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Logic vs Cubase vs ProTools (DAW TEST)
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Old 5th October 2012   #61
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A DAW sounds only as good as the man behind it

I just prefer using Cubase 6.5. Clients love the results and I get no complaints.

If I want more analog or vintage feel during mixing I plug Satson 1.2 in every channel and buss and I'm happy with it.

By the way - I think the prejudice against Cubase or other DAWs came from the time, where the people used the on board plugins of certain DAWs and in that case Logic or ProTools sounded little better. But today Cubase 6, ProTools, and Logic sound similar and if you just want to summing tracks without on board EQ, comps and effects the result should be the same.

So this discussion is ridiculous. Just look how many artists and professional users work with Cubase and Nuendo or with Logic, Ableton, Reason or ProTools.

My recomandation is - use the DAW where you feel familiar with and offers the most important functions for your work and you don't often need a manual.
An VST2.0/VST3.0 interface without compromise in compatibility, so that you can run every plugin.
For me Cubase has all this

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Old 5th October 2012   #62
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Quote:
Originally Posted by Geoff Waddington View Post
I think there's a business opportunity here for us programmer types:

A new suite of plugins to get your favorite DAW sound out of ANOTHER DAW !!

Of course all the latest would be represented as well as Atari based Notator for that vintage 1176-like vibe and perhaps even original Steinberg for that German U47 thing.

Should code up real quick
I think someone actually seriously asked about this last week.
I'll ask a programmer to build a dummy plug with a snappy GUI and ask $249,- for it. They get what they want, and they deserve it. Win/Win.
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Old 5th October 2012   #63
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Quote:
Originally Posted by Geoff Waddington View Post
I think there's a business opportunity here for us programmer types:

A new suite of plugins to get your favorite DAW sound out of ANOTHER DAW !!

Of course all the latest would be represented as well as Atari based Notator for that vintage 1176-like vibe and perhaps even original Steinberg for that German U47 thing.

Should code up real quick
meanwhile on the other side of town, biochemists are hard at work on the latest generation of Anti-Placebo sugar pills

they make you immune to Placebo, but only if you believe that they work

the combination of both technologies should be amazing!
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Old 5th October 2012   #64
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Quote:
Originally Posted by DAW PLUS View Post
I think someone actually seriously asked about this last week.
I'll ask a programmer to build a dummy plug with a snappy GUI and ask $249,- for it. They get what they want, and they deserve it. Win/Win.
That would be the digital equivalent of 500$ audiophool cables and sound wave enhancement gems...
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Old 5th October 2012   #65
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Quote:
Originally Posted by Atak View Post
Well I thought you were being rude and personally I don't think this is worth a fight. I think we all have something great to offer. I have met brilliant people on gearslutz not to mention I have learned alot. So yeah I'm done my friend. So back to the subject CUBASE RULES MAN! Lol. Naw just kidding As I said before I use other daws aswell and they all work great for me.

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I'm with you my friend. We can all help each other out here and it's great for learning. I don't get rude in a forum - why go there? If someone is ignorant of something then it's better to help and explain than call him stupid. When I am ignorant of something I want to learn what's going on.
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Old 5th October 2012   #66
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Quote:
Originally Posted by Sudad G View Post
A DAW sounds only as good as the man behind it

I just prefer using Cubase 6.5. Clients love the results and I get no complaints.

If I want more analog or vintage feel during mixing I plug Satson 1.2 in every channel and buss and I'm happy with it.

By the way - I think the prejudice against Cubase or other DAWs came from the time, where the people used the on board plugins of certain DAWs and in that case Logic or ProTools sounded little better. But today Cubase 6, ProTools, and Logic sound similar and if you just want to summing tracks without on board EQ, comps and effects the result should be the same.

So this discussion is ridiculous. Just look how many artists and professional users work with Cubase and Nuendo or with Logic, Ableton, Reason or ProTools.

My recomandation is - use the DAW where you feel familiar with and offers the most important functions for your work and you don't often need a manual.
An VST2.0/VST3.0 interface without compromise in compatibility, so that you can run every plugin.
For me Cubase has all this

Sudad G
Satson Sonimus takes Cubase to another level.

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Old 5th October 2012   #67
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Quote:
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Satson Sonimus takes Cubase to another level.

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Like VCC and VTM do...
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Old 5th October 2012   #68
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Quote:
Originally Posted by Sudad G View Post
A DAW sounds only as good as the man behind it
Amen to that quote sir !!!!!
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Old 5th October 2012   #69
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Amen to that quote sir !!!!!
But it seems it hasn't been said enough yet...

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Old 5th October 2012   #70
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Quote:
Originally Posted by Sudad G View Post
A DAW sounds only as good as the man behind it
unless that DAW's "audio engine" is mushy, harsh or dull


then, no matter how good the man is, his tracks will be forced to come out mushy, harsh or dull
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Old 5th October 2012   #71
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Like VCC and VTM do...
Haven't use those but what I have read about them and viewed on Youtube I would agree.

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Old 6th October 2012   #72
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Quote:
Originally Posted by joeq View Post
unless that DAW's "audio engine" is mushy, harsh or dull
No their audio is mushy, harsh or dull

And their engineering chops suck !!!!! LOL
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Old 6th October 2012   #73
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Originally Posted by LeMauce View Post
Right... not this again...

Totes...
So its 2:30 in the morning, sitting in a hotel room, nothing to do but read GS and I click on this thread.

For some reason that English dubbed Japanese show "Extreme Elimination Challenge" type of commentary came to mind.

I wonder about people that start these types of threads if they actually get any music done. This is about as useful as chefs comparing and trying to select which 'grain of salt' is best for the dish, and not the salt itself.

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Old 6th October 2012   #74
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Go record something meaningful and you don't have to be concerned about this BS.
You can make a great recording on 8 track tapes if you got the stuff. For real!

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Old 6th October 2012   #75
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lol these threads should stop, worse than Mac vs PC threads or Intel vs AMD threads. maybe I should do my voice into my AT2020 mic compared to my voice->cup->string->cup into my AT2020 mic, now that's an interesting discussion.

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Old 6th October 2012   #76
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If you give me a great song and a great artist you can can record a hit live on one track with a Radio Shack mic. How did we get so removed from reality?

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Old 6th October 2012   #77
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lol these threads should stop, worse than Mac vs PC threads or Intel vs AMD threads. maybe I should do my voice into my AT2020 mic compared to my voice->cup->string->cup into my AT2020 mic, now that's an interesting discussion.

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Great idea, make sure to take the right cups. I always found those cheap IKEA cups sounding noisy and harsh.
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Old 6th October 2012   #78
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No recording technics or equipment can trump the right song, right artist, at the right time.
Have fun chasing the technology.

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Old 6th October 2012   #79
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Originally Posted by Omega Arts View Post
No recording technics or equipment can trump the right song, right artist, at the right time.
Have fun chasing the technology.

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Is it bad that I lol'd at the irony?



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Old 6th October 2012   #80
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Quote:
unless that DAW's "audio engine" is mushy, harsh or dull


then, no matter how good the man is, his tracks will be forced to come out mushy, harsh or dull
Tell me which DAW would really do that? Cubase, Logic and ProTools don't do that

Only if your soundcards or your A/Ds - D/As are very cheap or when the audio engineer is drunken

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Old 6th October 2012   #81
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Quote:
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Tell me which DAW would really do that? Cubase, Logic and ProTools don't do that

Only if your soundcards or your A/Ds - D/As are very cheap or when the audio engineer is drunken

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He was being ironic...
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Old 6th October 2012   #82
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"AND THEY ALL LIVED HAPPILY EVER AFTER THEE END".

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Old 6th October 2012   #83
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drunken
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Old 6th October 2012   #84
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Originally Posted by chk23 View Post
He was being ironic...
yes,

just making the point that if you truly believe some DAWs "mess up" the sound, then the only logical conclusion is that it must affect all operators equally

it would be like having a bad tube in your expensive vocal microphone. No matter how carefully you place the mic in your treated room, it is going to crackle, sputter and hiss.
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Old 8th October 2012   #85
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Cubase can load projects with ease,just click the desired project and it will sound better!!!

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Old 6th November 2012   #86
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Same synths
All pans in the center
All faders on 0db
No effects
No Clipping

Two files in 24/44.1

Cubase vs Logic

Fight!

https://dl.dropbox.com/u/3091620/Downloads/Test%202.zip
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Old 6th November 2012   #87
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Originally Posted by evish View Post
Same synths
All pans in the center
All faders on 0db
No effects
No Clipping

Two files in 24/44.1

Cubase vs Logic

Fight!

https://dl.dropbox.com/u/3091620/Downloads/Test%202.zip
You should have made this a blind test, now you will receive loads of confirmation biassed praising/savaging...
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Old 6th November 2012   #88
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You should have made this a blind test, now you will receive loads of confirmation biassed praising/savaging...
We're big boys, You can do a null test, you can use your ears, you can here it in different places and take from it whatever you like, all I'm offering is the truth.
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Old 6th November 2012   #89
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and you made sure that the synth you used will null with itself consistently so there is no variation from bounce to bounce...?
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Old 6th November 2012   #90
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Quote:
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Satson Sonimus takes Cubase to another level.

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and slate VCC brings it to heaven
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