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| | #1 |
| Lives for gear Join Date: Jan 2007 Location: Washington, D.C. area
Posts: 802
Thread Starter | NPR Story on Demise of Major Studios I heard this story on the radio today and thought I'd pass it along: Recording Studios Face Uncertain Future : NPR |
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| | #2 | |
| Lives for gear Join Date: May 2006 Location: phallicdelphia
Posts: 4,617
| LOL Quote:
it's the engineer today stupidthe gear/cost disparity has been equalized to the 90th percentile and no one can live on just being a "tracking room" that always accounted for a small % of the budget when i track i go to a 2200 sq foot 14 foot ceiling un HVAC'd "warehouse" room that has api , chandler, a design, altec..etc etc preamps and neuman, aea, beyer, akg, rca et al mikes..for rates we could never match even in 1968.. DARWIN..THE SURVIVAL OF THE FITTESTthumbsup ![]() ![]()
__________________ "The notes I handle no better than many pianists. But the pauses between the notes, ah, that is where the art resides." Artur Schnabel http://miketarsia.com http://www.myspace.com/miketarsia https://members.grammy365.com/users/mike-tarsia | |
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| | #3 | |
| Lives for gear Join Date: Oct 2008 Location: Eastern Backwoods, Finland
Posts: 1,389
| Quote:
__________________ More free stuff is about as good as it gets. Anywhere. | |
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| | #4 | |
| Lives for gear Join Date: May 2006 Location: phallicdelphia
Posts: 4,617
| Quote:
it is cool and interesting concept ..but not a solution to an issue Bottom Line..offer what people perceive they can't get anywhere else..and what they ultimately want is a recording that mirrors the vision in their head | |
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| | #5 |
| Lives for gear Join Date: Oct 2008 Location: Eastern Backwoods, Finland
Posts: 1,389
| I'm positive he is a nice guy, and really worried about the future of his trade as many of us are. The reason I asked is that I think this kind of "non-profit" model would not pass here. Obviously it's set up with the goal of generating revenue for his business. And he openly admits that. I think that kind of model is stretching the "non-profit" concept. |
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| | #6 |
| Lives for gear Join Date: Jun 2002 Location: Tallahassee
Posts: 2,418
| His productions are pretty amazing too: Weathervane Music
__________________ http://www.logcabinmusic.com - studio "... fuuck" - Yours Truly"a GOOD mic pre is good with any mic on any instrument or voice for any genre of music and into any recording device." - W. Wittman (ProSoundWeb) "Ahhh the hell with it... get 1073's and you'll be guaranteed platinum!!" - Fletcher |
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| | #7 |
| Gear addict | I read the article earlier today... I feel for the big facilities, and love working in them, but man, YOU'VE GOTTA ADAPT!!!! I went through the "pitty party" years ago, then the anger phase of kids stealing music, and then realized I'd better change my mindset and business models. I've had the best year ever. They need to think waaaayyyyy outside the box... they can survive. And I hope and pray that they will!!! We need big rooms, just as we need home studios. |
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| | #8 |
| Lives for gear | Brian is a really nice guy, he 's also a Gearslut, I've talked to him several times and bought a really nice MTA 16 channel eq from him and later on he hooked me up with a deal that was wayyyyy too good to pass up on a Crane Song Trakker. Great deals aside, I had really nice conversations with him, BTW I believe Brian is the guy who wound up with the old Sigma MCI
__________________ Lou Gimenez www.musiclabnyc.com |
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| | #9 |
| Lives for gear | Let me just say that Brian is one of the nicest people on this planet. He is an exceptional producer/engineer with a true love for both music and the arts community. There is no hidden agenda here....just a great guy trying to make a positive impact in the recording and music communities. Weathervane is a wonderful organization and has done some amazing work, that otherwise, would have gone unrecorded. I am very honored to be involved with Weathervane. I encourage everyone to, at the very least, check out the website and listen/view to some of the projects. |
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| | #10 |
| Lives for gear |
__________________ Manifold Recording / The Miraverse My blog My gearslutz Studio Construction thread and Studio Tech thread |
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| | #11 |
| Gear maniac Join Date: Mar 2009 Location: Northern California
Posts: 176
| Good article, I see the same thing happening here in the SF Bay Area. Those who want to stay alive are adapting or shutting down. I see more "specials" from the pro studios, and TONS of the semi pro project studios out there.... It will be interesting to see what happens over the next year. Those who are independently wealthy will sit on their million dollar studios without any income... the others.... time will tell. Most of them lurk and post here, so there's no better place to follow the action... |
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| | #12 | |
| Lives for gear Join Date: Jul 2005 Location: Philadelphia
Posts: 594
| Quote:
So some clarification is certainly necessary: I actually am a really nice guy. I've often worried that my success as a producer and engineer was based more on that than the quality of my work. Nonetheless, I've done my best to be my best. Weathervane Music is a non-profit organization. THat organization exists to build a community of music fans, musicians, supporters of the arts, etc., to actively support and advance what it feels is a program of great independent music and music related video productions. That's it. It has nothing to do with my studio, Miner Street Recordings, except that MST is the only studio I've been able to convince to let us do the work for FREE. Someday we hope Weathervane will have its own facilities, but that's a long long way off, if we are so fortunate. We toyed with the idea of having affiliate studios and not working out of Miner Street at all, simply to keep the two organizations clearly separate, but when we realized the extent that this would require ME flying around the country to make sure that the money we are sending to X recording studio for Y recording project ACTUALLY RESULTS in a FINISHED PRODUCT, it was obvious that we should just work out of a studio that we could rely on, that I wouldn't need to fly to, and that had a place for artists to stay at from wherever they'd come. Until we can afford a facility, we need to start somewhere.
__________________ B Brian McTear Shaking Through Weathervane Music Weathervane Music is a non-profit organization that exists to create community, opportunity and resources that advance the careers of musicians while creating a healthier independent music ecosystem. Together with NPR affiliate WXPN radio, Weathervane produces Shaking Through, a documentary video series that explores the birth of song by emerging independent artists in a high-end recording studio. | |
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| | #13 | |
| Lives for gear Join Date: Jul 2005 Location: Philadelphia
Posts: 594
| Quote:
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| | #14 | |
| Lives for gear Join Date: Jul 2005 Location: Philadelphia
Posts: 594
| Quote:
Also, again, the non-profit exists to support and advance the work of great independent artists, and to educate the public about the need to actively support the people who make the music we love. That includes the musicians, all involved artists and YES people, the producers and engineers that make this happen. So Weathervane will be equal parts production company and advocacy. If Miner Street Recordings, the recording studio where it happens, benefits in any way, it is that really really beautiful video happens there which may be a good thing, we don't know. So far, business is still not what it was a year and a half ago. Regardless, the difference between the two organizations is clear-cut and transparent, and holds up to the standards set by the IRS. The vast majority of the money from the recorded music, by the way... if there is to be any, goes to the artists. | |
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| | #15 | |
| Lives for gear Join Date: Jul 2005 Location: Philadelphia
Posts: 594
| Quote:
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| | #16 |
| Lives for gear Join Date: Jul 2005 Location: Philadelphia
Posts: 594
| Weathervane Stems Hey folks, Weathervane is still cookin' away, into our third year! I woke up the other morning and figured it'd be awesome to share the recordings everyone at GS. I posted stems, tracksheets and a couple photos ... and of course the final mix for reference... for one of our Weathervane Music / Shaking Through projects over HERE. (If anyone would be interested, I'd post raw tracks eventually too! That's a lot of work though if not, so let me know!) I'd like to post ALL 10 from last year as well. I think GSlutz could have a blast hearing and discussing the tracks, as well as remixing them and showing what they can do! |
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