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| | #1 |
| Lives for gear Join Date: Oct 2004
Posts: 1,665
Thread Starter | THIS WOULD BE A GREAT PLUGIN - Talk Back Plugin. Au-VST-Rtas Sorry for shouting!, but I just thought of this, since logic 8 and others don't have this facility built in........ A Talk Back Plugin. Au-VST-Rtas. you put it on a channel that your not using, the plugin routes the audio, even midi footpedal turning on and off. Or you can use it on screen. Tell me why this couldn't work? We could even call this the GS Talkback Plugin! Anyways, just a thought............
__________________ ------------------------------------------------------------------------ Base Jase Illynoise Music www.basejase.com |
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| | #2 |
| Lives for gear Join Date: May 2004 Location: canada
Posts: 3,998
| hmm. not sure i understand the need. just connect a mic up to a spare audio mixer mic input channel. if a mixer dont have talkback feature.
__________________ i'm just a dumb computer engr (ret'd)...."quantum computing is the future" running a native software studio daw...Powertracks and Reaper on amd. new cockney album released http://therockingbloodbrothers.blogspot.com/ my other little songs www.motagator.com/bmanning |
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| | #3 |
| Lives for gear Join Date: Aug 2007
Posts: 1,613
| not to hijack but someone needs to make an analog summing plugins complete with all the inaccuracies, phase issues, and all other differences between each analog channels that analog folks cling to. that and a daw maker needs to take that idea a little further and add different types of consoles to their DAW mixers complete with analog inaccuracies. |
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| | #4 |
| Gear Guru | what would this do differently to just having an aux channel with a mic input, and sending to all the headphone feeds? Control mute with an assignable midi button or control surface...what's missing?! |
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| | #5 |
| Lives for gear Join Date: Oct 2004
Posts: 1,665
Thread Starter | Well this plugin would automate the routing and the midi if possible via foot pedal or midi control. I think that Cubase has these features in their control room section, but Logic and others don't AFAIK. I think it would be a cool little plug if someone was smart enough to program it. I would definitely use something like this, wouldn't you? |
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| | #6 |
| Lives for gear Join Date: Oct 2004
Posts: 1,665
Thread Starter | |
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| | #7 | |
| Gear Guru | Quote:
And if you don't have any spare mixer channels, how are you going to plug your mic in? | |
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| | #8 | |
| Lives for gear Join Date: Oct 2004
Posts: 1,665
Thread Starter | Quote:
I stumbled on this: / Source Elements / Source-Talkback / but it's only for PT. | |
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| | #9 |
| Lives for gear Join Date: Sep 2005
Posts: 1,981
| illy, i feel ya. This is one of the main reasons im gettin cubase, a lot of us dont have talkback systems or volume control short of pulling the master fader down and when it comes time to mix, that is a real problem. Like u, i just sold my console which is all it really did, talkback and volume control for monitors. Now im going all itb with a 2192 uad cards and sebatron pres, so i need volume control, i could get a central station and spend 350 or i could get cubase with a built in control room, and use the 350 for another card...................not really a hard decision.
__________________ Carlos Henard |
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| | #10 |
| Lives for gear Join Date: May 2004 Location: canada
Posts: 3,998
| illynoise . re you said "what if you dont have a mixer. " well that surprises me, most studios do. my answer... a little mixer is like 50 buks these days. connect stereo out of sound card into it, n plug mic into mic channel, send stereo out of mixer to musicians monitoring/cans. if u have a multi input sound card, another el cheapo way would be get a throwaway cassette dek, plug some junk mic into it, take cassette dek out into sound card input. to mute talkback flip the mic switch on cassette dek. |
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| | #11 |
| Lives for gear Join Date: Oct 2004
Posts: 1,665
Thread Starter | I never said I did or didn't have a mixer. Wow, I just asked if this would be a great idea for a plugin. I didn't want to know how many different ways that I could do it without a plugin. My point was to see or throw out there, "hey Mr Programmer for plugins ......I think this would be kind of cool!" Now only 1 or 2 people are feeling me on this. If this doesn't sound like something that you would like to have, it's probably cause you already have this functionality. You aren't whose opinions I'm after in the first place. ![]() |
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| | #12 |
| Gear nut Join Date: Feb 2007
Posts: 116
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| | #13 |
| Lives for gear Join Date: Sep 2003 Location: Mr. & Mississauga
Posts: 556
| Yes it's been done, but not for LOGIC! I was just kicking the walls yesterday about this -- DAW's have the latest greatest cutting edge computer technology, but they still lack many of the basic functions studio cats took for granted 30 years ago! Sure, you can "build your own" talk back kludge in the Logic environment. Is it easy? No. Is it simple? No. Is it simple to import into other projects done before you built the kludgy thang? No. This is a basic necessary feature, and it's very telling that the wizards at Apple/Logic are so clueless about why anyone would even need such a feature. It's stuff like this (and about a dozen other 'basics') that will keep me referring to it as Logic SemiPro for the foreseeable future. Now MAKE THAT PLUGIN! I'll BUY IT!
__________________ "I'll play it and tell you what it is later" Miles |
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| | #14 |
| Gear maniac Join Date: Jan 2005 Location: Montreal, Qc
Posts: 237
| I wish someone made a simple box that had an internal mic+pre, a push to talk button and a line level out. I know I could, but I'm not very useful as an electrical engineer. So much easier to use than a software version, plus I wouldn't have to waste an ad + da to get to the musiscians cans. Cheers!
__________________ David Kakon |
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| | #15 | |
| Lives for gear | Quote:
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| | #16 |
| Lives for gear Join Date: Oct 2004
Posts: 1,665
Thread Starter | A plugin that would operate by keycommands would be the icing on the cake for me! |
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| | #17 |
| Gear maniac Join Date: Jul 2006 Location: Cologne
Posts: 153
| i use an open channel with a talkbackmic. It is gated with an downward expander fed by the playback. The louder the music, the lower the talkbackmic.works great for me. You can still talk in soft passages (intro) and you don't have to push buttons all the time.Also the singer doesn't feel isolated anymore, because it works just seemless.As soon as the tape /playback stops the mic is open. Otherwise you can use the old smpte-trick, just feed the code in any downwardexpander. Works also in the analog world. For DAW just record any testtone . my 2 cents |
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| | #18 | |
| Lives for gear Join Date: Oct 2004
Posts: 1,665
Thread Starter | Quote:
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| | #19 | |
| Gear nut Join Date: Jun 2007
Posts: 91
| Quote:
The power of DAW's have made an awful lot of external hardware (both analog & digital) at least redundant if not obsolete ... there are however certain problems that are inherently analog/realtime in nature and are best solved by a dedicated external device - I would put talk-back/monitor control in this category. G. | |
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| | #20 |
| Lives for gear Join Date: Oct 2005
Posts: 588
| If you need an extra input for the TB mic, just setup the internal sound card (or built in microphone if you have a macbook)as an aggregate audio device. Assing that channel in Logic and use/buss that in your headphone mix. |
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| | #21 |
| Gear Head | talkback In my template, I have 1 audio track that contains a 200Hz sine wave. It's just a short bit looped out to 10 minutes or so. It feeds a bus send, not the main mix. (I picked the low sine wave over smpte because it really sucks when you blast it into the singer's ear accidentally) There's also an aux input track. A old mic on my desk feeds a digi002 input, which heads into the aux track. Next, it hits a compressor key'd from the sine wave. The aux track heads out one of the latter digi002 outputs directly into a knob on the furman headphone station. Instant, cheap, and beautifully simple.. And, my clients love it.. |
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| | #22 |
| Lives for gear Join Date: Oct 2007 Location: Nashville, TN
Posts: 505
| this is what I use. BRILLIANT!!!! It works really well. The built in mic works great. Anyone with cans on can hear anyone talking in the control room. simple. easy. two birds with one stone.Matrix Y - CME Product ![]() |
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| | #23 |
| Gear nut Join Date: Feb 2006
Posts: 117
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| | #24 |
| Gear Head | thanks Steve-O I switched from the sine wave template thing over to the massey talkback plug. works perfectly. |
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| | #25 |
| Lives for gear Join Date: Oct 2002 Location: Suffern, NY
Posts: 509
| This old dog isn't opposed to learning some new tricks, but I don't understand the Massey plugin. Evidently, it mutes the TB mic when the transport is running. Why the heck would you want that? There are MANY times when I purposely want the mic still open - to count-off a punch-in, to shout encouragement during a vocal space, to cue or direct a narrator during a V-O session. If I need the TB off, it's not exactly hard to flick the switch. If I need it to be a momentary on, I use the momentary button. Am I missing something? |
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| | #26 |
| Gear interested Join Date: Jul 2006 Location: Nashville
Posts: 6
| The Massey plug in is handy to have a talkback mic for the talent to communicate with each other. Instead of the players having to step on a footswitch, when "tape" is stopped, they can communicate, when recording or playback it's muted, so the talkback mic from talent doesn't interfere. Mark SweetbriarRecording.com ThompsonMusicRental.com |
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| | #27 | |
| Lives for gear Join Date: Feb 2010 Location: NYC/LA
Posts: 1,425
| Quote:
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