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| | #1 |
| Lives for gear Joined: Aug 2005 Location: Racine, WI
Posts: 1,210
Thread Starter |
I have tried to do a search on the words Nuendo, Latency and Lynx and find pages upon pages to wade through, some of which seem related, others do not. I did find some alarming posts on a 4 channel monitoring limit imposed by the AES card. Here is my question: My Nuendo journey began with a Tascam DM-24/RME 9652, then moved to an FW-1884 and now ends hopefully with a Lynx AES card and a 16 channel Aurora. This is my first move completely mixerless and in the box. I am just getting the hang of the new control room features of N3. My system is: AMD - Athlon 64 3800; 2 Ghz Ram; Matrox G-650; Lynx AES Card; UAD-1 (x2); TC Powercore PCI My concerns are thus, For any one else using this set up, are you monitoring through Nuendo when tracking ? or through the Lynx cards mixer ? If in Nuendo what kind of realistic latency are you achieving ? Can a singer, musician and/or drummer realisticly track and monitor playback through the control room section without latency being a factor. Also are you able to track / monitor ITB with effects, if say the singer wants to hear some verb... ? Can I use outboard gear for this purpose with out a mixer ? If you are tracking just through the Lynx card's zero latency mixer, what do you do about the 4 channel monitoring limit I have read about on this and Gearslutz forum ? Especially if tracking 12 - 16 channels live (like drum, bass and guitar) ? Normally when I used to track into Nuendo from my DM-24 and / or the 1884, I could leave Nuendo's buffer set to 250 - 500 and have no problems (obviously tracking was monitored through hardware). Now in my 1st few experiments with the Lynx stuff I had to change my buffer to its lowest setting to get down to less than a sec of latency, but my cpu load was almost peaked out and this was only tracking one input at 24/44.1. So I am guessing that 24/96 at 16 channels is a pipe dream ? Am I doing something wrong ? This was of course using the control room section and monitoring directly in Nuendo. Any advice would be geatly appreciated. Paul PS I have also posted this thread to Nuendo and the Lynx forum for help so don't be too harsh if you see this post there too, |
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| | #2 |
| Lives for gear Joined: Aug 2005 Location: Racine, WI
Posts: 1,210
Thread Starter |
Anyone ???
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| | #3 |
| Gear maniac Joined: Mar 2004
Posts: 242
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There have been some good discussions about Nuendo's control room feature at the Nuendo forum. I haven't messed with the Nuendo control room feature. I use a hardware mixer for cue mixes. I think that's the easiest route, especially if you don't have a high dollar control surface. A used Mackie 1604 for $200 would be more than sufficient for the task. |
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| | #4 |
| Lives for gear Joined: Aug 2005 Location: Racine, WI
Posts: 1,210
Thread Starter |
I am familiar with and have been experamenting with the control room section, my biggest concern however is getting an accepatable latency and how best to achieve it. PV |
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| | #5 |
| Gear maniac Joined: Mar 2004
Posts: 242
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With direct monitoring enabled there shouldn't be any latency.
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