28th July 2012
|
#1 | | Gear Head
Joined: Apr 2010
Posts: 42
Thread Starter | Are we close to getting plugin compressors that sound like real ones?
I realize this is a difficult question to ask and to answer. Let me try to explain. In terms of EQs, it seems (to me) that many musicians / engineers who contribute to various forums support the general view that developers have gotten really close to matching their outboard equivalents. But, not so with compressors …at least not yet.
One reason that I bring this up is because of the good work that is being done regarding console and tape emulations (UAD, Toneboosters, and most recently SlateDigital’s VTM). Given the more thorough analysis behind our understanding of how such real world equipment works, why our ears appreciate the qualities they impart to sound, and improvements in algorithm design, it should be no surprise that “better” plugins are the result.
Also, I realize that some of the quality differences can be appreciated only once the entire signal chain is upgraded as well – better converters, speakers, etc.
I’ve also noticed new developers appearing on the public scene with their take on compressors, and meeting with positive reactions. I’ve tried several of the latest offerings, but I’m not yet convinced. I have too many already, and I’m a bit tired of being disappointed. Let’s say I’m in the market for a quality plugin compressor that “feels, behaves and sounds” like it could exist in the real world. Now, I know that I’m treading into very subjective territory, but the analogy with EQs is there and one day should work in this case.
So, are we “almost there” with compressors? One plugin that received some good feedback about a year or so ago was the Vertigo compressor. Any others? Perhaps the new version of the UAD 1176 (although I can’t test it as I no longer have access to a UAD card since I’m only working with a Windows laptop)?
|
| |
28th July 2012
|
#2 | | Lives for gear
Joined: Jul 2005 Location: Phoenix, AZ
Posts: 2,358
|
Technically, a software-based compressor should be much better than is possible in the 'real world.' Of course, there is the non-perfect interaction of a hardware compressor that gives it its life, color, etc. I think that software plug designers are geting better and better at capturing the timbre and action of those compressors that we like.
As far as good ones, I'm not much of an expert, but I really like the newest SKNote Strip Bus, which is a console emu plug, with 4 great compressors on the amaster buss. The 1176 emu is great on snare, etc, the LA2A awesome on bass guitar, vox, etc. They seem to have some of the snap and tone that is often missing from plugs, to my ear. The SSL4k is nice on drum buss, or mixbuss, if you set it right, it can add a lot of snap to the attack of drums.
|
| |
28th July 2012
|
#3 | | one man, ONE mic pre
Joined: Jan 2004 Location: New York | Quote:
Originally Posted by jariya So, are we “almost there” with compressors? | No
|
| |
28th July 2012
|
#4 | | Lives for gear
Joined: Apr 2008 Location: London UK
Posts: 686
| Quote:
Originally Posted by jariya So, are we “almost there” with compressors? | Yes
|
| |
28th July 2012
|
#5 | | Lives for gear
Joined: Jan 2005
Posts: 579
|
You want to look at the UAD Fatso, Neve 33609 and newer 1176 Collection which model transformers.
__________________
-DFI LANParty UT Nf3 250Gb
-AMD Athlon64 3200 retail with retail HSF (2.2Ghz)
-Corsair VS512MB400 (*3 sticks)
-Gainward Geforce 2 MX400 Twinview VIVO
-RME 9652 Hammerfall 1.5
-Midiman Midisport 2x2
|
| |
28th July 2012
|
#6 | | Gear maniac
Joined: Apr 2007 Location: Three centimeters north of Doolally
Posts: 174
| Quote:
Originally Posted by wwittman No |
Snappy and sharp answer. Nothing wrong with that, but what, in your opinion, do you think software is lacking?
Just out of interest.
|
| |
28th July 2012
|
#7 | | Lives for gear
Joined: Jun 2002 Location: los angeles
Posts: 1,412
|
Nothing wrong with that, but what, in your opinion, do you think software is lacking?
may i try to answer this one ... imperfections that add Mojo / Vibe / Color / Distortions / Electricity is a wonderful thing when you push it a little ... when you push a Plugin it does not react the same ..
mr. wittman, sorry for jumping in ... so nice to see you still hanging around here ...
i think i may have to put on some Joan Osbourne and listen to some real MOFO ...
cheers
john
__________________
Macpro 2.8 (2008) / OS 10.6.8 & 10.8.3 / 10gb memory
MacBook Pro 2.16 / OS 10.6.8 & 10.7.5 / 2gb memory
Logic 9.1.8 / Aurora 16 & Lynx AES16e-SRC / PT10.3.4 on SL and 10.3.5 on ML / Nuendo 6 Demo (6.03) on ML
|
| |
28th July 2012
|
#8 | | Lives for gear
Joined: Feb 2010
Posts: 2,867
|
The Glue and the AlexB Nebula comps are very, very good, IMHO.
|
| |
28th July 2012
|
#9 | | Lives for gear
Joined: Jan 2009
Posts: 655
|
Waves API 2500 is totally convincing. Waves SSL too. PSP Oldtimer also.
|
| |
29th July 2012
|
#10 | | Gear addict
Joined: Jul 2007 Location: Perth, Australia
Posts: 417
|
I reckon they are pretty close tbh
I still have my Phoenix but sold my other outboard after hearing some recent software gear. eg - that Softube Summit Audio channel strip does an almost identical job to my Culture Vulture when you turn up the saturation - rounds off sharp highs beautifully
|
| |
29th July 2012
|
#11 | | Lives for gear
Joined: Dec 2004 Location: Hollywood, California
Posts: 2,834
| Quote:
Originally Posted by jariya So, are we “almost there” with compressors? | Maybe.
|
| |
29th July 2012
|
#12 | | Lives for gear
Joined: Aug 2010
Posts: 3,255
|
The new UAD2 1176 bundle is really good. I've worked several times with the original and they're really close. But the point shouldn't be how well plug-in comps emulate really well analog counterparts. It should be how good do they sound. I honestly feel that the latest ones sound good. But that just my opinion anyway. Respect others.
|
| |
29th July 2012
|
#13 | | Gear nut
Joined: Nov 2010
Posts: 102
| Quote:
Originally Posted by jwh1192
may i try to answer this one ... imperfections that add Mojo / Vibe / Color / Distortions / Electricity is a wonderful thing when you push it a little ... when you push a Plugin it does not react the same ..
| Well put. You can abuse analog gears and in most cases they still produce musically beautiful sounds.
|
| |
29th July 2012
|
#14 | | Lives for gear
Joined: Aug 2008 Location: Nashville, Tn
Posts: 621
|
UBK1 and Oldtimer get pretty vibey IMO. Neither are trying to emulate specific hardware but both are great compressors. The new UA 1176's are amazing as well. I like The Glue as well although I find it to be more on the clean side. It's still really good. I could mix with just those 3 and still be really happy.
__________________
MacPro 2.8 "Nehalem" quad, 12gRam, Osx 10.7.3 | Cubase 6.5, Logic 9.1.6, Pro Tools 10.2, DSP-Quattro, Bidule | SSL AlphaLinkAX, SSL MadiExtreme 64 | Api 3124+ , Focusrite Isa-428, Distressor, dbx-160x | Adam P11a's , Ns-10's , Avantone's | to many plugins and VI's to list | lots of mics as well
|
| |
29th July 2012
|
#15 | | Gear nut
Joined: Jan 2010 Location: Central Valley, CA
Posts: 102
|
I like the UAD 1176 & 33609. I feel that there are some very good plugs that may react or sound somewhat different than the original hardware. However, that just means that they are compressors with their own character. |
| |
29th July 2012
|
#16 | | Lives for gear
Joined: Jun 2007 Location: Zurich
Posts: 1,185
|
No - we are not yet close. Especially 3d wise.
|
| |
29th July 2012
|
#17 | | Gear Head
Joined: Apr 2010
Posts: 42
Thread Starter |
Thanks guys! So, the reactions range from No, getting there but still a ways to go, and close enough.
I wonder where we'll be in 10-15 years.
|
| |
29th July 2012
|
#18 | | Lives for gear
Joined: Oct 2005 Location: Sydney
Posts: 805
|
I compared an original 1176 blue stripe to the Uad version and it's super close. Compressing super hard it held up. Uad have nailed these.
|
| |
29th July 2012
|
#19 | | Lives for gear
Joined: Jul 2005
Posts: 2,530
|
Software plugs have gotten surgical EQ right, however the consensus on broadband mojo EQ is that the plugs are not there yet with many opinions I respect saying not close. The biggest problem with that is copying the behavoir of inductuctors as they saturate and ring.
DSP based plugs have the advantage of all that extra processing power used just on that plug and in quite a few cases the better DSP based plugs end up eating all that available DSP power resulting with hardly any instances of them. It still works out better ecomonically than buying multiple real high end units but not better than multiple low end gold units (cost of DSP card, cost of DSP software plug divided by instances). It certainly kills that 100's of instances argument we hear in every digital vs. analog thread.
When comparing a real unit to an emulation you need to compare at many settings which I think isn't happening. Digital is good at taking a single snapshot and copying it. Something as dynamic as compressors with it's huge amount of variables and many settings and you see where I'm going. To my ears they just sound / behave different. I'm not getting rid of my hardware compressors. I don't have a huge collection of high end outboard EQ as others do here to make comparisons with but those that do I don't see selling off their gear either.
It's unfortunate slapping a picture / GUI of a vintage unit on a emulation plug sells better than a plug doing something new and creative unto itself. It would be nice if developers efforts in that direction were rewarded better and computer tools were expanded in new directions.
History has showed us that plastic allowed the general public to afford items that if were made from their original materials the consumer would not be able to buy. While a plastic table may in fact be better in many ways than a table made from wood it just isn't the SAME thing. Plugs are the new "plastic".
|
| |
29th July 2012
|
#20 | | Gear addict
Joined: Jun 2007
Posts: 369
|
For what it's worth, I own the hardware Vertigo VSC2 and the plugin does share many qualities of the real thing. The make up gain reacts in a similar way and the action of the compressor is relatively close. However, the more extreme the setting on the plugin, the less similar to the hw it becomes. You can do a ridiculous amount of compression with the real unit and it is very transparent and smooth, whereas the plugin version gets "gritty" pretty quick. Sometimes the grit is cool. But the plugins fidelity only holds up for up about 2db of compression (max) whereas you can compress as much as you like with the hardware and the fidelity remains constant, just more compression applied.
If you find yourself loving the plugin, the hardware is probably right up your alley. It's tracking/mixing/mastering applications are extremely impressive.
|
| |
29th July 2012
|
#21 | | Lives for gear
Joined: Jan 2005
Posts: 579
| Quote:
Originally Posted by chymer I compared an original 1176 blue stripe to the Uad version and it's super close. Compressing super hard it held up. Uad have nailed these. | UA has reclaimed its title as the ITB Compressor solution.
|
| |
29th July 2012
|
#22 | | Lives for gear
Joined: Jun 2002 Location: los angeles
Posts: 1,412
|
the UAD sounds promising ... i am waiting for Models of these units ..
atomic squeeze box / NY2A ...
cheers
john
|
| |
29th July 2012
|
#23 | | Lives for gear
Joined: Oct 2003 Location: Los Angeles
Posts: 700
|
Here are some questions to ask...
Given all other factors as equal, would you rather mix with 1 or 2 or 3 hardware comps or with unlimited comps from UA or similar other high end plugs? Which mix will be better for you?
There have been so many blind shoot outs and comparisons and the top pros had a hard time distinguishing the plugs from hardware, so those that say plugs are not even close are just blowing smoke out their asses because they're attached to some piece of metal they have. Their claims have little basis in reality. No one really gives a shit anymore, because the plugins are so good it's a moot point.
And are one or two tracks with a hardware comp going to make an overall mix sound "better" or noticeably different - not likely.
__________________
Ron...
|
| |
29th July 2012
|
#24 | | Lives for gear
Joined: Nov 2005
Posts: 992
|
So what are the current top percentile compressor plugins?
Glue,PSP,Waves (SSL API) are adequate but not really next level/plateau breaking plugins.
What i have heard till now is Elysia & DMG. Although i dont always like the responsiveness of Elysia, the overall sound is great.
__________________
dIal3ctical mater1ali5m
|
| |
29th July 2012
|
#25 | | Lives for gear
Joined: Jun 2002 Location: los angeles
Posts: 1,412
|
to each his own opinion .. that what makes this world so interesting / how boring it would be if we did not have differing opinions ..
i personally have had better results with hardware .. BUT
i need to try out the UAD card plugs ... before they discontinued the TDM plugins those were the ones i thought worked best for mixing ITB ... the LA2A was very very nice ... 1176 as well ...
cheers ...
john
PS - i do like the Glue and PSP stuff as well .. thank sfor mentioning these
Last edited by jwh1192; 29th July 2012 at 06:55 PM..
Reason: spelling
|
| |
29th July 2012
|
#26 | | Gear interested
Joined: Feb 2011 Location: Sweden
Posts: 23
|
I never really cared for if the plugins sound like their hardware counterpart as long as I think it sounds nice and does what it supposed to and what I want it to do.
I think the hardware vs software thing is interesting but also kind of boring. You can never go wrong with software getting better and better. But if the end result sounds nice then who cares if that 1176 software clone doesn't sound like its hardware original.
But I do understand those of you who have been using hardware for a long long time finding the software lacking in some regards. But I think that software doesn't mean that things will sound worse, it will sound just as good albeit different.
|
| |
30th July 2012
|
#27 | | Lives for gear
Joined: Jan 2005
Posts: 579
| Quote:
Originally Posted by Lilliemarck I think the hardware vs software thing is interesting but also kind of boring. | Nope. Hardware is the standard by which plugins are (and should) be measured.
The vast majority of classic records from the 60s, 70s, 80s, and 90s were mixed via hardware Eq, Compresson and Analog tape.
|
| |
30th July 2012
|
#28 | | Lives for gear
Joined: Sep 2007
Posts: 605
| Quote:
Originally Posted by jariya Thanks guys! So, the reactions range from No, getting there but still a ways to go, and close enough.
I wonder where we'll be in 10-15 years. | I bet you most people here haven't done a proper double blind test and therefore don't know what they're talking about. Sounds harsh but I think it's true.
At the end of the day the real test is if you can distinguish a digital emulation from a hardware version. I did a double-blind test with the UAD 33609 when it came out using my hardware 33609. I had musicians and engineers listen to the two and they couldn't consistently pick out which was which.
At that point it doesn't matter if it's an exact replica of a particular hardware unit, only if one likes the sound.
I think the answer is "yes".
|
| |
30th July 2012
|
#29 | | Gear addict
Joined: Nov 2008
Posts: 417
|
Softube has some amazing comps
UAD 33609 is great and have three 33609's
|
| |
30th July 2012
|
#30 | | Gear addict
Joined: Jun 2004
Posts: 385
|
If you can't do a great mix with digital compressors then.....
|
| | | |