![]() | All Advertisers |
| Member Services Directory | Classifieds | Reviews | Jobs | Deal Zone | Merchandise | Marketplace | Facebook App | Books, DVDs & Gadgets | Video Vault | Tips & Techniques |
| |||||||
New Reply | Thread Tools | Search this Thread |
| | #1 |
| Lives for gear |
hello , when i mix in cubase, the clock is important ? or in the mix, the clock doesnt matter ? |
| | |
| | #2 |
| Lives for gear |
In my experience Clocking is critical. My understanding is that it is only relevant to A/D and D/A conversion but maybe it helps when mixing in the box. The point is you are always going to have conversion even if it's just for monitoring. So the quality of your clock will affect the quality of your mix. If you mix using multi outs of your DAW (ie 16 or 24 ch outs thru a console) then clocking is critical. But even if you mix ITB (in the box) then the way you hear your sounds will effect the way you mix. Bad clocking intoduces high amounts of jitter - this seems to come out as harshness and mushy low-end. My advice - buy the best clock you can afford. There is a good low-cost one made in the US which I use and love. Black Lion Audio Microclock
__________________ ![]() Woodhead Studios WTB : pair (2) of DOA (not working) Neumann KM84 in any cosmetic condition SSL Mix Box Analog Summing - $50 per song - convert your ITB 'digital' Mix to an SSL summed 'analog' mix. Provide me with multiple stereo stems and I will send you back a final 'summed' mix. The difference is amazing. For Sale TDM Plugins BeesNeez Mahalia |
| | |
| | #3 |
| Lives for gear | my question is when i mix should i use the clock from lavry or in mixdown/render/bounce dont matter the clock ? because cubase can mixdown in a non real time way |
| | |
| | #4 |
| Lives for gear |
I'm no expert - but I would say mix down in real time using the clock. I find the mix sounds better in real time instead of high speed bounce. |
| | |
| | #5 |
| Gear addict Joined: May 2005 Location: Michigan
Posts: 404
|
I have to 1,000,000 agree. The way I see it, if you are mixing digital you need to use the best clock available to you. -Gary
__________________ Cubase 5.5.3 | WaveLab Studio 6.1 | Carillon Audio Computer: XP Home SP3 Intel CPU 2.53 Ghz, 2G Ram RME Hammerfall HDSP 9652 | Apogee Big Ben | Rosetta 200 | TASCAM DA78HR for Coverters | Tranzport | 4xUAD-1 | Yamaha 01V96V2 with REV-X Reverbs | And a half a mile of cable |
| | |
New Reply
Facebook
Twitter
LinkedIn
| Thread Tools | Search this Thread |
| Similar Threads | ||||
| Thread | Thread starter | Forum | Replies | Last Post |
| Atomic Sync Master Clock | Mr. Man | High end | 6 | 9th March 2009 08:40 AM |
| sync to blackburst vs sync to word clock | numrologst | Remote Possibilities in Acoustic Music & Location Recording | 33 | 3rd February 2007 12:05 AM |
| Word Clock distribution and sync | Gerax | Remote Possibilities in Acoustic Music & Location Recording | 6 | 9th December 2006 07:34 PM |
| Digidesign Sync I/O Clock ? | jwh1192 | High end | 5 | 7th August 2006 05:10 AM |
| Fireface Clock Sync Question... | Matthew Murray | So much gear, so little time! | 0 | 12th May 2006 04:17 PM |
| |