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| | #1 |
| Gear addict Joined: Jul 2006 Location: Las Vegas
Posts: 357
Thread Starter | Classik Studio Reverb (IK Multimedia)
I am looking for a smooth, realistic reverb. Is this a good reverb for adding reverb to guitar tracks as well as vocal tracks? Anything that would be better? |
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| | #2 |
| Gear addict Joined: Jul 2006 Location: Las Vegas
Posts: 357
Thread Starter |
Bumpity
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| | #3 |
| Lives for gear Joined: Feb 2006
Posts: 1,741
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CSR as far as i'm concerned is the best Reverb plug-in i have ever tried , sounds like hardware , hope this answers your question |
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| | #4 |
| Lives for gear Joined: May 2006
Posts: 559
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How is it on the CPU?
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| | #5 |
| Gear Head Joined: Aug 2006 Location: Germany
Posts: 47
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| | #6 |
| Gear Head Joined: Aug 2006 Location: Germany
Posts: 47
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| | #7 |
| Gear maniac Joined: Jul 2006
Posts: 161
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how does it compare to the wizooverb?
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| | #8 |
| Lives for gear Joined: Aug 2004 Location: Up here
Posts: 6,181
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TC Electronic has ported a couple of their reverbs from the TC6000 over to the DAW world. Supposedly an exact 1:1 transfer so it should sound exactly the same as the hardware unit. I can't imagine a much better choice than that, but it isn't cheap.
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| | #9 |
| Gear addict Joined: Feb 2006
Posts: 486
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it is a fantastic reverb. wizoo is great but is a cpu hog - it is a convolution reverb which csr is not. you will not be dissapointed with csr.
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| | #10 |
| Lives for gear Joined: Jul 2006 Location: B'ham, AL
Posts: 998
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I haven't tried it, but it seems to get great reviews on GS. I would recommend checking out the Princton digital room/plate reverbs and I like the Anwida Soft spazio. |
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| | #11 | |
| Lives for gear | Quote:
I love the plates and halls, and the room are definitely usable. My music desn't lend to the reverse non linear stuff so much, but I am sure one would make use if it did. You can try a demo for 30 days, at least you could at one time. That's how I became a user. It also needs hardly any juice on a faster machine. I have had troubles with the convolution units even with my duo 64. | |
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