![]() | All Advertisers |
| Member Services Directory | Classifieds | Reviews | Jobs | Deal Zone | Merchandise | Marketplace | Facebook App | Books, DVDs & Gadgets | Video Vault | Tips & Techniques |
| |||||||
New Reply | Thread Tools | Search this Thread |
| | #31 | |
| Lives for gear | Quote:
1/ I have albums on Soundcloud - they are called 'sets' - artwork and details can be included along with a load of release options. 2/ Personally I find the wave graphic useful for many reasons..also it looks distinctive when embedding. 3/ If the audio quality is superior then please post links to two audio files which demonstrate this (Gearslutz after all); no-one has taken this challenge yet. 4/ I think it's possible to find plenty of interesting unsigned artists on both Soundcloud and Bandcamp...and other sites too. 5/ I think Soundcloud is a trusted brand and it's player is synonymous with a standard of quality. Personally I like my music to be associated with it. Apologies for any contention
__________________ http://soundcloud.com/arthurstone/fl...d-arthur-stone | |
| | |
| | #32 | |
| Lives for gear Joined: Dec 2009 Location: London, UK
Posts: 5,633
| Quote:
While I fully accept this point, and get that you'd ideally want people to sit through your entire track & appreciate it fully.... I think this is quite a personal preference & the majority of people are not going to have the patience to sit through a minute long beat intro from an artist they've never heard before. I personally find that waveform graphic incredibly useful. | |
| | |
| | #33 |
| Lives for gear Joined: Feb 2011
Posts: 639
|
both sites (bandcamp and soundcloud) are dominated with independent / unsigned artists. Its simple social statistics.... 1 - There are more people as musicians than ever before, hence a higher music output rate. 2 - piracy has reduced the "risk taking" factor associated with the labels of old. As a result, if you dont fit the "current" selling sound, you dont get signed. Talent rarely had anything to do with it. 3 - do people still want or even need label support anymore? Seems to me that the decent ones that are left are more publishers nowadays than anything else, who will still take a grossly disproportionate chunk of the musicians earnings for basically doing c*** all! On another note, do bandcamp sales count towards chart tracking statistics? Seeing as how important radio play is these days, would sales from iTunes indirectly do more for the artist than bandcamp would, if bandcamp sales were not chart tracked? Sent from my GT-I9000 using Gearslutz.com |
| | |
| | #34 | ||
| Lives for gear | Quote:
Quote:
- delete the old file - upload the new file with the same name (URL remains thus the same) I like Soundcloud anyway, I like it a lot. I also like Bandcamp. I use both for different purposes. Both have their place. I tried Reverb Nation and it's like Myspace at their spammiest, overblown peak. Youtube and Vimeo are handy, but I'd like to eventually try and actually upload music videos instead of just a static picture playing music. The OP, as aimless as he may sometimes sound, would really be better off just paying for the Pro account and concentrating on his output. | ||
| | |
| | #35 | |
| Lives for gear Joined: Dec 2009 Location: London, UK
Posts: 5,633
| Quote:
Also, I'd go as far as to say that those charts are equally irrelevant to that market. | |
| | |
| | #36 | ||
| Lives for gear Joined: Dec 2009 Location: London, UK
Posts: 5,633
| Quote:
Quote:
Either way, you lose all of the plays/comments/likes & will disappear from peoples' personal playlist of tracks on which they've hit like so they can easily find them later (this is the main reason I will 'like' a track- rather than an effort to publicly demonstrate my approval). | ||
| | |
| | #37 |
| Gear interested Joined: Jan 2012
Posts: 18
|
I have a soundcloud account. I find being able to see where everyone that listens to my mixes handy. As for posting original material it isn't great as your material tends to get lost. As for community, that can be debated. I get a ton of folks that follow me, post a track and then unfollow me. To me that is a pain and borderline rude. If the people that follow me have tracks I listen to them and comment. Sometimes I actually DL or purchase them to spin in sets. I would never pay for the highest package. It just doesn't seem worth it to me. Bandcamp would be attractive to me if I had tracks worth selling. As it is I'm just starting out and don't feel like flooding the scene with more chaff ;-) Sent from my ADR6300 using Gearslutz.com |
| | |
| | #38 | |||||||
| Lives for gear |
Hi Arthur (best King ever, by the way). I too respect your opinion and how you encourage many members here and on Soundcloud (insert smiley of humbly-nodding japanese head here). Quote:
Quote:
![]() But I do also enjoy the Bandcamp way, as it somehow brings me back to a simpler time when we listened to music on tapes and CD's when we discovered songs differently. I also get the impression that people who upload to Bandcamp are uploading their labour of love, whereas on Soundcloud it's often a lot of demos, clips and temporary stuff. Quote:
(although my own files probably aren't very suitable to the task as I don't post-process them, nor are they anything related to finished EDM productions, and nor do I have many audio examples where both files are on my Soundcloud and Bandcamp simultaneously - so we'll just have to make do with these 2 examples for now) RS7000 earthy drone piece: http://soundcloud.com/dhollmusik/rs7000-nathrak Bandcamp - Nathrak To my ears the Bandcamp sounds more rounded, warmer, deeper...with a fuller low-end and more dynamic range. The file I used to upload to both platforms is exactly the same 320kbps MP3 file (having lost the original WAV some time ago, I had to convert the MP3 to WAV so Bandcamp would accept it) And for the 2nd example I uploaded the original WAV to both platforms, but the same difference in quality is evident (especially from 1:50 where the lower end kicks in, and from 4:45 where the dynamic range is more audible): Roland D-50 single-partial, single-tone drone: Bandcamp - d50ne http://soundcloud.com/elseedier/d50ne What do you think? Are my ears being subjective or do you hear it too? Quote:
Quote:
But the OP was basically asking which free upload sites let him have unlimited downloads, hence the Bandcamp discussion. Only if an artist wants to sell their files do Bandcamp start asking for money, and that's a very fair commission-system based only on completed sales.No apology necessary, Arthur. The only issue I had in this thread was the silly use of "99%" and "second-rate" being bandied about, which wasn't really helping anyone. Quote:
Quote:
All my Bandcamp audio is free to download. It's not attractive enough to be worth anyone's money, but I think it's worth a little listen to now and again, maybe yours is too. Plus I generally don't like to charge for music I do for fun, even if it might turn out great. I do charge for planned project work, but that's different. | |||||||
| | |
| | #39 |
| Moderator |
moving this to the appropriate forum |
| | |
| | #40 | |
| Lives for gear |
@dhollmusic - thanks so much for providing the samples...it's one of the things that makes GSlutz a great forum. Quote:
Then I listened through AKG K702 cans and noticed that, subjectively, the BC mp3 sounded louder. I downloaded both mp3 files (file sizes were SC @ 22748 KB/BC @ 22716 KB) and imported them into Audacity: ![]() I noticed that the waveforms were slightly different. A closer view: ![]() I then used Audacity's frequency analysis to plot the first 23 seconds of both files. These are the results (up to approx. 4500Hz): ![]() I then deleted the files and repeated the process...re-downloaded the originals and re-analysed them as a double-check. I haven't got round to your second sample yet but it's safe to say we cannot directly compare the files because they are different when downloaded. Is it possible for you to use Audacity's frequency analysis on the original source mp3 as a benchmark? From those figures we could see how Soundcloud and Bandcamp processing affects the audio. IMO Bandcamp looks a like a great site especially for 'free' but it's a different kind of site format from Soundcloud and essentially serves a different purpose. In general I think it's a bit pointless knocking Soundcloud at 9 Euros (or the 29 I paid); I could spend that on one round in the pub...easily We invest 1000's in our audio kit and hours of time so why be concerned at the minor cost (less than a good cable) of a front-end delivery and networking system that has 10 million users? IMO my music is worth that small investment.I will be thinking about Bandcamp now - it seems a good site for collating one's work for display and sale but it's no alternative to the Soundcloud experience. It's too empty although perhaps there's a forum? Be interested in your thoughts and any data on the mp3's. BTW I love the work you're doing cataloguing the synthesizers...an excellent listen! | |
| | |
| | #41 |
| Lives for gear |
It's funny how people today want everything for free. They don't want to pay anybody for their products including other musicians. It's like once it's up on the web it should be free.
|
| | |
| | #42 | |
| Lives for gear |
Hi Arthur, nice one for replying like that. Just listening back myself I hear Nathrak has some overloud, piercing percussive sound from 5:10-6:30 (ouch!). Sorry, didn't realise before how badly mixed that was. I should have used the quieter, more ambient, version of that piece for our little test, as it's a bit easier on the ears: But yeah, funny how we come away with different sonic impressions. Quote:
I don't know anything about frequency analysis (as you can probably tell from my audio, haha!), and I don't have the Audacity software anyway. But if you or anyone else wants to compare the original WAV of d50ne and the Bandcamp and Soundcloud uploads of that same WAV then all the links are here: d50ne original WAV d50ne Bandcamp d50ne Soundcloud I guess MP3 uploads will vary considerably depending on bit-rates, so this WAV-test is probably the most accurate way to test differences. The most useful test would be to not download the BC or SC files, but to analyse how they sound when the player is playing them, then to compare that with how the original WAV file sounds when you play it in a neutral-sounding media player. A much better file for this kind of test would be a well-produced EDM clip with some vocals. If anyone wants to offer such a file in a similar way to how I've split d50ne then do join the thread (or maybe even make a new thread, as we've derailed the original intention here slightly). | |
| | |
| | #43 |
| Gear maniac Joined: Feb 2012
Posts: 215
Thread Starter |
@simonator: i was told that soundcloud got no contract with companies like ascap/biem/gema etc. so the uploading of their "protected" tunes is not allowed - even if you are the original composer. if you are not a member of the ascap etc. then you can post all of your tunes of course... hope you understand now what i tried to explain ![]() @all: does sc convert mp3s after uploading? or is the uploaded mp3 served unchanged? i dont wanna upload wavs there because the download for the users takes too long and what the hell do they want with a 50 mb wav file?!?! also another question: how get the followers informed about new tracks from their favorite artists? just on the dashboard when they log in? if so - there is always the problem when a person is not online every day... they miss perhaps a release you've posted there... same for facebook .... it gets lost in the timeline very fast :( |
| | |
| | #44 | |||
| Lives for gear | Quote:
Quote:
Quote:
| |||
| | |
| | #45 |
| Gear maniac Joined: Feb 2012
Posts: 215
Thread Starter | |
| | |
| | #46 | |
| Gear maniac Joined: Feb 2012
Posts: 215
Thread Starter |
edit: Quote:
| |
| | |
| | #47 |
| Lives for gear | |
| | |
| | #48 |
| Gear maniac Joined: Feb 2012
Posts: 215
Thread Starter | |
| | |
| | #49 | |
| Lives for gear | Quote:
"You can privately share a track to email addresses, followers, contact lists, or your following, and add a sharing note. All you have to do is go into the edit mode of the track (the little pen icon above the waveform), then make the track private and click 'Add/Remove people'. There, you'll be able to select how many users you would like to share the track with and add a sharing note. If they have email notifications turned on, they'll receive this as an email." SoundCloud | Search Results | |
| | |
| | #50 |
| Gear maniac Joined: Feb 2012
Posts: 215
Thread Starter |
aaah got it. but "private" means no other users can see the track? really strange "promo"... |
| | |
| | #51 |
| Gear maniac Joined: Aug 2011 Location: International
Posts: 182
| If I am going to take the time to listen I want to hear the real thing on a real system.
|
| | |
| | #52 |
| Lives for gear | |
| | |
New Reply
Facebook
Twitter
LinkedIn
| Thread Tools | Search this Thread |
| Similar Threads | ||||
| Thread | Thread starter | Forum | Replies | Last Post |
| Rip-Off Britain!! | Renie | The Moan Zone | 30 | 1st March 2011 01:07 PM |
| WAVES WUP is a rip-off | AB3 | The Moan Zone | 8 | 11th June 2009 07:14 PM |
| "Hey Ya!" Rip-off on car commercial & food network | AlexLakis | The Moan Zone | 4 | 17th January 2007 10:57 PM |
| Pro tools 7.2 rip-off | Pedro_vde | The Moan Zone | 11 | 11th August 2006 11:00 AM |
| WAVES new $1800 reverb rip-off | morpheus | Music computers | 16 | 7th November 2004 08:56 PM |
| |