![]() | All Advertisers |
| |||||||
Similar Threads | ||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Mac Book Pro with Firewire HD + Audio Interface? | vinco | Music computers | 20 | 12th September 2007 05:38 PM |
| APOGEE ANNOUNCES NEW MAC OS X FIREWIRE AUDIO DRIVER VERSION FOR ENSEMBLE | Max | New product alert! | 36 | 20th April 2007 02:56 AM |
![]() |
| | Thread Tools | Search this Thread | Rating: | Display Modes |
| | #121 |
| Lives for gear | I like the idea of the cables, bet it wouldn't be as portable otherwise... That is a big deal to me, I even think the Mbox is to big at times.
__________________ Daily news & reviews ProToolerBlog.com | German Edition Album & demo reviews RecordRocker.com |
| | |
| | #123 |
| Gear nut | Well, it doesn't.
__________________ Kind regards Fredrik Svensson MI7 HQ Malmoe, Sweden http://www.mi7.com |
| | |
| | #124 |
| Gear nut | By Max: "Finally the Duet breakout cable is covered under Apogee's warranty. As long as you refrain from using it as a cat o' nine tails to punish your fellow musicians for missing their cue, forgetting the lyrics, or putting yellow mustard on your pastrami sandwich, We dont forsee any problems." What if I LIKE yellow mustard on pastrami? ![]() Now mayonnaise on hamburgers....that's disgusting. ![]() I think this is a great portable device. Of course, most of us wish it had balanced line in/out, a/c power, s/pdif, AES and word clock...and aren't those mostly the specs for the Rosetta 200 or the Ensemble? |
| | |
| | #126 |
| Gear interested | I'm tipping the retailers will tack a huge markup on these here in Australia! (Like they usually do....) I might be better getting one sent over straight from the states, that way I'll only pay postage and exchange rate. (After I wait to see if anyone has bugs and issues of course...lol) |
| | |
| | #127 | ||
| Lives for gear | Quote:
It is safe to say that Digidesign is not concerned with supporting other audio interfaces, and Apogee is not concerned with Pro Tools users buying this product. Quote:
I don't know that Duet competes in the same market as Mbox at all. Mbox is not an option for those who expect top sonic quality (in a single device), and Duet is not an option for those who want (effortless) compatibility with pro studios. It will be nice if Apogee can replace their Mini line with a stand-alone box that incorporates the Duet/Ensemble preamp and converter technology. This would serve not only Digidesign customers, but also non-computer-based applications. And even for CoreAudio users, if you have multiple converters in the system, it's still simpler/better to use a single interface/driver than to use aggregated interface. I'd pay an extra $100 for the option to strap this thing onto a ULN-2, or Mbox, or Digi001/2/3, or Firebox ... it would still be a great deal at that price. JSL | ||
| | |
| | #128 | |
| Lives for gear | Quote:
So the upshot is that the cool/sleek element is really just for the magazine ads, because unlike, say, an iMac, it isn't going to be particularly cool or sleek or ergonomic on anybody's desk. (For comparisons, consider the almost absurdly huge and boxy Mbox series on the one hand -- I've had apartments smaller than the Mbox 2 Pro -- or the Presonus Firestudio remote system on the other. On the whole, the Duet isn't doing too badly.) This doesn't reflect badly on the quality of the product, at least not to me, it's just kind of amusing. Totally agree on the stress relief part. As for the warranty coverage, that's only a comfort to me if Apogee is promising an aggressive advance-replacement policy on the breakout cable. Otherwise, as the earlier question suggested, first problem you have with any connector, your whole system is kaput. I will add that in the past, my experience with Apogee support has always been very good to excellent. JSL | |
| | |
| | #129 |
| Lives for gear | Agreed. But my guess is that the objective was to bring high quality conversion at a low price by leaving out the options you mentioned. Core audio is what is used on the mac except by Digi after all. |
| | |
| | #130 | |
| Lives for gear | Quote:
Man, totally have to disagree. The thing is SMALL, and thin. That means it fits basically anywhere. For traveling, the size is such a great thing. A breakout cable doesn't add much bulk to the traveling size, and I believe the tradeoff of how it looks on your desk is more than worth it. Not to mention, how much it brings the price down. I think it looks awesome. | |
| | |
| | #131 | |
| Lives for gear | Quote:
The breakout cable is a big selling point for me. | |
| | |
| | #132 | |
| Lives for gear | Quote:
Obviously the duet is the next addition in what will presumeably be an expanding line born of the Apogee/Apple partnership. I'm sure the exclusion of Digi compatibility is a deliberate move on the part of Apple. Digi knows what's coming which is why they have mentioned a new version of LE that will bypass the hardware 'dongle' all together. | |
| | |
| | #133 |
| Gear maniac | I ordered mine from Mercenary today. Adam was very helpful and even called Apogee for me to get a couple of questions answered. I also ordered the carry bag that goes with it. Will report how it compares to the RME Fireface quality when I get it. It is supposed to ship to me the last week in this month. Scott |
| | |
| | #134 |
| Gear addict | i also like the breakout cable - no issues.... max is 'kind of' ignoring my soft limit question... so as the speculative one in the group ;) what if.... logic 8 lets you run plugs in line before it is tracked :) - just a guess - imagine the possibilities - pending the speed of your computer etc.... what do you think? plausible? -mike
__________________ Itunes Link - Michael Droste Stop By: TrumpetStudio.com or MusicRowSongs.com or SaveThePlanetSong.org |
| | |
| | #135 |
| Gear addict | I have been recording bands (mainly rock bands) for 10 years. 9 years in Logic and last year in Pro Tools. And I realize that there is no possibility of Logic being a replacement for Pro Tools. I wish it was... |
| | |
| | #136 | ||||
| Lives for gear | Quote:
Quote:
Quote:
Quote:
| ||||
| | |
| | #137 |
| Gear addict | Can you point me to this information please.
__________________ Respectfully, Robb |
| | |
| | #138 |
| Lives for gear | They are excluding them selves from this perticular product being used with their app. So will this thing. |
| | |
| | #139 |
| Lives for gear | You mean recording plugin effects to disk? You can already do that. Just make an input object in the environment and insert the plugs you want on that input object channel. Last, set the output of the input object to the audio track you wish to record to. :) |
| | |
| | #140 |
| Gear nut | Unbalanced + Bus power sounds noisy ? MBP already have Digital I/O, used with the Duet under an aggregate set-up gives you good I/O options. However, I need to know what are the technical trade offs of using core-audio under aggregate setups? added latency? less stable? added noise? Duet is designed to be used in the wild? Single-ended interfaces have added noise and distortion introduced directly into the signal path. I have often had problems with, RFI EMI Ground-Loop with FW Devices on portables. I gotta wonder??? |
| | |
| | #141 |
| Lives for gear | |
| | |
| | #142 |
| Gear addict | Say I am using seperate converters for monitoring, configured in an aggregate device with the Duet. Are the outputs from the Duet capable of running a stereo buss into a hardware compressor? Will the output level be strong enough for this application? |
| | |
| | #143 | |
| Lives for gear | Quote:
![]() | |
| | |
| | #144 |
| Gear nut | my setup with Duet is figured out as follows: Cubase multi outs (Daw output) go to Dangerous 2busLT. Dangerous 2busLT L-R mains go to Duet XLR inputs. Duet goes back to computer via FW. I monitor through Duet outputs. in this case there's no need for digital I/O, since I go back to the box. The only question is if Duet's quality is worth as it seems.
__________________ www.myspace.com/sigmatibet |
| | |
| | #145 | |
| Gear maniac | Quote:
Also I don't want the headphone output to use the same D/A as the main out. Yes I do want a good heaphone out, but I wouldn't mix on my headphones either. I'm sure 90% of the people wont. So for 100 or 200 dollars give us a "Live" version where we can have 4 outs. ![]() | |
| | |
| | #146 |
| Lives for gear | then get an inline heaphone amplifer to boost the mac output. What you want is understandable, but there are many solutions to your wishes. I would say before they fitted a second DA chip, they would fit Digital I/O anyway and that would suit many more people. But then it wouldn't cost what it does.... |
| | |
| | #147 | |
| Gear maniac | Quote:
I don't want add an inline headphone amplifier, as this adds more things to get, not making it an ideal solution. I want an all in one solution. Adding a cheaper d/a output for heaphones is not something far fetched. Besides this is strongly needed for people doing voice overs or overdubs without needing an external console. If this is the ultimate road warrior as apogee is saying than a seperate headphone out is needed, not just for a live situation, but most importantly from a recording perspective. I travel a whole lot and to be able to record in the hotels will be amazing with this quality. A headphone out would make it that I don't need anything else when creating a cue out for the vocalist. As to your solutions, have you used aggregated devices successfully? If you have, please specify exactly which interfaces with what software, cause for me it hasn't worked under real world situations. | |
| | |