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| | #31 |
| Gear maniac Joined: Sep 2011 Location: Germany
Posts: 212
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In most cases the EQ's of a an actual DAW (e.g. Cubase 6) are working very well. For critical sources like vocals, e.g. where you have to cut and boost several frequencies with high Q amounts, I prefer the Sonnox EQ, because it sounds very smooth and less harsh. It's my go to EQ for vocals. To add some low end and highs at a main mix I prefer the UAD Pultec EQP-1A emulations. My vocal channelstrip in my DAW is a Waves De-Esser,then Sonnox EQ, then UAD 1176 to control the volume peaks of the vocals, then an UAD LA-2A to make the vocals more smooth after compression, then a stereo delay of Cubase 6, little Eventide DSP-4000 stereo pitch to spread out the vocals and a Lexicon 300, which I both insert as an external VST PlugIn. At the end I limit the complete chain softly with an Waves L2. That's it. Sudad G
__________________ Instruments: AKAI S1100,EMU Ultra E6400,Kurzweil K2000,Korg WS EX,Roland S750,D550,JD990,MKS70,SH101,Waldorf Blofeld,Ensoniq SQ80. Studio gear Lexicon 300,Eventide DSP4000,Lexicon MPX1,Roland SRV330,RSP Intelliverb,T.C. D-two,Korg SDD2000,Electrix Warp Factory,MXR Phase 90,Edison EX1,T.C. Finalizer+, DBX166A,166XL,286A,Dualfex II,Mackie 1604VLZ pro,Roland M12E,RME AIO PCIe,UAD2 Solo,PC Intel Core i7 2600 4x3.40GHz,Steinberg Cubase 6,ReCycle 2.0 & 2.1,MOTU Midiexpress 128,Ultrasone PRO2900 |
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