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| | #91 | |
| Gear interested Joined: Apr 2010
Posts: 9
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| | #92 |
| Lives for gear Joined: Dec 2004 Location: Finland
Posts: 3,756
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Its a Vst plugin like the Fabfilter Pro-Q and thus needs a Vst host. Matti |
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| | #93 | |
| Lives for gear Joined: Oct 2005
Posts: 843
| Quote:
You can also measure the harmonic distortion and aliasing and quickly conclude that is extremely clean and very well implemented plugin (running 64bit float internally afaik). I do agree with you that EQuality is extremely nice as well and has the benefit of the true analogue phase response thing in the curves (unique to any digital EQ as far as I know) and that Dave is a genious but that doesn't invalidate or make Pro-Q "cheap" or "basic" EQ in any form at all. If you insist I can create a blind test for you, matching EQuality and Pro-Q and we'll see how accurately you'll do the guessing. ![]() EDIT: smoother post.. and lots of grammar corrections. - bManic | |
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| | #94 |
| Lives for gear Joined: Dec 2005 Location: H City
Posts: 1,062
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i really like the pro-q. easy to use and great features. fabfilter is a great company, it's worth checking out the comp, twin and timeless as well imo.
__________________ improvisation over bale:http://soundcloud.com/ajondo/christian-bale-bale-out-rmx FREE Kontakt Instrument: iMoog |
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| | #95 |
| Gear interested Joined: Jul 2010
Posts: 11
| Amazing Stuff!!
I'm playing around with Pro-Q and Pro-C; it is the best digital EQ that I own (to my ears). And that interface, is like a gift from above. These days, I'm rarely tempted to break out my old favorite CD's, and play the game of remolding the "tone" of the tracks... but Pro-Q and Pro-C made this a FUN experiment once again. For me, I find that the Pro-C and Pro-Q interfaces make it much easier (than others I own), to translate what I'm 'thinking' things should sound like, into what I'm actually hearing. The work-flow of these two plugins is very intuitive; conducive to the ART I'm seeking to create. P.S. Anyone who owns "Chicago 18" (1986), play around with it on that CD; it's a lot of fun. |
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| | #96 |
| Lives for gear Joined: Aug 2006
Posts: 4,130
Thread Starter | |
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| | #97 |
| Lives for gear Joined: Jan 2006 Location: Los Angeles
Posts: 530
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Anybody compare this to the Logic stock EQ? I tried the demo and it seems to be similar, although more flexible. Just wondering if it has anything else on the Logic EQ. In terms of clean EQs, I have the Sonnox one as well, but that at least has different built-in curves emulating analog models.
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| | #98 | |
| Gear addict Joined: Mar 2008
Posts: 315
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| | #99 |
| Gear addict |
pro q is the best eq i've tried. it is my go to eq + the GUI is so smart and easy. it is a really TIME SAVER + you can tweak "default" preset for your needs! |
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| | #100 |
| Lives for gear Joined: Jan 2011 Location: Ireland
Posts: 1,360
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From Fabfilter website (ref updates): April 12th, 2011 "All FabFilter plug-ins updated, new Pro-Q features FabFilter has released updates for all plug-ins, adding great new features to the Pro-Q EQ plug-in and the Timeless 2 delay plug-in, next to general improvements and bug fixes. New in FabFilter Pro-Q are an intelligent solo mode, a notch filter type and spectrum analyzer improvements, while FabFilter Timeless 2 has got a new wide interface layout option. Finally, all effect plug-ins now support the Pro Tools AudioSuite format, in addition to RTAS. The updated plug-ins are fully compatible with previous versions, free for existing FabFilter customers, and now available on all formats and platforms: VST/VST 3, AU, RTAS/AS, Windows and Mac OS X, 32-bit and 64-bit. Updates and 30-day trial versions can be downloaded from FabFilter Download. New features and bug fixes in FabFilter Pro-Q: - Added a notch filter type to cut very narrow bands in the frequency spectrum. Double-clicking in the bottom of the EQ display creates a notch band immediately. - Added an intelligent solo mode for EQ bands. Click and hold the solo button (in the parameter value display) to enter solo mode for the current EQ band. Now, you don't hear the effect of the EQ band itself, but instead you will hear the part of the frequency spectrum that is being affected by that band. Of course, the frequency range depends on the frequency and Q settings, and is visualized in the display as well. - Improved the built-in spectrum analyzer with smoother curves, a combined Pre+Post mode and customizable resolution and speed settings, accessible via the Analyzer drop-down menu in the bottom bar of the plug-in. - Added a 3dB display range, useful for mastering purposes. - Added a small output level and clipping indicator in the bottom bar. - Improved the EQ display's rollover behavior: the parameter value display is now shown much earlier when you approach an EQ curve point, making it easier to view the band's settings and use the new solo button. - Fixed possible audible "plops" when selecting a different filter shape in an EQ band. - Fixed bug when Shift-dragging multiple selected points: this could accidentally deselect some of the points. New features in FabFilter Timeless 2: - Added a new "wide" layout for the interface that eliminates scrolling in the component display in the top half of the plug-in. The resize button in the lower-right corner of the interface chooses between normal and wide layouts. - You can now change the default value of the Dry Enabled parameter, simply by clicking Options > Save As Default in the presets menu. This is useful for example if you always happen to use Timeless 2 as a send effect. Other new features and bug fixes: - In addition to the RTAS format, all effect plug-ins are now also available in the AudioSuite format for Pro Tools as well. - All plug-ins are now Unicode-aware and correctly handle international characters on both Windows and Mac OS X, for example in preset folders and file names. - Improved the way parameter values with custom ranges and transforms are shown by Audio Unit hosts and Pro Tools (e.g. for automation purposes). - Added a Deauthorize option to the plug-in's Help menu, which makes it easy to delete your license key from a computer if needed. - In Twin 2 and Timeless 2: fixed bug that could cause the XLFO to run out of sync after a while. - In Twin 2 and Timeless 2: fixed bug that caused the XLFO Phase Offset parameter to work incorrectly in combination with random steps. Also improved sonic behavior when dragging the phase offset across its "circular" boundary. - In Twin 2 and Timeless 2: Improved mouse wheel scrolling and editing behavior. - In Pro-C and Pro-L: It's now possible to enter positive values in the parameter value display for knobs with a negative-only range (like Threshold or Output Level). So for example, typing "0.3" will also result in "-0.3 dB". - Fixed incorrect redrawing in the plug-in interface that could occur in some cases in Pro Tools on Mac, for example when selecting from the Pro Tools-provided presets menu in the plug-in header. - Fixed bug that caused the help file to open only in the first instance of the plug-in." |
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| | #101 |
| Gear addict |
cool! pro-q now have auto-listen feature! it needs solo button for mid(side) mode |
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| | #102 |
| Lives for gear Joined: Nov 2009 Location: Vancouver
Posts: 1,512
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ok.. I'm really loving these guys now. Pro-L became my fav limiter hands down.. and now Pro-Q looks to become my go-to EQ. I'm not that EQ crazy generally as so many are and I use Ableton's EQ more than any other.. but I think the tide has just changed! Giving credit where it's due.. Fabfilter, you guys are doing some killer work over there!
__________________ Minimoog Voyager | Virus Ti2 Polar | Juno 60 | EL8X Distressor | UA 6176 | Mytek 192 ADC | Lavry DA10 | Motu 828mk2 | Focal Twins | KRK Ergo | Ableton Live 8 | Windows 7 |
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