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| | #151 |
| Gear addict Joined: Jun 2002 Location: Lisbon
Posts: 335
Thread Starter | |
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| | #152 |
| Gear addict Joined: Jun 2002 Location: Lisbon
Posts: 335
Thread Starter |
Here are some new measurements. These were done at 3 distances, we named: Front Row, Middle row and Back row. Middle row is at the mixing desk position. At each of these distances, 3 measurements were made left, centre and right. The test signal was played through centre speaker. FRONT ROW (NEARFIELD) LEFT CENTRE RIGHT![]() MID ROW (MIXING POSITION) LEFT CENTRE RIGHT![]() BACK ROW LEFT CENTRE RIGHT![]() The measurements show a very uniform behavior throughout the whole room. |
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| | #153 |
| Gear addict Joined: Jun 2002 Location: Lisbon
Posts: 335
Thread Starter |
RT plots. One is from MLS and the other from iPhone with StudioSix Audio Tools. Extremely similar results, though! Both measurements taken at mixing position. ![]() |
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| | #154 |
| Gear interested Joined: Feb 2011
Posts: 8
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Muito legal cool Branko obrigado thanks
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| | #155 |
| Gear addict Joined: Jun 2002 Location: Lisbon
Posts: 335
Thread Starter |
Here is one waterfall measured with REW, which seems to be a very popular tool on this section of GS. I'm not sure I'm using it properly, though... |
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| | #156 |
| Gear addict Joined: Jun 2002 Location: Lisbon
Posts: 335
Thread Starter |
And here's a SMAART 7 impulse response and spectrogram. ![]() As you can see, the room is very, very tight. As a result, we get these nice readings: CLARITY C80 ![]() Definition of C80: C80 – The Clarity Factor (80ms), expressed in decibels, is the ratio of the early energy (0-80 ms) to the late reverberant energy (80-end of the decay of the IR). C80 is perceptually aligned with music perception. More generally, clarity refers to the degree to which the separate strands in a musical performance perceptually stand apart from one another. If the clarity is too low, the fast parts of the music are not readable. If there is no reverberation in a room, the music will be very clear and C80 will have a large positive value. |
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| | #157 |
| Gear interested Joined: Feb 2011
Posts: 8
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congratulations, wow the x-curve is already applied? you use the microphone pointed toward the central speaker or to the ceiling? thanks for sharing your experinece with us |
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| | #158 |
| Gear addict Joined: Jun 2002 Location: Lisbon
Posts: 335
Thread Starter |
All the measurements I published are with system aligned to x-Curve. The mic is maybe 45º angled towards speakers. We're trying to measure noise floor, and we're having trouble with noisy mics. It seems we're getting NC15, but it's hard to tell this way. We'll try tomorrow with another mic brand, supposedly much quieter. In the meantime, some nicer pics: ![]() to get the idea of the size, the picture is 2.90m high. |
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| | #159 |
| Gear addict Joined: Oct 2010
Posts: 392
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I found when trying to measure a very quiet studio (< 20dBA) I had to set the microphone correction to "frontal" rather than "random/diffuse". I was using a Bruel & Kjaer 2260. The non-frontal setting kicks up sound levels at high frequencies.
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| | #160 |
| Gear interested Joined: Feb 2011
Posts: 8
| dolby certification
Please do not forget to post pictures and data session Dolby certification, that would be very educational. ![]() thanks again for sharing the construction of his studio with us. |
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| | #161 | |
| Gear addict Joined: Jun 2002 Location: Lisbon
Posts: 335
Thread Starter | Quote:
Sebq, we are using cheaper mikes, the best one being Earthworks, followed by Beyer, Behringer, Studio Six's mic and the iPhone's mic. All these suffer from noise in the upper frequency range (from 2-3 K up). If we exclude the readings above that range, NC figures are around NC=10. In the meantime, as this is meant to be a PHOTO diary, here are some newer pictures: The Studio: ![]() ![]() The Studio: Clients' area: ![]() Machine room: ![]() Facility reception area: | |
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| | #162 |
| Gear interested Joined: Feb 2011
Posts: 8
| Parabens
Parabens Branko, congratulations lindo espaço,felicidades para voçê. |
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| | #163 |
| Gear interested Joined: Sep 2008 Location: Lisbon
Posts: 14
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Simplesmente fantástico! Muitos Parabéns e agora bom trabalho Marco Bernardo |
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| | #164 |
| Lives for gear |
Awesomely beautiful facility, Branko!
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| | #165 |
| Gear addict Joined: Jun 2010 Location: Portugal
Posts: 380
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Very good work Branko!!! Lovely studio! I will now have to grab the beers and visit you one of these days as promised! :P e e
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| | #166 |
| Gear addict Joined: Jun 2002 Location: Lisbon
Posts: 335
Thread Starter |
Thank you guys, you're welcome.
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| | #167 |
| Gear interested Joined: Jan 2011 Location: In the ether
Posts: 4
| ![]() ![]() ![]() ![]() ![]() ![]() ![]()
__________________ ![]() The difference between something that can go wrong and something that can't possibly go wrong is that when something that can't possibly go wrong goes wrong it usually turns out to be impossible to get at or repair |
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| | #168 |
| Gear interested Joined: Jan 2011 Location: In the ether
Posts: 4
| ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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| | #169 |
| Gear maniac Joined: Nov 2010 Location: Czech Republic
Posts: 194
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That's a very nice facility! It must be great place to work. BTW, I like the machine room - nice and tidy. What's that device under the CP650?Tom |
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| | #170 |
| Gear interested Joined: Aug 2010
Posts: 9
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| | #171 |
| Gear addict Joined: Jun 2002 Location: Lisbon
Posts: 335
Thread Starter |
Nuisance, IS YOU JOULES? |
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| | #172 |
| Gear addict Joined: Jun 2002 Location: Lisbon
Posts: 335
Thread Starter | |
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| | #173 |
| Gear interested Joined: Jan 2011 Location: In the ether
Posts: 4
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| | #174 |
| Lives for gear Joined: Apr 2004 Location: Chennai, India
Posts: 1,257
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| | #175 |
| Gear addict Joined: Jun 2002 Location: Lisbon
Posts: 335
Thread Starter | |
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