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| | #31 |
| Lives for gear Joined: May 2010 Location: London
Posts: 3,008
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| | #32 |
| Gear nut Joined: May 2008
Posts: 136
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I'm still waiting for Waves to follow the route of Crysonic: No Brainer Deal - Waves Mercury for 50 $ That would probably be the one thing convincing me even more than a video of a pissed of CLA. |
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| | #33 | |
| Lives for gear Joined: Nov 2006
Posts: 3,430
| Quote:
![]() We urgently need a serious and honest discussion about pricing, with respect to software. We are at a stage in the biz where there isn't so much money to go around anymore, in the way it was five, even two years ago. I now experience that clients don't want to pay anymore - at all! The assumption is that content is basically free. There is so much of it on the net - any style, any quantity. It is as if clients now think that, perhaps, the likes of Steven Spielberg still pay for music they ordered. "Regular" people steal music, free of guilt. Today, we live in a different world. In this world, plug-ins that cost thousands are too expensive, except for a handful of pros with regular gigs. The Lexicon bundle is too expensive, the new Flux bundle is too expensive, the Waves bundles are too expensive. A soft-compressor, at $250, is too expensive. The list goes on. With this kind of pricing, for many, the temptation to use illegit stuff is overwhelming. It is a reality that will not go away, it will grow stronger. So here is my point: Software prices have to come way, way down, or everybody will eventually use cracks, and then it's game over for independent developers. For me personally, in the current economic climate, I have given myself a limit for how much I will spend on a new plug-in. The cut-off point is 100 bucks, give or take a few pennies. I need to ask myself: Do I REALLY need another compressor, another EQ, another verb, another magical make-everything-sound-better plug-in? No, I don't. Only today, I tried out some compressor demos and carried out some critical listening against what I've got already (including Waves and Flux comps). The clear winner: Logic's stock compressor. So much for "You get what you pay for". Bundled plug-ins are now so good, and there's so much free stuff available, that an EQ that costs $450 has to be considered a bad joke. My advice to developers: Knock your prices right down, or alternatively, watch your business flush down the toilet. I am sorry that it has come to this. | |
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| | #34 |
| Lives for gear Joined: Jun 2009
Posts: 1,008
| +1 !!! I f'ing hate that every year I have to pay waves to keep my plug-ins simply running with the latest Mac OS. It's not like they give you any value, it's simply a scheme and sometimes it makes me want to sell all my Waves stuff and forget about that giant iLok in my Mac.
__________________ Instruments: Crumar Performer | Korg DW-8000 | Moog Minimoog Voyager Select (Walnut/Jade) | Peavey Liberator J-84 | Roland Juno-6 w/Kenton MIDI | Roland Jupiter-4 w/Io MIDI | Roland S-10 | Roland SH-2 | Sequential Pro-One (coming soon) FX: BOSS DS-1 | BOSS RE-20 | Electro-Harmonix Small Clone | Moog MF-103 | Moog MF-108M |
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| | #35 |
| Lives for gear |
When potential customers know you have infinite shelf-space, zero delivery costs and a huge market they expect you to price accordingly. Waves is too expensive and so is .99 per song on iTunes. If I could upload my songs to an online dist. that sold tracks at .10 I would. How much would it cost to fill up an ipod legally? I use UAD, Voxengo, Celemony, Drumagog and loads of free plugins and the free plugins absolutley sound as good as anything. If someone bundled all the free plugins I've collected over the last three years and wanted $100 I would have paid just for the convenience of not having to search around. To the people who say "people who pirate waves are this and that etc..." you don't know, you have no factual basis for those statements at all. I wouldn't be suprised to learn that a lot of big studios have illegally downloaded. Really though, for software and hardware developers/retailers there has never been a better time. More people are recording than ever before. Instead of X many major studios there are thousands (if not more) of small to mid-sized ones. |
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| | #36 |
| Gear maniac Joined: Mar 2008
Posts: 167
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I agree with waves plugins being overpriced. There is alot better options. For quality vs price. I found this while surfing the internet: Module Series - signaltonoize.com PHOENIXINFLIGHT These plugins are offered free/pay what you want, and they sound great. You just need a VST to RTAS wrapper for pro tools. |
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| | #37 |
| Lives for gear Joined: Nov 2006
Posts: 3,430
| There is another side to it, too. For a long time, it has been common to "Write the check, but use the crack". Meaning, as a studio owner you buy the plugs to stay on the right side of the law and morality, but to use cracks for actual work. The reason being, apparently a crack may "just work", but is not impaired by inane hard-disk authorisations or fragile USB dongles.
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| | #38 | |
| Lives for gear Joined: Apr 2008 Location: Toronto
Posts: 1,019
| Quote:
If some plugins are over-priced and don't do what they advertise, don't buy them and don't steal them! Use something else!
__________________ Check out my adventures in repairing and restoring vintage gear: http://vintagetechbench.blogspot.com/ Latest post: The Bench: Studer 903A Restoration - Master Section Pt. 2 http://vintagetechbench.blogspot.com...ection_08.html | |
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| | #39 |
| Lives for gear |
let sales dictate price. if its too much DON'T BUY IT! wtf. |
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| | #40 |
| Lives for gear Joined: Jul 2003
Posts: 4,536
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I agree. Just because it's expensive doesn't give one the right to steal it. FWIW, I'm not wealthy but I went ahead and bought Waves Mercury some time back because it helps me make money. Seemed like a simple thing to me. If I can afford to buy outboard, computers, mics, and whatnot, I should be able to afford some plugins. But I do dislike the WUP!!!! With a vengeance!!!!
__________________ THE MPCIST ![]() |
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| | #41 |
| Lives for gear |
**** piracy, **** CLA and **** Waves, for the price their asking, buy hardware, not plug-ins.
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| | #42 | |
| Lives for gear | Quote:
__________________ http://www.mcirecording.com/forum for all MCI slutz! | |
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| | #43 | |
| Lives for gear Joined: Jun 2009 Location: Berlin
Posts: 2,022
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| | #44 |
| Gear addict Joined: Feb 2010 Location: Mexico
Posts: 441
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he looks like pretty angry hoho
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| | #45 |
| Lives for gear |
To be honest, and i might be wrong, but eventhough im against piracy, i dont think theres anything we can do to stop it, simply because theres no argument, awareness campaign effective enought to convince people to pay for something they can get for free, specially when we are talking about thousands of dollars. Seriously think about it, the regular average guy can read stuff like "buy what you use, dont steal, do the right thing", but the truth of the matter is that the fact remains the same, the message is "buy something you could get for free" and as someone in another thread said, nothing beats free. So the real deal here is what are the software companies planning to do, its obvious that their anti piracy campaigns are not working, its obvious that they are and will continue to loose money, they can convince some people to buy instead of downloading, but the vast majority will still dont give a shit. So the question remains, what are they really thinking about doing against piracy? making more expensive Anti-piracy campaigns? good luck with that.... |
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| | #46 | |
| Lives for gear | Quote:
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| | #47 | |
| Lives for gear | Quote:
Many working professionals can't afford the mercury bundle. Should the amateurs have it? | |
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| | #48 | |
| Lives for gear Joined: Jun 2009
Posts: 3,397
| Quote:
But if people were held accountable for the piracy through fines and/or temporary ISP disconnections, that would be different. Then they'd have a personal reason to care. | |
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| | #49 | |
| Lives for gear Joined: Nov 2006
Posts: 3,430
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| | #50 | |
| Lives for gear | Quote:
If you look at it, we are talking about 2 basic rights here, the companies right to demand no stealing of their products, and the user's right for privacy, so ok, that solution is basically taking away someone elses right (your privacy) in order to protect the companies right. That doesnt sound like a solution to me, i mean a user that doesnt steal software or music, can also claim the right not to have his internet connection monitored and its as valid as the companies claim not to have their products downloaded ilegally. | |
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| | #51 |
| Gear interested Joined: Jul 2010
Posts: 20
| **** piracy, **** CLA and **** Waves, for the price their asking, buy hardware, not p
now thats the truth hardware u can always get your money out off if deside 2 sell it and on the cracking thang they a tool that anybody can crack any plug in in 1 min google unpace *** so they will never stop it they should just make better plug ins that major studios will buy and make some that house studio can buy and be glad that they have made money this long the artist ain t making no money no more accept 4 show money so they should be glad that people are still buying plug ins it 2010 what did they expect everybody got a studio now but everybody can t mix and every good mix doesn t mean u gonna make money of the song i have spent over 40 grand on my studio and i haven t made 1 tenth of that back and im broke now but i plan to spend 40 more grand when i get another blessing on hardware **** waves as long as u make good music and good mixs that all i care about what u got to do 2 get there thats on u
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| | #52 | |
| Lives for gear Joined: Jun 2009
Posts: 3,397
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Privacy has nothing to do with it. | |
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| | #53 | |
| Lives for gear | Quote:
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| | #54 | |
| Lives for gear | Quote:
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| | #55 | |
| Lives for gear Joined: Jun 2009
Posts: 3,397
| Quote:
There is just no point since there are not yet any consequences. But no, you do not need to monitor someone's email to see they are sharing Waves cracks on Bit Torrent. | |
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| | #56 | |
| Lives for gear | Quote:
So how can they effectively separate those who connect to a P2P network to download legally, and those who download illegaly? | |
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| | #57 | |
| Lives for gear Joined: Jul 2003
Posts: 4,536
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But I did read your heading 'buy hardware' and agree 100%. Not only does it make better financial sense (can sell it off taking a small hit or even make some if it's valuable), it also is sonically superior. Having said that, I still use the hell out of my Waves Mercury but also the hell out of my analog gear as well. BTW, when I first read the title of the thread, I thought it was "CLA using crack" | |
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| | #58 |
| Lives for gear Joined: Nov 2006
Posts: 3,430
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I really don't know what could be done about piracy. I guess you could limit it if you were to close down all file-sharing sites. That, however, is both technically and legally impossible. Even if you prosecute individual users, you'll only ever catch a tiny fraction of offenders. You'd have to shut down the entire net, to be successful. I'm sure there are a few ultra-capitalists that would go that far, but it's not a serious option. The only solution I could imagine would be drastically reduced asking prices for commercial software. If genuine software is affordable, cracks loose their attraction (not to mention the risk of installing malware with every crack). It's a tough one. If prices and subsequently profits drop too low, there is no more incentive for developers to develop anything. Rock and a hard place, kind of thing. Who knows. Perhaps we'll all end up working for free. Perhaps producing music will be considered a hobby, not a profession. |
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| | #59 | |
| Lives for gear | Quote:
Regarding your comment about music turning into a hobby and not a profession, i think that as long as companies can make a profit out of something, no matter how small that is, they will find a way to exploit it and make more money out of it... And lets be honest, in the case of Waves plug-ins, even with their plug-ins being cracked and stolen, they are still making a ton of money, if they sell their TDM Mercury bundle at 12,375 US dollars, is because someone actually buys it, so chances are theyll be here for a long time. | |
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| | #60 | |
| Lives for gear Joined: Jun 2009
Posts: 3,397
| Quote:
Regardless, the typical approach is to go after seeders, not downloaders, which I agree with. On Limewire identifying seeders of copyright files is very easy. You can see what they are sharing and from what IP. On DC++ it is even easier. So that is not really an issue. Also we've seen with the Grokster and Limewire trials, P2P developers that code and distribute P2P apps for the purpose of piracy (without anti-piracy tools) can be held liable. So if someone wants to develop legit P2P, they will need some way to filter or moderate as well. | |
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