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| | #61 |
| Lives for gear |
Any crossgrades for MX4 users? Would be very handy to insert the plugins in DAW-strips directly |
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| | #62 | |
| Lives for gear Joined: Feb 2005
Posts: 1,182
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| | #63 |
| Lives for gear Joined: Dec 2009 Location: Boston
Posts: 3,399
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| | #64 |
| Lives for gear Joined: Oct 2008 Location: fear and loathing across the country, listening to my 8-track
Posts: 2,561
| I thought there was some merit to this. Am I wrong? I remember reading about the Softube CL1B emulation on Powercore sounding better than the native version and then reading a technical description of why it was true. I would think code is code, except when it's different code. Even on game systems, two platforms will have a different quality due to hardware optimization. |
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| | #65 |
| Lives for gear Joined: Aug 2006
Posts: 4,130
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Current US prices from the SSL store: X-Verb plug-in for Duende - $389.00 X-EQ plug-in for Duende - $370.00 X-Comp plug-in for Duende - $295.00 Drumstrip Plug-in for Duende - $175.00 Vocalstrip plug-in for Duende - $399.00 Duende Mini Bus Compressor Upgrade - $370.00 Note the last item as a possible gauge for the channel strip price. I think a lot of people paid a lot less with the consolation sales, etc. I believe SSL will need to come down on most of these to be competitive. They also need to keep the perceived value high for legacy hardware owners. See how this post kind of has the shape of a Mayan Pyramid, if this line is longer? |
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| | #66 | |
| Gear addict Joined: Oct 2007
Posts: 485
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| | #67 | |
| Lives for gear Joined: Aug 2005 Location: Racine, WI
Posts: 1,210
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__________________ "...learning it is far different from getting a good sound out of it" Mike Caffrey "The gear doesn't really care what kind of music you pump through it, be it rap or classical " thethrillfactor "Maybe it doesn't sound much like the original, but given that only 0.00000000000000137% of the population would know and only 0.00000041% of those would care, I'm not too worried about it." Dean Roddey | |
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| | #68 | |
| Lives for gear Joined: Apr 2004 Location: Paris
Posts: 979
| Quote:
![]() ( also i remember reading , before they locked the page, that it was only going to be sold as two packages , not as individual plugins)
__________________ "Imagination was given to man to compensate him for what he isn't. A sense of humor was provided to console him for what he is." Francis Bacon | |
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| | #69 | |
| Lives for gear Joined: Aug 2006
Posts: 4,130
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There is a post in the other thread that quotes all the staged web pages. If I recall correctly, two bundles are to be offered by dealers, and individual plug-ins from SSL. | |
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| | #70 | |
| Lives for gear Joined: Apr 2004 Location: Paris
Posts: 979
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( The "other" thread won't die until a mod pulls it out of it's misery , and even then it will come back from time to time to haunt this forum )
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| | #71 |
| Lives for gear |
SSL leads with good example. One can only hope that UAD will follow.
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| | #72 |
| Lives for gear | I'll bet my left Testie that it will never happen. And why would they - there system performs flawlessly. I've used it on PC's and Mac's, on Cubase, Pro Tools M-Powered, PT HD and Samplitude - never an issue. Plus totally copy protected.
__________________ ![]() Woodhead Studios WTB : pair (2) of DOA (not working) Neumann KM84 in any cosmetic condition SSL Mix Box Analog Summing - $50 per song - convert your ITB 'digital' Mix to an SSL summed 'analog' mix. Provide me with multiple stereo stems and I will send you back a final 'summed' mix. The difference is amazing. For Sale TDM Plugins BeesNeez Mahalia |
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| | #73 |
| Lives for gear Joined: Dec 2009 Location: Boston
Posts: 3,399
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Yet, every day that passes more and more people will realize they don't need to buy a UAD card because of so many other great alternatives that are as good, or better.
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| | #74 | |
| Lives for gear Joined: Apr 2004 Location: Paris
Posts: 979
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Shame, cause the plugins sound really great. | |
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| | #75 | |
| Lives for gear Joined: Feb 2009
Posts: 2,708
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I have given away 1 duende firewire and the PCI version is in storage somewhere. never worked correctly for us. SSL is doing the right thing. Just not interested in any of their current plugin offerings. | |
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| | #76 | ||
| Lives for gear Joined: Feb 2005
Posts: 1,182
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Quote:
The Poco / Native CL1B plug-in was really a different matter. The Poco uses fixed point arithmetic to compute it's calculations, while the native version uses floating point arithmetic. Believe me, that's a whoooooole nother rabbit hole to go down, but it isn't about DSP vs native.. it's more about things like floating point rounding errors. At the end of the day, most people can't hear a different in the two versions anyway, and it seemed that those predisposed to wanting the DSP version to 'win' claimed that the Poco version sounded better. | ||
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| | #77 |
| Gear addict |
well...while the way this news emerged was extremely odd...this is great news nonetheless I think. I'm glad somebody asked about the VST/AU wrapper thing too...I think Fxpansion is only doing it as a VST-based wrapper now (not that it matters). While I understand not going to RTAS or TDM, I really wish it was in the cards, because it would make things easier for sure (and the presence of these plugins would bring me one large step closer to being Waves-free). Also I'm really glad this thread is sticky'd, because it's about time we have a thread for a product constantly at the top that ACTUALLY EXISTS. good show Jim |
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| | #78 | |
| Lives for gear Joined: Dec 2006 Location: Germany
Posts: 512
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| | #79 |
| Lives for gear |
If the algos are the same, where should the sound improvement come from then ?
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| | #80 | |
| Lives for gear Joined: Oct 2008 Location: fear and loathing across the country, listening to my 8-track
Posts: 2,561
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| | #81 | |
| Lives for gear Joined: Dec 2006 Location: Germany
Posts: 512
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Just another reason not to believe anything you read or anything one says. Just your own ears. DW | |
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| | #82 |
| Lives for gear Joined: Aug 2006
Posts: 4,130
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I think there can be something that feels better about DSP, assuming it's working right, in the operation of a system. I date back some fifteen years or more to early Pro Tools systems, before there was native, and when the isolation between processing and CPU was a must. I've only used TDM DSP though, all the way from the beginning through HD, other than an occasional session on someone else's rig. I've also used native for the last ten years or so, and there's definitely something more responsive about DSP that can translate to a happier experience, and perhaps perception of better sound. That said, my current native system is about three years behind current technology, so maybe native responsiveness has caught up. |
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| | #83 |
| Gear Head Joined: Sep 2010 Location: los angeles
Posts: 36
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cant wait! |
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| | #84 |
| Gear maniac Joined: Oct 2008
Posts: 205
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Can't wait +1. Finaly no more expensive dongles. I hope UAD and TC will follow. But the native competition is gaining ground and even getting better here and there IMO. My UAD is used less and less.
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| | #85 | ||
| Cytomic Joined: Feb 2009
Posts: 815
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Quote:
Systems like UAD, Powercore, and Duende have the same block based processing of native plugins (eg AU, VST, RTAS) even though the processing is done on dedicated hardware. The size of the block is user definable but cpu increases with lower block sizes. A TDM system becomes more like a Duende etc if you place a native plugin after a TDM one. This means the audio has to travel from the computer down to the TDM card to be processed, and then sent back to the computer so the RTAS plugin can process it in a block. This removes any low latency advantage gained from using TDM hardware and also increases bus traffic.
__________________ www.cytomic.com | ||
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| | #86 |
| Cytomic Joined: Feb 2009
Posts: 815
| If the algorithms are the same there will be no difference is sound quality. There are 32-bit floating point on DSP chips like the Sharcs, and you can do 64-bit fixed point on CPUs using SSE3. Any sonic differences will be caused by the choice of algorithm, which to me also includes the bit depth and type of number representation used.
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| | #87 |
| Lives for gear Joined: Aug 2006
Posts: 4,130
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Andy, thanks for the info on TDM vs. other DSP. In this context, I guess responsiveness might have been misleading, especially in terms of delay. I meant the more obvious sluggishness when you start loading down a native system. I'd imagine the legacy all-DSP Duende and other non-TDM DSP help quite a bit in this respect. I guess it's time for me to start saving for a six to twelve core Mac, or jump ship and build a hotrod audio Windows machine, if I want an equivalent monster native system.
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| | #88 | |
| Lives for gear | Quote:
I believe the actual developer already cleared this up saying they made some changes to the knob calibrations to the native so people were probably hearing the Powercore version as a little bit louder and/or less compressed for example.
__________________ Cubase and Nuendo User Forums | Cubendo.com | |
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| | #89 |
| Gear nut Joined: Apr 2009
Posts: 115
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There is a difference between fixed point and floating point, so there is an audio difference between these dsp systems and native. Fact.
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| | #90 |
| Gear addict Joined: Oct 2007
Posts: 485
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Duende modeling plug-ins have the same algorithm that's in the core of C200 digital console, right? If so, how old is that algorithm??? Has it been updated? |
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