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| | #1 |
| Lives for gear Joined: Aug 2007
Posts: 2,600
Thread Starter | Post your Melodyne DNA experiences HERE! ... stay on topic or "silence, I edit you!"
DNA beta is coming in a few hours: Celemony - server maintenance I'm in a big project and haven't got the guts for testing -- but I hope a lot of you have more courage... So let's hear what this thing can do! |
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| | #2 |
| Lives for gear Joined: Aug 2005 Location: Austin, TX
Posts: 1,935
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refresh... refresh... refresh... I'm expecting this thread to be filled with disappointment. But I'm personally excited to hear crazy glitches and distortions DNA will impart on full mixes. |
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| | #3 |
| Lives for gear Joined: Aug 2005 Location: Austin, TX
Posts: 1,935
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| | #4 | |
| Gear addict Joined: Oct 2007
Posts: 474
| Quote:
That extracted vocal at the end is totally usable, especially in a hip hop context and such... The keys with the vocals taken out is not so impressive But the possibilities for extracting midi data from all of this is really incredible, both in a production way and also in a learning and teaching way. Who cares if you don't have the same Rhodes sound -- load up the midi, fire up a virtual instrument and you have your own sound with their Rhodes part. Also, correct me if I am wrong here, but isn't this whole idea about being able to extract individual parts, say, vocal and piano as is here (as opposed to just editing polyphonic audio) much more than what Celemony was promising? They never showed it in their promo videos! Nasty nasty this is really quite good.
__________________ Dave Ahl Producer, Engineer Stepwise Sound LLC http://www.stepwisesound.com "Your Music...Brought to Life" | |
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| | #5 |
| Lives for gear Joined: Aug 2005 Location: Austin, TX
Posts: 1,935
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I predict there will be countless hoards of people complaining about the limitations, ethical ramifications etc. And a few creative folks with huge hits laughing all the way to the bank.
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| | #6 |
| Lives for gear Joined: Nov 2006 Location: Japan
Posts: 653
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The video is pretty impressive for me. I wonder what are the beta limitations. |
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| | #7 |
| Lives for gear Joined: Aug 2007
Posts: 2,600
Thread Starter | |
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| | #8 |
| Lives for gear Joined: Aug 2006 Location: Chicago
Posts: 2,559
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I have to read the manual, but I used it on a solo piano, solo acoustic guitar, and solo electric guitar. I was able to adjust a good deal of the intervals nicely, and some had more side effects than others. Overall, this looks like it will be a tool that is meant to be used either in a worst-case-scenario (fixing a bunk note or 2 in an otherwise good take) or to mangle and change audio in a creative way. Either way, it is certainly a very useful and unique tool. It is not, however, a magic wand.
__________________ Scott Fritz Producer/President Stranded On A Planet Productions www.strandedonaplanet.com www.facebook.com/strandedonaplanet www.twitter.com/strandedplanet www.myspace.com/strandedonaplanetproductions Watch our studio bio video here and get to know us a bit - http://youtu.be/3hb_Zi_zry4 |
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| | #9 |
| Lives for gear Joined: Jun 2005
Posts: 1,192
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how does it separate drums? any usable results with the percussive mode |
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| | #10 |
| Lives for gear Joined: Aug 2008
Posts: 507
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Just messed about with an acoustic guitar riff. Melodyne detects it nicely but moving the notes around etc really messes with the transients. So much that I decided not to use it. There may be takes where DNA works but tracks played with a lot of articulation (Great Players) are more or less ruined by the loss of transients. What I DID like A LOT was the ability of altering amplitude on single notes within a chord. However, beyond a 5 db change the audio starts sounding REALLY weird. Nevertheless a nice feature.
__________________ -------------------------------------------------------------------------- PT 8 HD|3 - Finally a Great Dark Interface |
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| | #11 |
| Lives for gear Joined: Aug 2008
Posts: 507
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| | #12 |
| Gear Head Joined: Aug 2009
Posts: 64
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ive had my eyes on this for a while now, from a producers standpoint, its going to help a lot of up and comers
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| | #13 |
| Lives for gear Joined: Aug 2005 Location: Austin, TX
Posts: 1,935
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I'm having tons of fun with acoustic guitars. Stretching single notes out to make strange drones and sparkly effects sounds pretty amazing. The hybrid of natural organic acoustic guitar and glitchy elecro processing from within the chords is definitely a new and beautiful sound. I'll post a song when I finish one.
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| | #14 |
| Gear maniac Joined: May 2008 Location: Atlanta
Posts: 174
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Anybody tried it for tuning an out of tune electric guitar take?
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| | #15 |
| Gear addict Joined: Nov 2008 Location: Germany, Europe
Posts: 355
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If you buy Melodyne Plug In now, do you qualify for the betatesting? Or did you have to be registered when the testing started? |
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| | #16 | |
| Lives for gear Joined: Oct 2007 Location: Nashville, TN
Posts: 513
| Quote:
Bump for this and also the question about buying now and being able to beta test. | |
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| | #17 | |
| Gear addict Joined: Aug 2007 Location: Germany
Posts: 335
| Quote:
http://www.celemony.com/userforum/vi...p=17961#p17961 As I predicted, Melodyne DNA will not turn anyone into a God of any kind. But it will be a great helper for tuning and transcribing purposes. Installation was perfectly smooth for me (XP-SP2 with Melo Studio and no iLok). The separation of notes in polyphony is reasonable but not miraculous. GUI is nice and intuitive (need to RTFM though but only takes a few minutes). Detection is significantly slower than in the older versions (not really a surprise, considering the complexity). As expected, unmixing a multi instrument mix will not work. Vocal ensembles are difficult to handle because of the many overtones common to various voices. I have not tried a single polyphonic instrument yet but this is what people at the Celemony forums report to be the major strength of the new software (including electric guitar!). | |
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| | #18 |
| Lives for gear Joined: Jan 2007 Location: Dallas
Posts: 2,088
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Wow. A lot of deleted posts. On topic. Looking forward to this and hope it works. I do have my doubts though.
__________________ Kevin J. Deal GC Pro - Dallas, TX Sales Associate C - 214.471.9563 kdeal@gcpro.com http://www.gcpro.com/ |
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| | #19 |
| Gear maniac Joined: May 2008 Location: Atlanta
Posts: 174
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Ok, tried it with a distorted electric, the artifacts were a little much. although if you went in and analyzed it you could probably discard or alter the notes that sounded a little much, but there sure is a lot of 'blobs' on there!! Amazing though, just seems the algorithm could be improved upon. Will try some more.
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| | #20 |
| Lives for gear Joined: Oct 2007 Location: Nashville, TN
Posts: 513
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Thanks for sharing rockgod. I didn't think about distorted guitars being more difficult to analyze with than clean, but it seems to make sense. That's good to know. I would mostly be dealing with clean electrics and acoustics so I'm hanging out for more reports. |
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| | #21 | |
| Lives for gear Joined: Aug 2007
Posts: 2,600
Thread Starter | Quote:
What happens if you run monophonic vocals through the thing? Does it behave as expected, or does it try to separate harmonics? | |
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| | #22 |
| Lives for gear Joined: Jan 2007
Posts: 649
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I haven't spend a lot of time on it, but my initial reaction concurs with others here: it's not perfect but it's a really handy and creative tool and does pull some miracles on select material. One thing worth mentioning is that you can go back and re-asses the automatic analysis. When you have more blobs than you have notes, you can re-connect the extra ones to the notes they belong to. I think this is covered in the third video on their site and can help the result when there's polyphony, although this can be laborious with a lot of notes. Another really cool thing is its use as a transcription tool, since you can render the analysis to a MIDI file, although you'll probably have to clean up the analysis in Melodyne before the export and/or the MIDI file afterwards in your DAW. Overall I think this free update for plugin users was an amazing deal. Great work, Celemony! thumbsup
__________________ We're slowly getting closer... |
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| | #23 | |
| Gear addict | Quote:
__________________ "remember to check the bottom" Ribbon Mic Guy | |
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| | #24 |
| Gear addict Joined: Aug 2007 Location: Germany
Posts: 335
| To be honest, I was so curious about the new stuff that I have not even tried yet to work on monophonic material yet.
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| | #25 | |
| Gear addict Joined: Aug 2007 Location: Germany
Posts: 335
| Quote:
1. buy Melodyne Plug In 2. Install and register it and create your "MyCelemony" account at celemony.com. The link to the beta will appear in your MyCelemony page. 3. Download and install the beta. No extra registration necessary. | |
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| | #26 | |
| Gear addict Joined: Jul 2007 Location: Chicago
Posts: 349
| Quote:
+1 The transients on the acoustic get completely mashed. So not usable. It makes it sound like an old REX1 mono loop. Tho; If you pay attention to video #3, note how he describes every little detail in your fixing the way it examines material changes the quality of the sound. So fixing split notes that shouldn't be split, changes the way they sound. It's not perfect, but still pretty awe inspiring. I'm with Rufuss on the creative possibilities, changing polyphonic sound sources to make new sounds. But it looks like allot more time needs to be spent to really see how well this could work for natural results. I also like the new context menus, and the overall new look.
__________________ "music is the best" - Frank Zappa | |
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| | #27 |
| Lives for gear Joined: Oct 2005
Posts: 599
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How is the CPU/RAM usage with this?
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| | #28 |
| Lives for gear |
It's very good. Mind you - it is not a dream to use (well it IS close!) - but hey this is TRUELY amazing stuff. If you have any formal or informal training in harmonics you know this is extremely impressive software. As a trained pianist, I played some Brahms type music (my own) with some tweaks needed. I was able to do many of the tweaks in complicated big chords - insert missed fast note (DAMN!) and slightly move the timing. It was not a walk in the park but the results are often amazing. Unless you are a masochist (and many of you devils out there are), you won't be turning 6 year old Jack the beginning pianist into an Evgeny Kissin. Feeling the music is far more powerful and accurate than moving the timing on a grid. Inherent Problem as mentioned by the designer - the note generator is often reading the harmonics of the notes. Yes that is what the harmonic's filter is for. However, the harmonics filter would be far more useful with a polyphonic musical score above. Then it would be easy to see that that blob is not in the score. The timing tool does not respond well at times. Two fixable items in the 'BEA TA' version. Impressive 'BEA TA' software. Very stable - no crashes. Really magical stuff to a guy who started with tape. |
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| | #29 |
| Lives for gear |
And BIG KUDOS to Celemony for offering this as a Beta version to the users before they charged for it. I've never known of a company to do this before for it's PUBLIC users. AWESOME! GREAT company, great software for a GREAT price. |
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| | #30 | |
| Moderator Joined: Feb 2004 Location: Boston,MA Providence,RI
Posts: 15,921
| Quote:
The only version that there is a beta for is the standalone version. I'm told the plugin will follow "soon".
__________________ Tony Belmont ![]() We Sell Gear! ![]() High Profile Audio.....PluginDiscounts.com I may on occasion talk about some of the products I am a dealer for in my posts.. and that's OK! I sell them because I like them. Not vice versa. It's more fun to talk about things you know and love, then things you don't. | |
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