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| | #121 |
| Gear addict Join Date: Sep 2006
Posts: 431
| To me spending money supporting developers while parasites steal what I paid for matters a lot. It does not take anything from the software and I couldn't care less how many people have it. |
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| | #122 |
| Gear addict Join Date: Sep 2006
Posts: 431
| No it isn't, but it is a myth that the existence of cracks inevitably makes a software developer bankrupt. |
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| | #123 | |
| Gear addict Join Date: Sep 2006
Posts: 431
| Quote:
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| | #124 | |
| Lives for gear Join Date: Mar 2005 Location: Hannover / Germany
Posts: 910
| Quote:
However, I do admit that at least the Syncrosoft system has served its purpose very well. I wouldn't happen to know when there was the last sucessful Syncrosoft protected crack after Cubase SX 2 (and according to the hackers that was quite an adventure already - been reading some stuff on KVR, just in case you wonder...), but each and every iLok protected application seems to get cracked more or less instantly, so using that kind of protection is absolutely pointless. - Sascha | |
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| | #125 |
| Gear addict Join Date: Apr 2007
Posts: 369
| stop bitching ![]() it's real simple... if you hate the fact that you have to use a dongle with a prog...use something else it's not that serious if it is that important to you worrying about breaking or losing it...be more careful if you use a laptop for music and it only has 2 usb ports...then slap yourself and buy a better one (gotdamn, my $350 netbook got 3 ports..) if your worried bout a 16 yr old using cracked software and you paid hundreds of $$$ on legit software, then slap yourself for not having your priorities straight ![]() |
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| | #126 |
| Lives for gear Join Date: Oct 2005
Posts: 3,388
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| | #127 | |
| Gear addict Join Date: Dec 2003 Location: CA, USA
Posts: 347
| As mentioned, softwares are just tools... I buy software with protection is a way to support developer and fight pirate or people who try to use software for free. Arrogant factor? you are missing the point. You said " dongles are crap, because they don't give nothing useful to the user; it's not in the interest of the user" - you are wrong, dongle made to protect - including your investment. It's more like " dongles are crap, because they don't give nothing useful to the PIRATE; it's not in the interest of the PIRATE" Seriously, if you paid hundred thousands dollars for software/Plug-ins... then everybody around you all have the software for free, are you telling me you will happy with it (the CR method)? I hate dongle too, I have to move dongle from room to room all the time, 5-10 times a day - But I accept it - I protect the dongle with extension USB cord, cover with something that prevent it from breaking, and even buy an insurance for it. Instead of trying to tell developer to stop using dongle, try to stop people around you not to steal software (That's impossible, right?) then learn to accept dongle. Again, Just my opinion... YMMV, I am done with this topic... Peace Sonny Quote:
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| | #128 | |
| Lives for gear Join Date: Feb 2008 Location: Denmark
Posts: 783
| Quote:
Anyway, Reaper is cheap, stable, flexible, pretty good for my needs (switched recently to it) and does not use any form of copy protection. I don't see the developers going bankrupt.
__________________ Check out SPIRALS on Soundcloud: http://soundcloud.com/spiralspiral/spotlight/ Seek for a place where the birds live forever... | |
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| | #129 | |
| Gear Head Join Date: May 2009
Posts: 41
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POS GUI too. They should be boycotted by everyone for life, IMO, even if they changed this. Syncrosoft, I'm ok with. I have all my VSL and Steinberg on the same dongles. VSL gives you three licenses, so three machines, three dongles, not that bad. They will replace. Takes a few days. | |
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| | #130 | |
| Lives for gear Join Date: Sep 2004 Location: Washington, DC
Posts: 6,978
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Audio Damage has stated many times that their success has come largely as a result of them not punishing their paying customers. - c | |
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| | #131 | |
| Gear nut Join Date: Jun 2009
Posts: 98
| Quote:
No, they are not theives. They just misplace things, as most young adults do. I liked Cubase, but Logic 8 is just easier to manage and happens to be just as good. It just became a no-brainer to switch to the dongle-less program. I look at it this way: I have a $20,000 car which requires a key (dongle) to start. Every so often I lose the keys (dongle) to the $20K product I own, but I have a backup, plus I can call the dealer and request a new key if needed (for a fee.) That is, again, a $20,000 product and you have more flexibility than a $800 piece of software? Imagine a car dealer who refuses to give backup keys and also refused to make you another key for the product you legally purchased. Result? You go to another dealer (after reporting them to the Better Business Bureau.) To me - the end user - its another no-brainer. | |
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| | #132 |
| Gear nut Join Date: Jun 2009
Posts: 98
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| | #133 |
| Gear nut Join Date: Jun 2009
Posts: 98
| Just would like to add that yes, pirated software is theft! Stealing does matter! Fortunately, 95% of us still purchase our software legitimately. We don't want a software fiasco similar to that of the housing market! ![]() That said, when it comes to your 15 year old neighbor, why are you guys so insecure? Do you think that kid will be able to match your skill level as well? Its just a tool... like a crescent wrench. |
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| | #134 | ||||
| Lives for gear | Quote:
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You name these kids. You pride yourself on being serious in the music business. How are these kids a threat, then? They don't have the experience you have. So, they aren't. You name the competitors. The only thing they have going for them are their lower rates since they don't have to get their return on investment back on the software. That is a point; however, without you investing in the same software, they can say that they offer more. Even then, buying the software means you get the support, which means you'll be faster w/ troubleshooting - while they waste away hours asking on forums if they're stuck. You say you quit using Logic because everyone else had it. Explain me how this means you did not throw away months or years of experience with Logic. You'll have to spend time re-learning everything on your new platform (whatever that is), all the shortcut keys, everything, so it becomes an extension of your brain again. I can fully understand going to another platform because you get more customers with say, PTHD projects or something, and you need to be able to cater to them, and you wanted to upgrade anyway. Quote:
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| | #135 | |
| Gear addict Join Date: Sep 2006
Posts: 431
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| | #136 |
| Gear nut | I really think that iLok is great, it's stable and easy, and it prevents piracy. it's just sad to see companies make their "own" dongles, just for their products. ![]()
__________________ mobiletabs: guitar chords and tabs for mobile devices beachnut media: video production, photography, web design |
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| | #137 |
| Lives for gear Join Date: Mar 2005 Location: Hannover / Germany
Posts: 910
| There's one thing people often seem to forget when it comes to somewhat "obtrusive" copy protection schemes (which includes dongles but even more so C/R). What if the company you bought your product from goes bankrupt? Let's say you have a bunch of IKMM (or NI, or whatever) products and you want to install them on your fine new computer. Now, with the company going bankrupt, you could as well just flush them plugins down the toilet - or does anybody really expect the companies in question to keep their authorisation servers online in case they are indeed bankrupt for the next number of years (until the plugin format becomes obsolete)? Ok, at least NI has it on their site that, should something like that ever happen, would give out permanent authorisation codes to their customers. But who knows whether that'd happen indeed... Then, let's assume you lose or break your Cubase dongle but Steinberg just went bankrupt. Forget about all your precious Cubase projects, you will never be able to open them again unless you find a second hand dongle. And finally, you won't be able to sell your software anymore, either. As you can see, this is where any hardware analogies completely fail. As long as I find some techs that will do service jobs, I can drive any oldtimer car until the end of the days of fuel as we know it. If I lose my car key, I can get a replacement, even if the company is bankrupt, too, given I can provide a certificate of ownership. And I can obviously sell my Strat without any "ok" from Fender, let alone paying a transfer fee. In the case of Steinberg, the hardware analogy (aka "a dongle is like a key to your car") fails even more. If you lose your dongle, their policy is that you have to buy an entirely new license. There's no reduced price, no nothing. This is more or less like them accusing you of theft ("oh no, we're sure you didn't lose it but gave it to someone else"). Fortunately, they started thinking about the situation after some pretty nasty debates on Cubase.net - but that's a while ago already and it's still not happening. Anyway, as said, this has got nothing to do with a dongle being the same as a key. It's really not the software license that is of any value, it's that little piece of plastic and metal only. And this is exactly why I applaud any companies who don't get in your way at all, regarding copy protection. Heck, look at Reaper - and they seem to be doing well. And, with Reaper it's not only that you don't have to worry about lost dongles or authorisation servers not working or anything like that - you can even run it from a USB stick. You could even partition your USB stick and run it on either Windows or OSX. That's what I call customer service. And Reaper seems to be doing quite well. Sure, with absolutely no copy protection (others than a reminder once you're past evaluation time), I'm sure there will be lots of folks using Reaper "irregularly", but OTOH there seem to be a whole lot of people praising this unobtrusive way of dealing with copy protection by purchasing a license, regardless whether they're using Reaper often (or even at all). And as a last thing, about all that "using a dongle I can take my plugins with me to any studio" stuff... in all seriousness, how many more or less professional studios do you know that would even let you near their precious machine rooms to install some software that they're usually not using? Especially given the bad track record of something like, say, the PACE drivers (such as doing pretty malicious things to your system, especially true for Windows but partially for Mac OS as well), regardless whether these issues have been adressed or not - in case those drivers aren't installed already, no studio owner (or maintainance tech) would let you install that stuff on their systems, unless you're really good friends with them. Again, with a single .dll, .vst or .component file, things may already look quite different. Even more so if a scenario such as the Reaper one would be possible. Oh, and yet another thing: For someone being on the road often, dongles simply suck. Admittedly, they do suck even more in case you're using a hopelessly underequipped machine such as any Macbook, but even with 4 onboard USB ports the situation isn't exactly shiny in case you're really working on your lap. Ok, the Syncrosoft dongle is rather small, so chances of someone stumbling against it (hence probably damaging your USB slot or even the dongle) are not too big, but look at that WAY too large iLok POS (it's almost twice as long as the Syncrosoft one)! It's unnecessarily huge and there's quite some chances you would sort of bend it while working mobile. Yes, I have both an iLok and a Syncrosoft dongle, and no, they're not exactly putting me away from probably missing out on some fine software, but one thing is for sure: As soon as I have an alternative choice, I certainly know what to purchase. Hence, almost all of my projects can be opened without any dongles attached - fwiw, I'm mainly using Logic, NI Komplete, all things U-He, all things FXpansion, AA Reverb, a bit of IKMM stuff (which got de-authorized by installing OSX.5.7 - Apple stinks again), Overloud stuff, Rob Papen thingies, etc. All very fine plugins, none of them requiring a dongle. Heck, Zebra 2 IMO is one of the best softsynths on the market right now (perhaps even the best in case you don't need sample import functions) and it's using the least obtrusive copy protection there is: A simple serial number - and AFAIK, Urs is not having plans to change that any day soon. So, even if I have a few dongle protected things, I will rather not use them much at all. And that's no good advertising for said companies, either. Seriously, quite sometimes people are wowing at the guitar sounds I'm getting during my little backstage jams, using Overlouds TH-1. But they will never wow at the guitar sounds coming out of, say, the Studio Room amp sims - simply because no dongle will ever see any backstage room. I always leave the dongles at home. Ok, enough drivel for now. - Sascha |
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| | #138 | |
| Gear addict Join Date: Sep 2006
Posts: 431
| Quote:
Of course, your reasoning must only apply to dongles.... | |
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| | #139 | |
| Lives for gear Join Date: Mar 2005 Location: Hannover / Germany
Posts: 910
| Quote:
And as far as other electronic devices are concerned, again, a lot of them can be serviced by 3rd party techs. Dongles can't. And no 3rd party tech would be able to replace a not-anymore-existing authorisation server, either. Heck, with other electronic equipment I own I'm even allowed to do some circuit bending (if I wished at least). Again, not so with software (others than open source stuff). - Sascha | |
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| | #140 |
| Lives for gear | |
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| | #141 | |
| Gear nut Join Date: Jun 2009
Posts: 98
| Quote:
We're actually making the same point here. ![]() | |
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| | #142 | |
| Gear addict Join Date: Sep 2006
Posts: 431
| Quote:
That's nonsense. Try to get a PCI card from a company that no longer exists fixed. As soon as you need a chip containing some software that only they had you are screwed. Your argument applies to all modern digital equipement, yet it is only a problem with dongles. | |
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| | #143 | |
| Lives for gear Join Date: Mar 2005 Location: Hannover / Germany
Posts: 910
| Quote:
- Sascha | |
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| | #144 | |
| Lives for gear Join Date: Mar 2005 Location: Hannover / Germany
Posts: 910
| Quote:
It *might* add some worth for the developer, but for me as a user, it doesn't. Yet, when I lose something absolutely worthless to me, I can't use my sequencer anymore. That's just ridiculous. And anyway, we're not even talking about parts that can't be replaced anymore. You can buy Syncrosoft dongles. But in case Steinberg was out of the market, you still couldn't run Cubase on them anymore, even if you bought it, even with completely intact dongle hardware. It's completely beyond me how you fail to see that your comparisons are absolutely invalid. - Sascha | |
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| | #145 |
| Lives for gear Join Date: Aug 2003 Location: USA
Posts: 678
| When Al Gore created the internet for us all to use... I wonder if this thread is what he had in mind? ![]()
__________________ Best Wishes, GearGuy |
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| | #146 | |
| Lives for gear | Quote:
It's probably a guy thing, obsessing over the presence of one's dongle. | |
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| | #147 |
| Lives for gear Join Date: Apr 2006 Location: Tampa
Posts: 1,502
| I just don't like being treated like a thief. |
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| | #148 | |
| Lives for gear Join Date: Feb 2008 Location: Denmark
Posts: 783
| Quote:
![]() The funny thing is that if a company uses dongles or c/r and it goes bankrupt and you have software from them, your only solution is to use cracked versions ![]() | |
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| | #149 |
| Gear addict Join Date: Sep 2006
Posts: 431
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| | #150 |
| Lives for gear Join Date: Mar 2005 Location: Hannover / Germany
Posts: 910
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