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| | #61 |
| Lives for gear Joined: Sep 2004 Location: pound ridge, NY
Posts: 1,643
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just did a bunch of a/b/c/d'ing between these and: UAD precision UAD helios UAD 1073 abbey road smoked them all. a LOT of character, in a good way.. really really sweet. the 10k on the PEQ was nice, but a bit lifeless (which could be OK in some cases)... the 10k on the Helios was harsh in comparision. Abbey Roads sounded very very warm. might have to bite...
__________________ taylor deupree | 12k 12k (label) • 12k mastering • photography looking for: simplicity |
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| | #62 | |
| Lives for gear | Quote:
I thought the Neve stuff was just different in my tests. Not better/worse. For instance, on four different types of snare tracks, the UAD 1073 sounded better on 2. Abbeyroad beat out the Helios on vox, but not on certain guitars (some it did), and never on piano (though they certainly weren't bad at all!). While they beat out the Helios on vox, and rivaled the Pultec, I still liked what the Prec. Enhancer KHZ does better than any of them. I found it to be very source dependent all together. As such, I might change my mind about buying them if I start to find more sources where the Pultec can't get me comparable results. BTW - Sometimes I had to do simultaneous boost/cut to get the results with the Pultec I also found (like another poster) that I had to push my outboard EQs a little harder to get comparable boosts.
__________________ -Mike Manthe Moonface, LLC ------------------------- Moonface Records | Studio | Publishing | My Web Site | | My Equipment List | | |
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| | #63 |
| Lives for gear Joined: Sep 2004 Location: pound ridge, NY
Posts: 1,643
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ahh.. the Pultecs.. yes, forgot to try those... will do that (i was the poster about needing to push the hardware more..) |
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| | #64 |
| Lives for gear Joined: Jan 2008
Posts: 822
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Hey All, I'm interested in picking up the Brilliance Pack. Anyone know if it's compatible with Logic Pro 7.2.3 Thanks |
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| | #65 |
| Lives for gear Joined: Nov 2002 Location: In A Galaxy Far Far Away
Posts: 1,228
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Is it possible to pick these up through PayPal As well? Just wanted to know. Thanx Marc
__________________ "Marc Ellus" http://soundcloud.com/marc-ellus Sorry in advance for any misspelled words, phrases or not using the right meaning/s at the right times. So get over it and back to the post at hand!!! Thanx.... |
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| | #66 |
| Lives for gear Joined: Jun 2005
Posts: 8,424
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| | #67 |
| Lives for gear Joined: Jun 2005
Posts: 8,424
| My guess is there is no straight answer to that question... it appears to be somewhat program dependent. This aint no traditional eq (:
__________________ Steve There are two kinds of light — the glow that illumines, and the glare that obscures. — James Thurber |
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| | #68 |
| Gear maniac Joined: Oct 2007 Location: Berlin - Germany
Posts: 210
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| | #69 |
| Lives for gear Joined: Aug 2004 Location: Escaped from Slipperhell
Posts: 1,697
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| | #70 | |
| Gear Head Joined: Dec 2003 Location: Belgium
Posts: 52
| Delay reporting error in PT HD
I've been testing these in PT HD and notice latency isn't properly compensated here either. When inserted on one of two duplicate tracks, the combined audio of these tracks gets all phasey and muffled. With any other plugin, PT's delay compensation engine works correctly and the audio stays intact. Hope Abbey Road fix this because sonically, these plugs are stunning! I'm demoing Waves JJP at the same time and so far the Brilliance Pack appears to be a far more useful addition to my arsenal. In fact they have made me very curious about the Abbey Road Mastering Pack. Did a GS search but didn't find to many user experiences with those - anybody want to chime in? Quote:
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| | #71 |
| Lives for gear Joined: Jan 2008
Posts: 822
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| | #72 | |
| Lives for gear | Quote:
Actually I was interested to know how they compare with the Waves JJP....I will be demoing all those new plug ins soon. But we tend to get very excited about new Plug ins. I always A/B them and find that differences in reality are not so big or meaningful between some plug ins...I am sure the Abbey Road Plug ins are great..but also are many other great Plug ins...What really push me to buy a Plug ins is a unique characteristic , feature or something you can not get from any other Plug in of the same type. So what do you guys find about the Abbey Road Brilliance Pack that is really unique and you can not get from any other Plug in??
__________________ ------------------ Peace. ![]() Reuven Amiel "There are no rules, just knowledge, good taste and experimentation" "Music was designed to escape from reality for a moment, not to magnify our fears and problems" | |
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| | #73 | |
| Lives for gear Joined: May 2007 Location: London
Posts: 2,417
| Quote:
i do however think that these plugins fit a price point which other's surpass and if the quality is as suggested by other here then i'm in i'm waiting till i start mixing my next few tracks before demoing these and JJP bundle to evaluate and that will be very soon | |
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| | #74 | |
| Lives for gear | Quote:
Well that is really a good point! But I already have basicaly the best Plug Ins, I guess..at least for me...so every new Plug in pass thru a "Challenge Test" with many others....So next week will demo the Waves JJP and the Abbey road Pack...so in the meantime..just reading and asking the Fellow GS !! | |
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| | #75 | |
| Lives for gear Joined: Aug 2006 Location: Chicago
Posts: 2,559
| Quote:
__________________ Scott Fritz Producer/President Stranded On A Planet Productions www.strandedonaplanet.com www.facebook.com/strandedonaplanet www.twitter.com/strandedplanet www.myspace.com/strandedonaplanetproductions Watch our studio bio video here and get to know us a bit - http://youtu.be/3hb_Zi_zry4 | |
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| | #76 |
| Gear maniac Joined: Sep 2007 Location: Los Angeles, CA
Posts: 209
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I'm demoing the brilliance pack right now, and am very impressed. Like the Abbey Road compressor plug, they're not right for everything, but they sound amazingly rich when they are. And I agree that their simplicity is a great asset. They may keep me from having to re-track every other electronic/sample track through my GTQ2 - they inject the same amount of "analog 3D-liveliness" into what you instantiate them on - even when you leave everything at 0...! Softube is really on to something, their Vintage Amp room is to me the first amp sim worth using, and now this. Damn! ![]() Still I'd be curious to hear a bit of a 'head-to-head' impression by someone who's demoing both the JJP EQs and the Brilliance pack, so do share when ready. |
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| | #77 |
| Lives for gear Joined: Feb 2004 Location: C-ville area VA
Posts: 1,618
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I have the TG Mastering Eq's, JJP Bundle and am demoing the Brilliance pack. They are all awesome. Equally great, but obviously all different. |
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| | #78 |
| Lives for gear Joined: Dec 2007 Location: Santa Cruz Mountains
Posts: 588
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Can't wait for "The Tap" to come out with the "Dobley" Plug in... YouTube - Spinal Tap Love Pump ...that plus this pack of plugins is all you'll need! Seriously, these sound great... will be buying... in 9 days. |
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| | #79 |
| Gear maniac Joined: Sep 2007 Location: Los Angeles, CA
Posts: 209
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| | #80 |
| Lives for gear Joined: Jun 2004 Location: London
Posts: 2,048
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Im loving these at they are so quick to use and sound great Ive found the 8k to work wonders on real upright piano The R127 Box is great last on a vocal chain Im getting these as Im all for speed |
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| | #81 | |
| Gear Head Joined: Dec 2003 Location: Belgium
Posts: 52
| Quote:
Btw, I think most demo periods are ridiculously short. Waves has been setting a bad trend here with their 7 day periods. Most manufacturers would give you 14 days but I'm seeing a lot of 10 day periods pop up as well. When I demo high end outboard my pro audio dealer lets me live with it for a couple of weeks, that way I can really get a sense of how it integrates with my workflow - or not. Why can't plugin manuf's do this, I mean it's not even a physical box? Enough ranting... back to the plugs. About the Abbey Brilliance: everytime I instantiate them I'm pleasantly surprised. I have plenty of ITB tools to shape low end, but was still on the lookout for something to bring out mids and highs in a pleasing way. JJP MEQ-5 didn't do it at all for me in the mids, sounded harsh. I used the Abbey midrange plugs for stuff like boosting the "knock" of a kick in a dense mix, giving attitude to a snare, presence to gtrs (el and ac), etc. Liked every result I was getting and seemed unable to match this with my existing plugs or with the JJP. Other favourites for this include Waves SSL G-eq and API 550A, and my hardware Chandler Tone Controls. But the Abbeys have a very unique texture - less brittle and more analog than the others. One some sources their smoothness made for a better match than the Tone Controls, which are a bit more ballsy and aggresive. I think it will be nice to put them on a gtr buss for example @+2, early on in a mix, and sort of "mix into" that texture. The 8k plug is a very special beast as well. As I dialed it in the first time, I seemed to notice a slightly weird, somewhat phasey character to it. But listening with a less analytical ear it did a perfect job of bringing out high end detail in a smooth and natural manner. So I guess the "anomalies" I was hearing is an accurate modelling of the actual phase shift in the original hardware unit and is exactly what makes this baby sing ;-) Again I tried matching the 8k with other plugs, but they all seemed to extend deeper into the midrange, making things sound more honky. So I tried countereqing pultec-style just below the boost frequency, also tried this with the JJP, but couldn't match the sweet smooth tone of the Abbey. Again, human senses can be deceptive, so I'm revisiting these daily, with different source material, to see if my conclusions from the previous day still stand. In the case of the Abbey Road Brilliance Pack, so far they do. | |
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| | #82 |
| Lives for gear Joined: Mar 2005 Location: Germany
Posts: 1,096
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Great review LateRiser! Well I must admit I haven't that much eq-plugs in use anymore. Lately I'm well covered with the apeq by apulsoft and the little ValveTone by Tritonedigital. Everything else if needed I do with (Vintage) outboard eqs as I found that on most eq-plugs it's rather the curve-style which is different (this is not so obvious because sometimes there seems to be already a curve layered even without tweaking), others than that they all sound more or less the same to me. That said I don't own an UA card and I'm still to stupid to install the newer waves stuff, their RComp is exellent though and often in use. I bought the brillance pack simply because quality wise they hold up with my outboard eqs but of course sound different in a very nice way with all the advantages of a plugin. |
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| | #83 |
| Lives for gear Joined: Feb 2006 Location: Middlesbrough , UK
Posts: 1,990
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A/B ing them against the UA pultec EQ i was getting similar results , so i bought them as i can run as many instances of them as i like and free UAD resources for other tasks.... |
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| | #84 |
| Lives for gear Joined: Sep 2004 Location: pound ridge, NY
Posts: 1,643
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yes, the UAD pultec was closer than any other plug in i tried... i will probably NOT buy the abbey roads just yet, and explore the pultec for this use more.. but if i find the UAD resources running out the AR will be a good substitute.. |
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| | #85 |
| Lives for gear Joined: Mar 2005 Location: L. A.-ish
Posts: 2,165
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Are these exclusively available through the Abbey Road website? Or are they discounted at Sweetwater / GC?
__________________ Michael David Nielsen - Composer / Producer / Lover ...of gear http://michaelnielsenmusic.com/ |
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| | #86 |
| Lives for gear Joined: Aug 2006 Location: Chicago
Posts: 2,559
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| | #87 |
| Lives for gear Joined: Jul 2007 Location: Here, There, and Everywhere.
Posts: 1,581
| Tony's got the deal. Email him @ high profile. Or you can pay a little more to get 'em from sweetwater.
__________________ Sugar Hill Studios |
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| | #88 |
| Lives for gear Joined: Sep 2004 Location: Philadelphia
Posts: 2,714
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WTF are you guys doing, spending all this time worrying about four samples? I mean, sure, in a pure programming sense, you'd like to know where this comes from, but it is not an issue at all for the actual work. Awkward phase? Based on a delay of less than one-tenth of 1 ms? This is nonsense. When we're making minor phase adjustments for multiple mics on the same source, we have no way of getting the phase correlated down to 1 ms — let alone down to less than one-tenth of 1 ms. Of course you'd like for it to be perfect — because it just feels better knowing that — but the difference between four samples and zero is beyond trivial. JSL |
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| | #89 |
| Gear maniac Joined: Feb 2006 Location: London UK
Posts: 275
| Don't WTF me mush! There is a big difference between 0 and 4 samples in some cases ,it's certainly not trivial .....now be a good lad and go wash ya mouth out with soap.....
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| | #90 | |
| Lives for gear Joined: Sep 2004 Location: Philadelphia
Posts: 2,714
| Quote:
To some people, regardless of the science or math, no sample rate can ever be high enough, no latency ever low enough, etc. Those people frankly just don't know what they're talking about. JSL | |
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