27th November 2006
|
#1 | | Gear maniac
Joined: Nov 2006
Posts: 210
Thread Starter | *** POLL: AT WHAT FREQUENCY DO YOU RECORD?
I currently record at 88.2KHz - do all my processing and mixdowns including compression prior to resampling & dithering
|
| |
27th November 2006
|
#2 | | Gear maniac
Joined: Nov 2006
Posts: 210
Thread Starter |
this is multiple choice
i forgot to vote for both 88.2 and 44.1 - but thats because i still work on older projects that i started in 44.1 - now my projects i start at 88.2
|
| |
27th November 2006
|
#3 | | Lives for gear
Joined: Oct 2006 Location: Brazil - Amazon (the heart of the world)
Posts: 773
|
88200 Hz |
| |
27th November 2006
|
#4 | | Lives for gear
Joined: Nov 2006 Location: Japan
Posts: 653
|
44.1
But I recently got a new daw and so maybe I can move to 88.2 or 96.
|
| |
27th November 2006
|
#5 | | Lives for gear
Joined: Jul 2006 Location: B'ham, AL
Posts: 1,030
|
44.1
|
| |
27th November 2006
|
#6 | | Gear maniac
Joined: Nov 2006
Posts: 210
Thread Starter |
paging Dr. George Necola...
sticky?
|
| |
27th November 2006
|
#7 | | PC Moderator
Joined: Mar 2005 Location: Winterthur, Switzerland |
nope..:D
music-computer was not ment for you only:D
48k here
|
| |
27th November 2006
|
#8 | | Gear maniac
Joined: Nov 2006
Posts: 210
Thread Starter |
shucks
|
| |
27th November 2006
|
#9 | | Lives for gear
Joined: Oct 2005 Location: Topanga, CA
Posts: 1,399
|
48kHz here. Working mostly to picture for commercials, unfortunately. It's a 48k world.
Songs, I usually do 44.1.
__________________
"Influences are alarm clocks of talents you already have within you."- Juana Molina
"Don't play everything. Let some things go by. Some music is just imagined" - Thelonius Monk
|
| |
27th November 2006
|
#10 | | one man, ONE mic pre
Joined: Jan 2004 Location: New York |
96k with the occasional 192
|
| |
27th November 2006
|
#11 | | Gear maniac
Joined: Nov 2006
Posts: 210
Thread Starter | Quote:
Originally Posted by wwittman 96k with the occasional 192 | what are you running
|
| |
28th November 2006
|
#12 | | one man, ONE mic pre
Joined: Jan 2004 Location: New York |
ProTools usually.
although I recently did a record on Radar
mix to either a second system at 96k or to analogue tape. (or both, although we inevitably use the analogue master)
__________________
William Wittman
Producer/Engineer
(Cyndi Lauper, Joan Osborne, The Fixx, The Outfield...)
prorecordingworkshop.lefora.com
thewombforums.com
|
| |
28th November 2006
|
#13 | | Gear maniac
Joined: Nov 2006
Posts: 210
Thread Starter |
running Cubase4 im limited to 96K even though the fireface will do 192K
but i've stuck with 88.2 as my logic is the math is simpler to resample / dither from 88.2 32bits to 44.1 16bits than from 96K to 44.1 - please educate me / correct me in my likely erroneous ways
|
| |
28th November 2006
|
#14 | | Gear nut
Joined: Sep 2006 Location: Nowhere fast
Posts: 83
|
I use 44.1 so no down sampling is required. I am a little curious though as to what issues down sampling might cause. Is there a reason to go with even multiples of 44.1 instead of the maximum possible such as 96 or 192? Computers are designed to do complicated math so I would think this should not matter.
|
| |
28th November 2006
|
#15 | | Gear maniac
Joined: Oct 2006 Location: NY or Germany
Posts: 278
|
Should I not be suprised at these numbers?
Why do so many people record at 44.1 when 96 is so common and 192 is available?
Is it a disk space thing?
|
| |
28th November 2006
|
#16 | | Lives for gear
Joined: Apr 2003 Location: New York
Posts: 1,131
|
I clearly hear a nicer top end at 88/96. However I don't have a dual processor on my computer yet so I am a little bit limited to how many plug ins I can use on a song. Waves and some UAD plug ins also are optimized at the higher sample rates.
|
| |
28th November 2006
|
#17 | | PC Moderator
Joined: Mar 2005 Location: Winterthur, Switzerland | Quote:
Should I not be suprised at these numbers?
Why do so many people record at 44.1 when 96 is so common and 192 is available?
Is it a disk space thing?
| if you read the Daniel Weiss interview in my forum, you would get an answer.
|
| |
28th November 2006
|
#18 | | Gear maniac
Joined: Nov 2006
Posts: 210
Thread Starter |
from what i read in there - it makes some sense to record and process at 88.2 with low pass filters - prior to resampling / dithering -
what do you do george?
|
| |
28th November 2006
|
#19 | | Lives for gear
Joined: Mar 2005 Location: Toronto, Canada
Posts: 1,129
| Quote:
Originally Posted by George Necola if you read the Daniel Weiss interview in my forum, you would get an answer. | Can't read the website =) I'm still english / french @ this point. Working slowly on my German.
P.S. to Original Poster : 88.2 Because of many reasons. =)
|
| |
28th November 2006
|
#20 | | Lives for gear
Joined: Aug 2006 Location: Americas
Posts: 1,115
|
48 or 96k, depending on the project.
|
| |
28th November 2006
|
#21 | | Lives for gear
Joined: Feb 2006 Location: NYC
Posts: 833
|
44.1. I don't have the converters/monitors/room yet to hear any real benefit from higher sample rates.
|
| |
28th November 2006
|
#22 | | Gear addict
Joined: Jan 2005 Location: Toronto
Posts: 412
| Quote:
Originally Posted by Harley-OIART Can't read the website =) I'm still english / french @ this point. Working slowly on my German.
P.S. to Original Poster : 88.2 Because of many reasons. =) | Try this link: Daniel Weiss interview -WEISS-[07.11.2006]
Peace, Scott.
|
| |
28th November 2006
|
#23 | | Gear addict
Joined: Nov 2006 Location: California
Posts: 321
|
192, just because I can.
|
| |
28th November 2006
|
#24 | | Lives for gear
Joined: Nov 2006 Location: Japan
Posts: 653
| Quote:
Originally Posted by LouD. Should I not be suprised at these numbers?
Why do so many people record at 44.1 when 96 is so common and 192 is available?
Is it a disk space thing? | If you use lots of soft synths, the CPU usage will be very different...
|
| |
28th November 2006
|
#25 | | PC Moderator
Joined: Mar 2005 Location: Winterthur, Switzerland | Quote: |
Can't read the website =) I'm still english / french @ this point. Working slowly on my German.
| it's very english my friend:D
|
| |
28th November 2006
|
#26 | | Gear maniac
Joined: Oct 2006 Location: NY or Germany
Posts: 278
| Quote:
Originally Posted by George Necola if you read the Daniel Weiss interview in my forum, you would get an answer. | Thanks, George.
That's perfect!
|
| |
28th November 2006
|
#27 | | Lives for gear
Joined: Sep 2002 Location: Elmont NY |
It depends on the project, either 96,48 or 44.1. All of my mixes are at 96
__________________
Lou Gimenez
www.musiclabnyc.com
|
| |
28th November 2006
|
#28 | | Gear addict
Joined: Sep 2006 Location: Netherlands.
Posts: 409
|
44.1kHz.
PCM 701 (emp. off)->PCM601->2xDTC77 (for simul. rec. or dat clone)->CDR620 (gold on gold archivedisc).
And for restauration (not very often) the FC1 by ADT with pc harddisceditor.
Standalone, or in combination.
|
| |
28th November 2006
|
#29 | | Lives for gear
Joined: Dec 2003 Location: So-Cal
Posts: 1,778
|
24 / 44.1
With good converters, Higher rates become a Mute point ...
|
| |
28th November 2006
|
#30 | | Lives for gear
Joined: Sep 2005 Location: Montreal
Posts: 2,220
|
Is there any benefit to tracking music at 24bit 48k? I usually do, but only out of habit. Should I goto 44.1, to save 1 less dither?
|
| | | |