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| Thread | Thread Starter | Forum | Replies | Last Post |
| Rupert Neve Designs Portico VS AMS Neve 1073 DPD | SLy_drums | High end | 7 | 10th November 2006 10:59 AM |
| AMS-NEVE 1073dpa or NEVE 1272 racked pair ? | Renaud Charlier | So much gear, so little time! | 0 | 3rd June 2006 09:59 AM |
| SAE + NEVE | aeroc | So much gear, so little time! | 1 | 20th June 2005 07:16 AM |
| AMS Neve SOLD! | Jules | High end | 0 | 17th June 2005 06:24 PM |
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| | #31 | |
| Lives for gear Join Date: Aug 2003 Location: Munich - Germany
Posts: 1,725
| Jules, itīs great youīre investing time & money in educating SAE graduates at your place and if I would give someone a "high moral music industry award", you were the one to be nominated...seriously...but I just donīt want an assistant...I donīt want to become lazy and prefer my personal privacy in the intimate process of composing, tracking & mixing.. ![]() Julian Standen - what you have given to young pro audio interested people with your gearslutz forum is hundredfold more precious than Misnerīs cash cow institute and itīs FOR FREE . Has to be said over and over again - we all are very thankfull for what you created over the years I personally think, the 7 k Euro I spent 10 years ago at the SAE college were an insane waste of money and I learnt more during the 2 months as a coffee cook/toilet cleaner (there it is again...) in a real big local studio. All that theory and practical exercises have NOTHING to do with REAL LIFE music production...to me it is a high tech soap opera for rich kids (like I have been one). Getting wet without jumping into the water... Quote:
Donīt think so. Iīm curious : do your assistants get a paid job when theyīve "graduated" at the library ? I mean - itīs great to be a hobby engineer...but what do those people do for a living after they became 30 ? (SHIT - now Iīm sounding like my own father...) | |
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| | #32 |
| Gear addict Join Date: Oct 2004 Location: Amsterdam, NL
Posts: 354
| I know I stated TM as a money maker but the SAE people I know definitly NOT make false promises. When I entered the course years ago I asked about job perspectives and they were quite clear and honest about that. If you put in work and study and you're a dedicated student yourself you can definitly learn the basics of audio-engineering at an SAE-college, some of the students just don't commit theirselves in the way they should, that's a fact. I learned a lot out there and I have been making my money audio-engineering in three different proffesional studio's since. Still: TM is in it for the money and he's an audio engineer with a complete lack of taste and creativity. Cheers, Julian |
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| | #33 |
| Lives for gear Join Date: Mar 2005
Posts: 1,320
| I certianly wouldn't say they are praying on naive youths false dreams. I dont actually study at SAE but where i do, and the places that i have spent sometime in like SAE definately don't sugar coat the current career prospects within the industry. |
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| | #34 |
| Gear addict Join Date: Jan 2003
Posts: 497
| SAE is the McDonalds of audio education. Can you say "Would you like fries with that?"
__________________ "Fix it in the marketing" |
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| | #35 | |
| Gear interested Join Date: Jun 2005
Posts: 5
| Hey Shaman I know you learned your stuff at SAE and having had a look at your studio you've obviously learned well unless you suddenly claim that you where BORN with this knowledge. Everyone makes their own soup and swimms in it! Quote:
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| | #36 | ||
| Lives for gear Join Date: Aug 2003 Location: Munich - Germany
Posts: 1,725
| Quote:
"So give a man a fish and heīll eat for a day...teach him how to fish and heīll eat forever..." may have been their original philosophy... But if there are only 1000 fishes and 1.000.000 fishermen not even this will help and heīll stay hungry Thereīs a nice, long forgotten virtue in our and other business areas. Itīs called RESPONSIBILITY FOR OTHERS instead of selling coloured singing birds to the blind, deaf & naive ones. Quote:
What I learnt at SAE mainly was to talk about engineering like I would have been born as Bruce Swedien The fact that I donīt have to live from what I earn with my studio makes it redundant to me personally if I spent 7 k for NOTHING at SAE 10 years ago. Itīs NOT redundant for those who have to work hard for their course money / borrow it from their not rich parents / take a credit from a bank in the hope to get a job one day & pay the money back. And those get A BIG WARNING SIGN !! from me. ![]() | ||
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| | #37 | |
| Gearslutz.com admin Join Date: Apr 2002 Location: London, UK
Posts: 11,401
| Quote:
In the 6 years I have been open for business I have had 2 assistants that I took on full time. The first is a working freelancer charging between $20 & $40 per hour for engineering or PT operating skills. He frequently works back at The Library, either hired by me, requested by clients or brings in his own work(4 days next week) & My current in-house guys has been with me for 3 years now and has a single at nuber 23 in the UK singles charts this week just passed!!! (The Departure) which he engineered AND produced here at The Library.
__________________ Jules (Re: hollow column speaker stands) "Fill with the "Sands of Time" for the best bass response." - Kyle S | |
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| | #38 |
| Lives for gear Join Date: Aug 2003 Location: Munich - Germany
Posts: 1,725
| Congrats to your assistantsīsuccess Jules. But contrary to the SAE you only charged your assistants in "toilet cleaning-/ coffee making/ getting cigarettes - pound sterling" not in money, Jules did you ? Still a more fair exchange rate for most kids than spending 7k, which they donīt have in fact ![]() I think your assistants mainly became what they are now by learning under your tutorial wings not by what they learned in theory at SAE ![]() ....itīs a sad joke, while Iīm writing this and checking my e-mail another munich SAE graduate asks for an assistant job...here comes the flood... ![]() |
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| | #39 | |
| Gear nut Join Date: Jul 2004
Posts: 108
| Quote:
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__________________ Don't tell my mom I'm a sound engineer. She thinks I play the piano in a brothel (d'aprčs Seguela). | |
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| | #40 |
| Gear interested Join Date: Jun 2005
Posts: 3
| Shaman, everyone is entitled to an opinion, so here are my 5 cents: I took the SAE course in the 90's too, and back then they charged about 4,5k and not 7k. Can't say I liked everything, there were good and crappy students, others wanted to be spoonfed. Most graduates actually made their way into the business, and that's what matters. Me and others are making a decent living now. Bottom line, If SAE didn't deliver they wouldn't be where they are. Some questions you might want to ask yourself: Does the accusation to cash in on dreams not apply to the whole entertainment industry, and that includes your studio? Why do some people in the industry believe they have the exclusive right to be in there? And what entitles them to judge on what should exist and what shouldn't? Could it simply be that they are fishing in the wrong pond? The business is bigger than ever before - just not like it used to be. Shouldn't one be glad about people with enough cash and testosteron to step in to maintain value and quality, let their names be Peter Gabriel, Tom Misner or Dieter Maier? If their sole aim was profit or luxury, they'd buy more real estate or mega yachts instead. I certainly prefer things being run by some passionists rather than some anonimous investment funds. Success! |
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| | #41 |
| Gear maniac Join Date: Oct 2002 Location: Adelaide, Australia
Posts: 194
| Well I studied at the SAE in the mid eighties when there was only 4-5 schools and we were never told there would be a job for us. In fact we were told that only a few of us would ever make it and that if we applied ourselves and worked hard we would leave with an understanding of the basics that would mean at least if we got a job as an intern/assistant we would know what the hell everyone was talking about. I remember absolutely no sugar coating, in fact it was the opposite.
__________________ Cheers Brenton |
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| | #42 |
| Gear addict | I too am an ex SAE student. I agree w/ Julian and Brenton. We weren't told there would be a great job for us in some big studio for all of us. Nope they were quite frank indeed, only few would be so fortunate. The bad rep SAE has w/ some people has more to do with the naive arrogance of some of their grads than it has to do w/ the quality of the course. Sure, the SAE programme can be improved, sure it's a lot of money. And SURELY, it doesn't offer everything you need to know. Does any course? Look at the SAE diploma as a drivers license. You learn how to operate a vehicle, get through traffic. Then when you get your license, you start learning how to be a good driver. You learn how to operate a studio, get through sessions. Then when you have your diploma, you start learning how to be a good engineer. Fresh SAE grads applying at a major studio are usually just as silly as people who just got their license applying at a formula1 team . Do you blame the driving school for that too ? ? ? And can you really blame the grads for trying ? ? ? In all fairness, I learned a lot at SAE, but I was one of a few who really pushed hard. Of course there are rich kids who slacked their way through. This happens in any industry though and they usually don't get far. Still blaming their educators for that ? Personal tastes aside, I hope SAE-NEVE will yield some coolness. I like the direction NEVE is going w/ their encore plus automation. sounded like music to my ears. [/2Ē]
__________________ Yvo van Gemert engineer/producer The Velvet Overlook music production facilities http://www.velvetoverlook.com http://www.myspace.com/thevelvetoverlook http://www.sofatonic.com <= order our new album. http://www.myspace.com/sofatonic "Ball Blistering Bugger Blizzards" |
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| | #43 | |
| Lives for gear Join Date: Dec 2004 Location: London & Ibiza
Posts: 1,607
| Quote:
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| | #44 | |
| Gearslutz.com admin Join Date: Apr 2002 Location: London, UK
Posts: 11,401
| Quote:
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__________________ Jules (Re: hollow column speaker stands) "Fill with the "Sands of Time" for the best bass response." - Kyle S | |
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| | #45 |
| Registered User Join Date: Mar 2005 Location: Brussels, Belgium.
Posts: 472
| SAE?! and NEVE?! Well, I lived in the the same street as the SAE in Brussels for 2 years (Gachard), and believe me, I still wonder what the hell it is they are learning there. Talked a bit with some students when passing by, met some during gigs or just by coincidence, and their knowledge seems really minimalist. "Yeah, we learn about compression and limiting and how to use this and that". Sure. Great. You do that. I also get those 21 years old ex-SAE-students applications 4-5 times a year, asking me if there is an assistant place, or if I want to hire them for the summer... (Not that they can't read, but I work in Studio Design, kinda like an architect. S/E in studios few times a year, but that's it.) Anyway, I interviewed a couple of them at a time, just to see what SAE was up to, and what was the quality of their teaching (in Brussels that is, may vary with location I guess). I talked to the guys, very self sufficients by the way, and guess what, they were lost after 2 minutes. I only asked few tech questions and their points of view on what working in this field implied to them! My questions were of course a bit tricky, but that's a job/stage interview. SAE may have been a good school 10 years ago, but now it's and a Rip-off. I feel there are lots of daddy's boy there as well. The lazy kind... I feel sorry for Neve. I have great respect for this brand. I don't like this deal. And I think they don't like it either. Cheers |
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| | #46 | |
| Gear maniac Join Date: Aug 2004 Location: berlin/germany
Posts: 172
| Quote:
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| | #47 | |
| Gear maniac Join Date: Aug 2004 Location: berlin/germany
Posts: 172
| Quote:
on other hand they can spend the money left over for excellent studio equipment or - thats really spooky - for whole gear manufacturers. ![]() | |
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| | #48 | |
| Gear addict | Quote:
__________________ cellist, recordist, acoustics geek | |
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| | #49 |
| Gear interested Join Date: Jun 2005
Posts: 14
| It's hard to make money selling big consoles these days - hence the sale of both SSL and Neve. IMO both have been slow to react to market trends and have got themselved stuffed in the process. I'm sure Tom Misner would have preferred to have bought SSL but got iced in favour of current bidder - a hugely predicatable result was his purchase of Neve. Also predicatable. Within a year Neve and SSL will merge, great news for audiophiles everywhere. |
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| | #50 | |
| Lives for gear Join Date: Jun 2002 Location: The Left Coast, and don't call it 'Frisco
Posts: 1,559
| Quote:
"Those who can't do, teach." ![]()
__________________ -David R. Obama said a couple of days ago says we all should inflate our tires. I dont disagree with that. The American Automobile Association strongly recommends it - John Mc Cain, Aug. 5, 2008 | |
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| | #51 |
| Gear interested Join Date: Jun 2005
Posts: 14
| Teachers And those that can't teach 'Teach Teachers.' |
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| | #52 | |
| Moderator | Quote:
its an interesting quote that one, can be true, can be bullshit...there are some scarily talented people in education for all manner of reasons.... there are some for whom its just all bullshit and bluster. hmmm... like audio engineering methinks!
__________________ Emre Ramazanoglu http://www.emremusic.com the wise man can pick up a grain of sand and envision the whole universe. The fool, however, will just lie down on some seaweed and roll around until he's completely draped in it. Then he'll stand up and go "Hey, I'm vine man" | |
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| | #53 | |
| Lives for gear Join Date: Jul 2003 Location: Hollywood
Posts: 2,413
| Quote:
That might be predictable if Harman International Industries Ltd owned them both but not so predictable as two independent identities. I don't understand the last bit.... ![]()
__________________ Geoff Tanner Aurora Audio International http://www.auroraaudio.net/ http://www.auroraaudio.net/dcforum/DCForumID1/596.html http://www.grandmasterrecorders.com | |
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| | #54 |
| Gear interested Join Date: Jun 2005
Posts: 14
| Good news for audiophiles Hopefully they will be strong enough to be a standalone company. The good news? Well, when SSL lauched the 9K, industry opinion opined 'Fantastic - its almost got the Neve 'sound' at last'. For Music suggest the combo of SSL automation and control surface and the Neve sound could be a winner - for the small diehard analogue market. Film - DFC has a lead but SSL has some great features. Post & Broadcast? Forget it. I don't think either companies has the resources to make it on their own. |
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| | #55 | |
| Lives for gear Join Date: Jul 2003 Location: Hollywood
Posts: 2,413
| Quote:
I bow to your experience in the matter but raise my eyebrows at the suggestion that the servo driven, capacitor less, SSL 9000 has the Neve sound. It beggers the question.... which Neve sound? ![]()
__________________ Geoff Tanner Aurora Audio International http://www.auroraaudio.net/ http://www.auroraaudio.net/dcforum/DCForumID1/596.html http://www.grandmasterrecorders.com | |
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| | #56 |
| Gear interested Join Date: Jun 2005
Posts: 14
| Good news for audiophiles Geoff I walk in your shadow. I'm not sure how capacitors - oxygen free cables - all gold connectors et al affect the sound. I'm sure you do. The replication of the Neve 'sound' was a big issue for SSL with the 9K - and I believe they thought they had attained that goal. The main point though, is that there is no longer a viable market in which for two struggling large-scale (both excellent) console manufacturers can make money. Either, one will go or they will merge their talents - which could be good news. |
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| | #57 | |
| Lives for gear Join Date: Jul 2003 Location: Hollywood
Posts: 2,413
| Quote:
Well, what I know about SSL could be written on a postage stamp in foot high capital letters but, with this caveat, I would be staggered to hear that SSL held the Neve V series or any other later Neve as their sound icon to head for. In my life, this is the first reference I read/heard of SSL wanting a Neve sound.... let alone obtaining it. I think the SSL 9000's biggest problem was the number of them sold... you can barely cross the road without bumping into a studio that has one. Where one goes from there is a mute point. Anyone else with thoughts on the SSL sounds like a Neve paradox? ![]()
__________________ Geoff Tanner Aurora Audio International http://www.auroraaudio.net/ http://www.auroraaudio.net/dcforum/DCForumID1/596.html http://www.grandmasterrecorders.com | |
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| | #58 | |
| Lives for gear Join Date: Jul 2003 Location: Hollywood
Posts: 2,413
| Quote:
Thanks... I thought I was going insane there! Senility is bad enough! Thanks to these forums that's the first time I've ever seen any mention of a similarity in over 30 years! ![]()
__________________ Geoff Tanner Aurora Audio International http://www.auroraaudio.net/ http://www.auroraaudio.net/dcforum/DCForumID1/596.html http://www.grandmasterrecorders.com | |
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| | #59 |
| Gear interested Join Date: Jun 2005
Posts: 14
| Hiding to nothing OK OK. Neve Sound is great. SSL Automation is great. If you are in a market where your competitor's key advantage is a preferred sound - you seek to emulate or better it. |