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| | #1 |
| Gear nut Joined: Apr 2005
Posts: 79
Thread Starter | Elastic Audio absolutely rocks!!
Best new Pro tools feature in a long time - fantastic work Digi
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| | #2 |
| Lives for gear Joined: Jun 2004 Location: London
Posts: 5,450
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I'm a bit underwhelmed actually. There is still no easy way to loop regions- you have to use ''duplicate' which is clunky and slow compared to how logic manages it. The algorithms are pretty good- but I had an error trying to use Speed as the elastic algorithm.
__________________ Regards, Jim Richmond "I don't go to mythical places with strange men." Douglas Adams |
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| | #3 |
| Lives for gear Joined: Jun 2004 Location: London
Posts: 5,450
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| | #4 |
| Frequency Wrangler Joined: Mar 2003
Posts: 471
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I just edited a song that took me 2 hours last night in beat detective, and was done in 3 minutes. I'm still shitting my pants. |
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| | #5 |
| Frequency Wrangler Joined: Mar 2003
Posts: 471
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| | #6 |
| Lives for gear Joined: Oct 2006 Location: Los Angeles, CA.
Posts: 3,728
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Jim, one of the cool things about Pro Tools is there is about 3 ways to do everything. You can Command + D You can right click on a region and have an exact number of duplicates. Or you can use the use the duplicate command to get an exact number of duplicates.
__________________ Hybrid mixing is the present for some and the future for us all! http://petesplaceaudio.com/ Mark VIII/BAC-500/Electrodyne 501 Mic Pre/511 EQ/Blast Pad |
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| | #7 | |
| Lives for gear Joined: Nov 2002 Location: Hollywood
Posts: 3,632
| Quote:
You can also hi-light a region and hold Option+Click/Drag. And what's more, I use all four of these methods for a variety of applications. | |
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| | #8 | |
| Lives for gear Joined: Aug 2006 Location: Los Angeles, CA
Posts: 1,759
| Quote:
Option-Command-L (Mac) or Alt-Ctrl-L (Windows) Rail
__________________ Platinum Samples www.platinumsamples.com Platinum Samples on Facebook =========================== | |
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| | #9 |
| Lives for gear Joined: May 2002 Location: Ans (Liege) Belgium
Posts: 3,286
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LOL ... let's rename the thread 'How do I loop a region in PT'. anyhow ... yeah ... ELASTIC TIME does kick rear ends. Yesterday I was playing around with varispeed .... you know ... old school tricks like slowing down the 'tape' to sing a few high notes and then speed it up to tempo on playback. With 7.4 everyone can be Mika.
__________________ Chris Lambrechts |
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| | #10 | |
| Lives for gear Joined: Mar 2007 Location: Sweden
Posts: 2,794
| Quote:
Repeat (cmnd+r I believe). Duplicate like you mentioned. The loop tool. Works for me, but hey, everyones workflow is different ![]() I've been trying to find something to rack down on elastic audio for a couple of hours, but the damned thing just plain WORKS! | |
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| | #11 |
| Lives for gear Joined: Nov 2002 Location: Hollywood
Posts: 3,632
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Elastic Audio has completely changed my workflow within ProTools. I am totally in love with this thing!!! |
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| | #12 |
| Lives for gear Joined: Apr 2006
Posts: 759
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Just watched the video. Man, how it is possible to stretch just 1 beat into 2 bars without artifacts? This is incredible...I'm going to upgrade now... |
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| | #13 |
| Lives for gear | DID IT JUS FOR FUN!!!!!
Hey slutz I did a track for the heck of it & ran it thru Elastic time just to have a li' fun with it ...did it (EA) in a matter of 5min. but it turned out pretty kool....It's the 1ST track on my Myspace...JUS SO U'LL KNOW I am versatile & just as I stated did that for fun, PLEASE also listen or glance @ the rest of my music on there....
__________________ LAUTEN MICS & ME MYSPACE ON'EIM KEYBEEETSSS...."u HeaR dAt"...... "IS TAMARA HOME?" |
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| | #14 |
| Lives for gear Joined: May 2007 Location: London
Posts: 2,417
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i posted this in another thread but may help someone here i did EA on an entire drum track and my findings were as below rendered with X-FORM. real-time or rendered with rhythmic or polyphonic i got extra hits or some hits were a bit earlier or later but X-FORM appeared to be very accurate my process was to analyse the transients individually for the snare, kick, toms and then group the drums and go over the entire drum track and manually warp the transients to the grid, listening to each edit. sometimes i had to just shift a tom or snare forward or back ungrouped and this worked well i noticed that the kick drum sounded seriously smeared so after i EA'd the entire drum track, i tabbed to transient for each kick drum and replaced them with the best of the non-elastic audio original kick this made the track sound alot more natural with a lot of depth i was able to do all this in about 8 hours but then it was perfect and i am a real perfectionist with this kind of thing NOTE: i noticed that EA worked better with less warp markers and i got unexpected results otherwise. e.g. i prefer to leave the transient untouched and just warp the sustain part but when i did this i got weird artifacts. EA worked best when the entire transient with sustain was stretched - i think the algorithm expects a transient at a warp marker |
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| | #15 |
| Lives for gear Joined: Jan 2003 Location: Brooklyn, NY
Posts: 1,602
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While I love my recent switch from PT to Logic, I can't believe the latter still doesn't have such real-time stretching features like Ableton Live/PT...
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