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| | #1 |
| Gear addict Join Date: Mar 2005
Posts: 484
| Acoustic guitar sim Plug-in? I'm mixing a live show that has the dreaded direct acoustic guitar sound on a couple of tracks. I'm only making so much progress with EQ alone. Any suggestions to make an acousic pickup sound a little more like a microphone? There must be an acoustic sim plugin out there. right? Thanks. |
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| | #2 |
| Lives for gear Join Date: Sep 2004 Location: Austin, Texas USofA
Posts: 1,201
| I haven't seen a plug that does this but saw Pat Dinizio of the Smithereens playing a Strat that had a special pickup that had a sampled acoustic sound, it was unbelievably realistic. Certainly sounded better than most acoustic pickups. I didn't ask him where he got it, but you might ask him at pat@patdinizio.com.
__________________ "The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side." - Hunter S. Thompson www.myspace.com/steventoddhudson |
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| | #3 |
| Gear addict Join Date: Mar 2005
Posts: 484
| Thanks Hud. That's most likely the Line-6 guitar I'd imagine. It does have a very nice acoustic sound. Unfortunately this particular live show is already recorded and I've been hired to mix this thing. The acoustic was recorded with the built in pickup through a DI. I guess I'm going to live with it the best I can. EQ is not really helping much. I hate acoustic pickups. |
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| | #4 |
| Lives for gear Join Date: Apr 2005 Location: nyc
Posts: 2,865
| anything with a tube usually helps that d.i. sound.... it's almost as if it's too fast.... i would try recording it again to another track - either through some tube pre/ e.q./ comp or anything analog - the bad d.i. / digital combo is particularly nasty. i would even try dumping it to cassette and flying it back in or reamping it into a tube guitar amp played somewhat quietly with a bit of low end and the nicest mic you have in front of the amp be well |
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| | #5 |
| Gear addict Join Date: Oct 2004 Location: Australia
Posts: 461
| I doubt he can re record if it was a "live show" take. He has to do what he can with what is already there. This may sound dumb, but why not try mic mod if ya have it. It may sound crud, but then again it may change it enuff to stop irritating you..... e.I guess doing some ext procesing could help. Maybe dup the track and doing some excessive stuff to it, and try n blend in with the original. Maybe feed it thru a cab and re-mic it. Dunno, just a suggestion. |
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| | #6 |
| Gear addict Join Date: Mar 2005
Posts: 484
| Really good suggestion. Antares mic mod might help. I'll give it a shot, and the cab idea. I might try a really small space convolution verb too. |
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| | #7 |
| Lives for gear Join Date: Sep 2003 Location: Cleveland, OH
Posts: 2,473
| Boss makes a pedal called the AC-2 Acoustic Simulator - http://www.bossus.com/index.asp?pg=1&tmp=17 Playing through this pedal sounds pretty good. I'm sure you could run the signal out into this pedal and then record it back in (or hook it up in real-time to your daw and use it as an insert effect if you've got Nuendo 3 or PT|HD).
__________________ Joshua Aaron President/Chief Engineer AudioLot/AudioLot Studios High End Pro Audio Sales & Consulting Recording/Music Production/Mixing http://www.audiolot.com |
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| | #8 |
| Gear addict Join Date: Mar 2005
Posts: 484
| Thanks! I remembered seeing that Boss pedal a while back, and I was wondering if it might help in this situation. Getting the track down to stompbox level and back in cleanly usually isn't very easy, but it might work great. Maybe Boss should make a plugin version of this thing! They'd probably sell about 20 of them. Thanks for all the great suggestions. |
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| | #9 |
| Lives for gear | The Yamaha AG pedal is very cool, too.
__________________ "We need to legitimize peer-to-peer sharing as a business model, because it's already a business. If [the P2P companies] are going to make money on us, we should have a chance to make money along with them." -- Perry Farrell on the failure of national intellectual property policy to keep up with the rapid evolution of online media "Every Internet transmission of a musical work constitutes a public performance of that work. " http://www.ascap.com/weblicense/webfaq.html |
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