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| | #1 |
| Gear nut Joined: Sep 2006 Location: ATL, NJ
Posts: 116
Thread Starter | Master Buss...whatcha' got?
Just curious what people are running on their master buss... I have been using the UA Pultec with the Neve 33609 at very low settings for that final glue... thought this might be a fun discussion...i'm bored at work.... |
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| | #2 |
| Lives for gear |
i usually bounce 2 copies.. 1 with a pultec and ssl4000 comp and 1 with nothing on the master.
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| | #3 |
| Lives for gear Joined: Jul 2006 Location: B'ham, AL
Posts: 998
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Depends on the material. If anything, The SSL. But have use the URS, Rcomp and even Blockfish. As I said Depends.
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| | #4 |
| Lives for gear |
nothing on the mix bus here. don't know why, but nothing sounds as good as even a Budget Compressor on the mix. |
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| | #5 |
| Lives for gear Joined: Apr 2005 Location: Charlotte, NC
Posts: 1,452
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UAD-1 Precision Limiter
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| | #6 |
| Lives for gear Joined: Jul 2005 Location: São Paulo/NYC
Posts: 1,204
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Smart C2 or is this an ITB discussion? |
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| | #7 |
| Lives for gear Joined: May 2006 Location: Washington D.C.
Posts: 918
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I do an analog insert into either a Drawmer 1968, a Tube Tech CL2B or an SE C2 comp, but I reall don't use them as compressors, as much as for the color. I run the outputs on full, long attack, short release, and then get the level from the input/threashold, so there's no actual gain reduction from the comp circuitry, but it still tames the transients due to analog clipping. Then I go into a Summit 200B for a bit of sub bass reduction, and/or add a couple dB of 16K sheen if needed.
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| | #8 |
| Lives for gear Joined: Feb 2005 Location: Switzerland
Posts: 690
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i don't want to hijack the thread but...do you guys insert compressors on the master bus just for mixing or do you send them off to the mastering house too after having passed the audio through the master bus with a comp inserted?
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| | #9 |
| Lives for gear Joined: Aug 2002 Location: maui, hi. USA
Posts: 668
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analog - TFPro 38 > avalon AD 2055 > cranesong spider or 2 pendulum quartets linked > spider ITB - waves ssl, sony dynamics, phoenix, analog channel.... not all at once eq - massenburg, waves ssl
__________________ "Your petty insults are of no consequence." --Jp22 |
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| | #10 |
| Gear maniac Joined: Jan 2004 Location: Outer New York
Posts: 205
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Usually something like: UAD Precision EQ, TC MD3, Sony Inflator, TC Brickwall Limiter, then out to Avalon 747 for some nice tube flavoring, non-compression compression and some of that sweet 747 eq. Generally, I like just a little from each of these along the way. That Precision EQ seems to add a little something even with all controls set flat...how does a plugin do that?
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| | #11 |
| Gear maniac Joined: Jan 2004 Location: Outer New York
Posts: 205
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| | #12 |
| Lives for gear |
Analog: EL Fatso and Massive Passive Digital: UAD Precision Limter and EQ |
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| | #13 |
| Gear nut Joined: Jul 2002 Location: Boston
Posts: 149
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| | #14 |
| Gear maniac Joined: Dec 2004
Posts: 240
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drawmer 1968 to avalon 747 for tube and EQ. the drawmer i'll have on during mixing, while the 747 is only applied when i print back to logic. |
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| | #15 |
| Lives for gear Joined: Sep 2004
Posts: 1,062
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Dangerous 2bus into Drawmer 1968 into Mini Massive into DV-RA1000
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| | #16 |
| Gear nut Joined: Dec 2005 Location: sunny southampton
Posts: 88
| re mix buss
i been using a spare pair of api line cards to tame transients, maybe a bit of vari-mu on the way to tape, but not always. then off for mastering. |
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| | #17 |
| Lives for gear |
- the waves ssl stereo comp - plenty of master-buss volume automation - 90% of the time i convince myself that if i need eq on the buss i should just figure out what i can do to the mix instead |
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| | #18 |
| Lives for gear |
Analog- Smart C2 sidechained so it's not affecting the lows. Sometimes the Vari-Mu but usually I save it for drum or other bus duties. Digital- Cranesong Phoenix (Iridescent/Opal with the input trimmed back a bit. The high end distortion with Gold and Sapphire are too much for me, but the low/low mid bump of Opal is nice). Also a bit of Hedd Pentode. Very small amounts of both of these. |
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| | #19 |
| Lives for gear Joined: Nov 2004 Location: Over myself
Posts: 929
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Pultec, Waves L3.
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| | #20 |
| Lives for gear Joined: Aug 2005 Location: san jose, califas
Posts: 2,610
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uad plate 140 (1-2%) psp vintagewarmer uad pultec el-FATSO voxengo elephant 2 |
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| | #21 |
| Lives for gear |
99% of the time absolutely nothing... 1% when i really need some glue for the mix ssl g, or outboard drawmer 1960, tube-tech, or whatever is on hand... no eq... eq is left for mastering... |
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| | #22 |
| Gear addict Joined: Aug 2005 Location: Gothenburg Sweden
Posts: 370
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Sonalksis stereo comp : ratio around 1.5.1 or so , slow attack and just tickling the gain reduction meter most of the time but registering maybe 2 db or a little less on the very loudest parts.
__________________ The above "words" are the ramblings of a depraved megalomaniac.Any similarity to normal communication is a hallucination on the part of the reader.Replying to this post will result in your Wife, family and posessions including any audio equipment you may own becoming the property of funkynuts. |
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| | #23 |
| Lives for gear Joined: May 2006 Location: Bronx, NY
Posts: 509
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I'm kind of into having an arsenal of flavors for my master bus: Waves SSL comp BF Fairchild 670 PSP Vintage Warmer, MasterComp Sony Oxford Inflator Then either the Sony Oxford or Steve Massey's limiter. |
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| | #24 |
| Lives for gear |
...lets see... psp vintage warmer waves l2 waves ssl comp s1 imager |
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| | #25 |
| Gear addict Joined: Sep 2006 Location: Dahellaware
Posts: 325
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api 2500 rock and metal
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| | #26 |
| Lives for gear Joined: Dec 2004 Location: los angeles
Posts: 1,739
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Nicer 16, then Cranesong STC-8 or Smart C1, then possibly a dash of portico 5042, then possibly 1-2db of GML 8200 shelving somewhere above 12-16K, then back into Lavry blue and/or 1/4". Sony Oxford limiter for listening ref. Haven't rocked a plugin on the master buss for awhile now... |
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| | #27 |
| Gear addict Joined: Jun 2006 Location: Northeast Corridor
Posts: 463
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EL Fatso on EVERYTHING. (Including master buss)
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| | #28 |
| Lives for gear Joined: Mar 2005 Location: L. A.-ish
Posts: 2,165
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| | #29 |
| Lives for gear Joined: Feb 2006 Location: Colorado
Posts: 760
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99% of the time...nothing. Sometimes it needs some slight EQ. Never a fan of compressor on the master buss.
__________________ Singer, Songwriter, Musician.............Dad. "You're so money and you don't even know it!" |
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| | #30 |
| Lives for gear Joined: Dec 2002 Location: Mission Viejo, CA
Posts: 1,180
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Portico 5012 with the silk switch on followed by a Portico 5043 with 1-2 db compression looped back to A/D Lynx for round 1 of stereo track . Then the UAD Limiter only on the final tracks.
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