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| | #1 |
| Lives for gear Joined: Aug 2002 Location: Florida, & Virginia - U.S.A.
Posts: 689
Thread Starter |
What Can You Do In Logic Pro 8 That You Can't Do In Pro Tools, & Visa-Versa? Rob G.. ![]() ![]() ![]() ![]() |
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| | #2 |
| Lives for gear Joined: Sep 2004 Location: Washington, DC
Posts: 7,209
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There probably aren't a whole lot of things you can't do with either. There are probably things that are easier to do with one vs. the other. In 2007, nothing is impossible. No matter what tools you are using. (Why this fact hasn't yielded better music is the paradox of our age.... and also beyond the scope of this thread.) -- c |
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| | #3 |
| Lives for gear Joined: Jan 2006 Location: El Pueblo de Nuestra Senora La Reina de Los Angeles de Porciuncula
Posts: 3,622
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cant import session data in logic. logic does lots of midi stuff pro tools cant. but with all fairness the stuff u cant do in PT is very deep midi stuff u problably wont use. cant do customizable keycomands in PT but can in logic (thats a pro and con at the same time!) |
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| | #4 | |
| Gear interested Joined: Sep 2007
Posts: 19
| Quote:
Quick Swipe Comping Interleved Stereo file playback Advanced MIDI editing Apple Loops (or any kind of time-stretched, key-matched, loop composition) Over 100 instruments and effects plug-ins Support for Audio Units Works with any I/O (more i/o options when using Logic) No artificial limits on track count Multi-mono surround plug-in support (not 100% sure of this, but..) Channel Strip Settings (instantly recall plug-ins, settings for a channel strip) Studio Sound Library (18,000+ loops, 1300 sampled instruments, thousands of channel strip settings) MainStage live performance application WaveBurner (or any redbook CD Mastering app) Dolby Digital Decoding and Encoding (surround feature is over $1000 to add to PT) Score (notation) viewing, editing and printing No hardware copy protection distributed audio processing freeze tracks single view mixer view dual channel strips (or even 1 channel strip) 32bit audio engine (vs 24bit fixed) the list seems to be getting long.. as I'm not as tuned into ProTool's feature set, someone might call bullshit on a couple of these, but the list just goes on and on.. This new automatic creation of auxes and batch channel strip creation with input monitoring and record enable seems like a unique Logic workflow. Anyhow, Logic Studio is $499 | |
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| | #5 |
| Lives for gear Joined: Aug 2005 Location: Austin, TX
Posts: 1,935
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Batch fades in Logic allow you to set a different value for fade-ins and fade-outs. Batch fades in Pro Tools forces you to use the same value for both fade-ins and fade-outs. That's a show stopper for me since I strip silence ll of my drum tracks and give then very short fade-ins and relatively long fade-outs. Impossible in Pro Tools without doing each hit one at a time. |
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| | #6 |
| Lives for gear Joined: Aug 2005 Location: Austin, TX
Posts: 1,935
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In Pro Tools you can press one button and the SPL will skip from one transient to the next. Still not happening in Logic. |
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| | #7 |
| Gear addict Joined: Apr 2006
Posts: 360
| Yes you can. You can go to the next and the previous transient on both the front and back end of a selected piece of audio. just saw it tonight at the Apogee party in LA.
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| | #8 |
| Lives for gear Joined: Nov 2002
Posts: 2,084
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| | #9 |
| Lives for gear Joined: Mar 2006 Location: Los Angeles
Posts: 2,781
| If you hold down the marquee tool over the region it becomes a solid white line. You can then use the arrow keys to jump forwards and backwards between transients. Hold down the shift key when using the forward arrow key to keep from selecting the area between transients.
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| | #10 |
| Lives for gear | That's the main problem. Since I started working in Pro Tools, I became incredibly quick in recording/editing/comping and routing audio in PT. Mainly thanks to key commands. And wherever I go, if the studio is equipped with PT, I can start using "my" key commands straight away. Set of keys ';lp is brilliant, and I am still not sure if Logic's Marquee Tool is as good as Selector Tool in Pro Tools. And there is no Tab-To-Transient, because Snap-To-Transient does not have the same functionality.
__________________ http://www.milaszewski.com/ |
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| | #11 |
| Lives for gear Joined: Mar 2006
Posts: 1,776
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| | #12 |
| Lives for gear Joined: Dec 2005 Location: Toronto, Canada
Posts: 1,661
| In my opinion, that IS one of the big reasons that the quality of music has gone downhill. We used to have limits. Limits feed creativity. Now most of the industry gets so caught up with all of the complex bells and whistles that we forget to just *capture*.
__________________ -Matthew |
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| | #13 | |
| Lives for gear Joined: Mar 2004 Location: PDX
Posts: 539
| Quote:
Import Session Data is a huge one for me in PT. So much so that I despise using LE with DV Toolkit 2 to have th efull feature set operating.However, in Logic, it is a different approach. You can have multiple songs open, and simply copy and paste between songs. You also have channel strip presets, projects prefs, etc. PT actually falls short in comparison in certain ways; for instance, you cannot import user prefs via IMport Session Data, nor thru any other utility within PT, but you can do this in Logic. Logic requires a bit of adjustment, and can seem "bulky" at times to accomplish the same task(s) IMO. But, it can do it. The trade-off is that you can import more things. As a composer, one might think I want or feel I need these "deep MIDI" features. In fact, much like other features, there are few I need or would like to have. PT falls glaringly short in many areas here. Want to work on a CC and be able to move notes without having to flip between views? Oh, sorry, cannot. Cubase (and Reaper?) are great for this, and exceed Logic IMO. Logic has a single CC lane, hyper draw. Cubase allows as manty as you want, and Reaper on XP? Maybe? PT allows a choice: notes, or a single CC. Period. If/when they add a dedicated MIDI editor window (if they dont, they will lose customers I htink; time has come!) Also cool in Logic, and I believe Sonar (with a 3rd party plug-in) is th eonly other capable fo this: highlight a MIDI region, and then...tada! Export that region as a .mid file. So what? Well, some of us come up with little bits, say a nice drum roll, fill etc that we might want to have available in ANY MIDI app. Being able to do this in Logic is very sweet. Oh- yeah, I guess this is a bit deeper, and not one of those essentials. But, even so, PT walks a very fine line of what many composers want/need in MIDI basics. Advanced, deeper MIDI capabilities are nice, but not in the "required feature" list for many of us. Shortcuts: Once again, Cubase. And Reaper on XP. Like having user assignable key command sets, as Logic has and PT does not, but also like having Quickeys built-in! Doing tedious batch work? I have had MIDI drum work that required certain tasks to be repeated over and over and over... Quickeys can make life MUCH easier. But, having it built into the app like Cubase and Reaper? I have this bad feeling I will find that short list of features I really, really want spread across all the major DAWs, but never all in one. I hope, but do not place any confidence in it happening in my lifetime...
__________________ nikki k | |
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| | #14 | |
| Lives for gear | Quote:
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| | #15 |
| Gear addict Joined: Aug 2007 Location: New York
Posts: 390
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Logic sends has no panning, direct mute and solo on the track you assign it to. THATS SUCKS. Correct me if I'm wrong. |
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| | #16 |
| Lives for gear Joined: Aug 2002 Location: Florida, & Virginia - U.S.A.
Posts: 689
Thread Starter |
Interesting so far. Rob G.. ![]() ![]() ![]() ![]() |
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| | #17 |
| Lives for gear |
I thought Beat Detective was really PT's greatest unique selling point these days. Can Logic really match it?
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| | #18 |
| Lives for gear Joined: Sep 2005
Posts: 4,002
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ProTools has region grouping.... I belive that Logic does not....
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| | #19 | |
| Lives for gear Joined: Mar 2004 Location: PDX
Posts: 539
| Quote:
I actually prefer this, as it is a little mroe flexable. You select your regions and pack them. Now you have a Folder track, and if you open a second arrange window, link it, and then select the folde ron the first arrange, the seond will show the contents of the Folder. Basically, the contents of that folder will be the tracks the regions were on, and the regions selected and packed. A bit to explain fully in small space. It is a great example of how Logic was written with an "Object Oriented" mindset. It also allows you the flexability to pack a verse; a chorus; etc. Or, pack drums; horn section; vocals + backings. Or, pack drums->verse, drums->chorus, then pack those within a full->verse, full->chorus, etc. Even further, you could then pack those into one big "song" folder. Why? Try different versions of your song. Simply have the alternate folders of the song at the top level, and mute all but one. Song plays. Mute it, unmute next, compare. Or, save and then have alternate versions sitting there whenever you want. Like many things, and with L8 even more so, Logic can be very superficial with a feature, or very deep. PT does have a leg up in how it treats region groups in the region bin. Logic does not have an equiv I know of. | |
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| | #20 |
| Gear addict Joined: Aug 2006
Posts: 485
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I can't use my Massey Plug ins in Logic. That's the only reason I haven't bought it yet. It may sound like a stupid reason, but I assure you it's not.
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| | #21 |
| Lives for gear Joined: Aug 2002 Location: Florida, & Virginia - U.S.A.
Posts: 689
Thread Starter |
Blindside, Why? Because Massey plugins are only TDM, or RTAS? Are you working with Pro Tools|HD, or LE interfaces. If LE then I can see why you're stuck. If PTHD then things should work as long as you're not running an Intel processor Mac. More details? Rob G.. ![]() ![]() ![]() ![]() |
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| | #22 |
| Gear interested Joined: Nov 2006
Posts: 25
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Logic 8 hasn't arrived yet, so please make corrections in the folowing is incorrect, but: Logic can't use RTAS plugins. Because logic can't use RTAS plugins, in TDM mode most VI's (except virus and 1 or 2 available TDM VI's)will have to come through the ESB- which will only allow 8 seperate streams of VI's to then be routed to TDM plugins. This is rather limiting in a large VI session as, among otherthings and the combersomeness of a dictated submix structure, TDMs plugs would only be available on audio tracks and 8 Vi streams. With multitrack drums, orchestra etc. on VI's it would be limited as to how many Masey, MDW, and certain other Soundtoys and other TDM only plugins could be used. Also, does anybody know how using the ESB bridge in TDM mode affects the audio? 1 degradation by being summed twice (float and then 48bit fixed in the TDM mixer = worst of both worlds?) 2. Latency through the ESB bridge vs routed straight to TDM mixer. 3. Does the EXS24 sampler have 24 additional streams that can be routed individualy to TDM plugins, independent of the ESB bridge? (this conceivably could be used for much of the VI load) Apoligies for any lack of understanding in the above. Thanks |
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| | #23 |
| Gear interested Joined: Nov 2006
Posts: 25
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Oh, and does Logic allow 1 click insertion of a hardware insert like PT? With PT HD one could have a 48+ track tracking session monitoring with TDM plugins on every track, seperate reverbs and delays for each of 5 or more different headphone mixes, and have little more than just A/d D/a conversion latency. One won't have to hesitate adding TDM plugins out of concern they might bog the computer down (presuming lots of HD cards). |
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| | #24 |
| Lives for gear Joined: Dec 2006 Location: GERMANY:FRANKFURT-WIESBADEN
Posts: 1,475
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rob g there are 2 ways he used a unofficial version of fxpansion wrapper conversion of tdm too au or too much party e
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| | #25 |
| Lives for gear Joined: Oct 2003 Location: Belgica
Posts: 1,756
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You can't use the fantastic ilok system with logic.. |
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| | #26 |
| Lives for gear Joined: May 2007 Location: London
Posts: 2,417
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| | #27 |
| Lives for gear Joined: Oct 2003 Location: Belgica
Posts: 1,756
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ah ok. I take it back then.
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| | #28 |
| Lives for gear Joined: Mar 2006 Location: Los Angeles
Posts: 2,781
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When importng an OMF all stereo files come in on separate adjacent mono tracks. In post the first thing you have to do when track managing is drag each of these stereo pairs on to a stereo track (FX tracks, Music tracks, etc.). In Pro Tools one simply grabs the stereo pair and drags them from the mono tracks on to a stereo track. This does not seem to be possible in Logic (or Soundtrack Pro!). Imagine importing an OMF with hundreds of audio regions that need to be managed and you'll understand why this is so important. This is a major deal breaker for post work as having the ability to quickly track manage a session for edit and mix is vital to meeting deadlines. (If Logic has this ability and I am just not aware of it PLEASE let me know!) |
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| | #29 |
| Lives for gear Joined: Jul 2002 Location: Paris
Posts: 992
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In PT you can : Create playlist if you want it (ie not at every take ) you can duplicate them . You can increment inputs or outputs ( not at the creation of the track ) you can do a lot of functions with shift-alt (apply to selected). How do you swipe comp a drum kit ? When in quick punch PT records as soon as you hit play and until you stop (very handy to modify dropins or keep that take you were not supposed to keep) . Beat detective of course Logic has the best forkflow for midi but PT is still ahead in multitrack recording and editing . We can use both and that's great . I think most PT HD owners have or will have Logic studio . |
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| | #30 |
| Lives for gear Joined: Aug 2002 Location: Florida, & Virginia - U.S.A.
Posts: 689
Thread Starter |
Correct me if I'm wrong. But, there are still some 'high-end' plugins from manufacturers that are available in Pro Tools|HD TDM format that are not available for Logic Pro 8: GML-MDW EQ Eventide-The Whole Anthology II Bundle Drawmer-Dynamics Sound Toys(previously Wave Mechanics)-Soundblender , and etc.. Rob G.. ![]() ![]() ![]() ![]() |
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