking. Plus, if I built them into the walls, we would basically need to move the walls in to make room for that stuff, and I didn't want to make the room any smaller than it already was. Basically, I was trying to work with the existing space as much as possible and not spend too much money since I'm not much of a handyman and couldn't do this myself. All of the studio space, and most of the control room is underground since the house is built into a hill, and there is cement foundation all the way up the sides of the walls to the outside, so I don't need any isolation from the outside world. There are two more levels of the house above me, but I only do studio stuff during the day when our 2 year old is at daycare and my wife is working, so I didn't need to redo the ceilings and second level floor for isolation. It's VERY quiet here during the day, as long as I turn the furnace off so it doesn't kick on while recording (it's right on the other side of one of the studio walls in the garage, and is quite noisey). Our house is really well insulated, and it rarely gets really cold here in the Seattle area, so I can turn the heat off in the morning, and even at the end of a long day, the house has only dropped a few degrees-F in temperature. If my business could justify it, there certainly would be a lot more I would have done, but I have to take everything into account from a business point of view since this is what I do for a living (but my wife works also and makes good money). Up until now, I've just been working in existing spaces with some acoustic treatment, so this was a big step up for me. I used to work at a major recording studio for several years, so I'm a bit spoiled by that, and I would always rent out major studios for drums and large groups and just do overdubs and mixing, or electronic based projects, in my production studio. Now that I'm mostly private and have several product lines of my own I produce, I wanted to get set up to at least be able to track drums for my lower budget projects instead of renting out big studios... but, I needed to balance out how much I had to spend to get to that point versus renting out a bigger studio, and figure out how many drum tracking sessions it would take to get to the break even point and if it was going to be worth it (since I can obviously get better drums sounds in a major studio with a big room and all the top gear, but pay more each time for that). Anyway, I'm very happy with the space... the control room sounds great and measures out quite well considering it's still mostly an existing space (but we picked the house mainly because of the layout of the two rooms and the dimensions fit into a good acoustic ratio). I haven't had a chance to track drums in the studio room yet to see what kind of sound I can get in there. I'm looking forward to trying that out soon! Thanks for the comments guys! Sorry for the long rambling post! Steve
__________________ DBAR Productions & MusicTECH - Greater Seattle area Producers & Composers Wanted for LoopLibrary.com & NetMusicLibrary.com! | |
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| | #5 |
| Gear maniac | Beautiful job! I've just broken ground for my home studio build out as well, so it's encouraging to see someone wrapping up and it looking so good. Could you throw up a basic layout of your place with dimensions, ceiling height and the like? I'm curious to see what the place looks like as a whole. How does the space sound now? I noticed you heavily treated the mix space but not the live room so much, beyond curtains. How's this working out? Lovely space. Congradulations! Lee |
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| | #6 |
| Gear maniac Join Date: Jul 2003 Location: Seattle, WA USA
Posts: 201
| I'll try to post the layout graphics of the before and after, but haven't tried posting photos here before, so don't know how well this will work, or the size limits. This first one is my own very rough layout of the studio space before the remodel, roughly showing how my equipment was originally laid out. The Yellow lines were where I wanted to add or modify walls... there originally was not a wall between the lounge area and the control room, just that bathroom that stuck out half-way across the room behind my mix position. The red line on the wall between the control room and booth is where the door was originally. Remember, these were existing finished spaces that I was using, so I wasn't building into a space from scratch. The measurements are a little rough, and may be off by an inch or so, but close enough.
__________________ DBAR Productions & MusicTECH - Greater Seattle area Producers & Composers Wanted for LoopLibrary.com & NetMusicLibrary.com! |
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| | #7 |
| Gear maniac Join Date: Jul 2003 Location: Seattle, WA USA
Posts: 201
| OK... that first one worked. Now here is the layout as drawn up by the acoustic consultant before I did any work. The gear closet sticking out into the garage is not to scale... he left that to use to figure out what we needed... it's actually wider and deeper than shown on the drawing. Also, he ran the numbers for a rectangular room to figure out the best dimensions and figured we should lower the ceiling or raise the floor a bit to get to the best ratio, but that was too much work and not in my budget, so I left the ceiling and floor the way they were (about 4" higher than his recommended height). He also put an option in to add a second wall and door inside the studio space, but that would greatly reduce the size of that already fairly small room, and isolation was not my primary concern with the remodel.
__________________ DBAR Productions & MusicTECH - Greater Seattle area Producers & Composers Wanted for LoopLibrary.com & NetMusicLibrary.com! |
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| | #8 | |
| Gear maniac Join Date: Jul 2003 Location: Seattle, WA USA
Posts: 201
| Quote:
I have not yet had a chance to record anything in the live room yet. I was in Japan for a while after the remodel, and have been super busy since getting back with other aspects of my business, and also just doing composing and editing in the control room. The control room sounds great, and I'm very happy with it. I'm hearing a lot of details I was missing before, and the low end is now very smooth and accurate and I'm once again getting the deep low end out of my BM15A monitors without having to turn on the sub. Thanks for the comments! Steve
__________________ DBAR Productions & MusicTECH - Greater Seattle area Producers & Composers Wanted for LoopLibrary.com & NetMusicLibrary.com! | |
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| | #9 |
| Gear maniac | Thanks for the reply Steve. I didn't catch the extra traps in your live space. My bad. You know, if you feel like getting some more feedback/helping folks doing this kind of project, you might want to toss your post up onto John Sayer's site here. I posted a long thread there that's been good for getting me feedback, pre-build, and I'm sure a ton of folks would benefit from seeing your lovely photos. I haven't seen anything quite so exhaustive on there in a while. Thanks again! |
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| | #10 | |
| Gear maniac Join Date: Jul 2003 Location: Seattle, WA USA
Posts: 201
| Quote:
Yes, I got a lot of good info from John's board when doing research a while back. I'll post my link there as well.
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