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| | #1 |
| Lives for gear Join Date: Jun 2002 Location: London
Posts: 1,992
Thread Starter | Spotify: Lady Gaga gets rich... Uhm. Not Really. I know figge mentioned this in another Spotify thread but I just wanted to highlight again here... From Hypebot: Spotify Paid Lady Gaga $167 For 1M Plays Lady Gaga’s “Poker Face” was one of the most popular tracks for 5 months on Spotify; being played more than 1 million times. But according to reports this weekend, the Swedish Performing Rights Society only paid her $167. If true, it confirms other complaints from other artists like those of Swedish musican Magnus Uggla who pulled his music off Spotify declaring, "I'd prefer to be raped by Pirate Bay than played on Spotify". Many in the music industry have been quick to declare that streaming, which appears to be a substitute for illegal downloading for some, will be their savior. But serious questions remain how long rights holders and artists should wait for a reasonable pay day. R.
__________________ The Speaker Snuggy is specifically designed to compensate for the additive effect of using plugins which literally remove the blanket from your speakers. These plugins can sound good when solo'd, but when used across dozens of tracks they can leave your speakers sounding cold and insecure. (Casey / Bricasti) When I haven't any blue I use red. (Pablo Picasso) Ol' Betsey Satan - The Original Flower Shop 8 track - "She fought long and she fought hard..." |
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| | #2 | |
| Lives for gear Join Date: Aug 2009 Location: UK
Posts: 1,439
| Quote:
However, something is better than nothing, however small. And just because it's low, that doesn't make piracy better. Which is what this Magnus Uggla guy appears to be implying. Yes, the Spotify payment is rather pitiful (assuming it's true). But as a model, it's a step in the right direction. Besides, in these times of economic doom & gloom, advertising revenue is often the first to suffer. So given this is what Spotify largely depends on for it's income, then im not surprised there isn't a lot of money to go around. Hopefully they can stick in there for a couple of years or more, and we'll see if things pick up for Spotify, and the artists. But so far, it's only been a few months. So I consider it too early to write them off yet. | |
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| | #3 |
| Lives for gear | streaming doesn't pay... it was just a matter of time till the numbers caught up to the hype... Spotify is a black box for major labels when the books come clean on this it's gonna be ugly The Issue Over Major Label Spotify Stakes... — Digital Music News Behind the music: The real reason why the major labels love Spotify | Music | guardian.co.uk |
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| | #4 |
| Lives for gear Join Date: Feb 2009
Posts: 630
| ouch guess it won't be long before every label remove their catalog from spotify |
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| | #5 |
| Lives for gear | actually, not true. this is worse... 1 million plays for $167 is thievery, corporate thievery, paraded around as a "something is better than nothing" solution - to which it is not. it is unsustainable, in the same way that allowing music piracy is an unsustainable policy for the survival of the business. simple economics show that if someone can stream a song 1m times and make less than $200 dollars the model doesn't work. period. |
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| | #6 |
| Gear addict Join Date: Oct 2009
Posts: 364
| Yeah, news like that is gonna send people running. But it is early days, though I have a feeling that Spotify will colapse in the not so distant future, but I think the model is a good one - I'm sure we'll see a more practical replacement.
__________________ "I wonder sometimes if you are a social experiment from some university, and not a real person." - It doesn't matter Last edited by beanface; 23rd November 2009 at 05:23 PM.. Reason: spelin waz bad |
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| | #7 | |
| Lives for gear | Quote:
the labels can then essentially, give away the music in their catalogs, but still collect advertising revenue as a spotify co-owner... genius. | |
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| | #8 | |
| Lives for gear Join Date: Aug 2009 Location: UK
Posts: 1,439
| Quote:
Doesn't that suggest that a large proportion of the blame then lay with the greedy record companies? Spotify is merely the scapegoat for the whole deal, no? Still, I don't see how Piracy is in any way better than what Spotify is doing. | |
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| | #9 |
| Registered User Join Date: Nov 2008
Posts: 1,084
| If your an band there is only ONE way to make money. Play Live shows.... Downloading has killed it for bands |
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| | #10 | |
| Lives for gear Join Date: Apr 2007 Location: Santa Cruz
Posts: 2,402
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| | #11 | |
| Lives for gear | Quote:
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| | #12 |
| Lives for gear Join Date: Oct 2002 Location: LA
Posts: 2,113
| Turns out that this story wasn't accurate. $167 was just the performance royalties from Sweden only. In addition to that there would be performance royalties from other countries, as well as publishing royalties and whatever royalties are being paid to the label which she should also presumably get a piece of. Music Ally | Blog Archive » Spotify slaps down Lady Gaga royalties rumours |
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| | #13 | |
| Lives for gear Join Date: May 2007 Location: UK
Posts: 9,409
| Quote:
Apparently no one is taking the subscriptions on - and that was supposed to be the revenue creator. Spotify haven't done anything wrong - they divvy up the royalties and divide proportionally by plays - if there is no money in you cant blame Spotify. You can blame lack of advertising {a global phenomena in TV too} and nobody taking subscripions out. | |
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| | #14 |
| Lives for gear Join Date: May 2007 Location: UK
Posts: 9,409
| no money in live either. Too many shit local bands {you know the type - the unsigned Myspace dross with 784 friends} putting people off the the whole thing - been like this for years!! |
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| | #15 | |
| Lives for gear Join Date: Dec 2005 Location: H City
Posts: 1,060
| Quote:
i know a couple good bands that actually "pay to play" in some way. (5 members, gig in another city, renting a bus, paying for gas and food ... all these costs eat up the cash they get for the gig!) on the other hand: i know some ok "top 40" bands that really make some cash playing private parties, weddings and so on. but that's hard work ... imho if a big worldwide chart hit like "pokerface" only gets like 200$ from streaming this can not be the future .... ![]()
__________________ improvisation over bale:http://soundcloud.com/ajondo/christian-bale-bale-out-rmx FREE Kontakt Instrument: iMoog | |
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| | #16 |
| Gear nut Join Date: Feb 2009 Location: London
Posts: 132
| I too reckon Spotify will be gone very soon. What I found very odd about it upon first using it is the ads - I would have thought that they'd be more obtrusive (for example, playing whilst you're listening to a song). Without this being implemented, I fail to see why anyone would take out a subscription. |
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| | #17 |
| Gear nut Join Date: Feb 2009 Location: London
Posts: 132
| You can't knock the function band scene...you'll make more money per gig than with 99% of major label signed touring bands (at least in London) - it always helps in keeping the chops up as well... |
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| | #18 |
| Lives for gear Join Date: May 2005
Posts: 2,377
| He is a very successful artist with a 20+ year carreer filled with hits and good sales. He is totally unknown outside Sweden as he sings in Swedish. The lyrics are ironic and satiric and he is universally loved by the majority of the population. He is open with the fact that he has made tons of money and would like to continue doing so. Him pulling his songs off Spotify does indeed have some symbolic weight to it. Yes, Spotify will die as noone is making money, including the owners and investors. BTW, music sales are up 18% in Sweden over the last 9 months. thumbsup |
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| | #19 |
| Lives for gear Join Date: Dec 2005 Location: H City
Posts: 1,060
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| | #20 |
| Lives for gear Join Date: May 2007 Location: UK
Posts: 9,409
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| | #21 |
| Lives for gear Join Date: May 2005
Posts: 2,377
| Here´s an article about the recovering music sales in Sweden right now: Sweden sees music sales soar after crackdown on filesharing | Business | guardian.co.uk |
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| | #22 | |
| Gear Head Join Date: Sep 2003
Posts: 48
| Quote:
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| | #23 | |
| Gear Head Join Date: Sep 2003
Posts: 48
| Quote:
Here's his discogarphy: Albums: # 1975 – Om Bobbo Viking # 1976 – Livets teater # 1977 – Va ska man ta livet av sig för när man ändå inte får höra snacket efteråt # 1978 – Vittring # 1979 – Magnus Uggla Band sjunger schlagers # 1980 – Den ljusnande framtid är vår # 1981 – Godkänd pirat – Live # 1983 – Välkommen till folkhemmet # 1985 – Retrospektivt collage (samlingsalbum) # 1985 – Collection (semiofficiellt samlingsalbum för den finska marknaden) # 1986 – Den döende dandyn # 1987 – Allting som ni gör kan jag göra bättre # 1989 – 35-åringen # 1993 – Alla får påsar # 1994 – 100% Uggla – Absolut inget annat (samlingsalbum) # 1997 – Karaoke # 2000 – Där jag är e’re alltid bäst # 2002 – Klassiska mästerverk (samlingsalbum) # 2004 – Den tatuerade generationen # 2006 – Ett bedårande barn av sin tid – Magnus Uggla sjunger Karl Gerhard # 2007 – Pärlor åt svinen # 2008 – 1975-2008 And just to keep bashing the-"I've never heard of him so he's just sore he's not as big as Lady Gaga"-statement ;-) I'll give you the singles aswell...: * 1976 – Sommartid * 1977 – Varning på stan * 1977 - Jag skiter * 1977 – Yeh, Why Not * 1977 – Ja just du ska va gla * 1978 – Vittring * 1979 – Everything You Do * 1979 – Johnny the Rucker * 1980 – Skandal bjotis * 1980 – Centrumhets * 1981 – Ain’t About to Go Back * 1981 – Sommartid (ny version) * 1981 – Body Love * 1983 – IQ * 1985 – Retrospektivt collage * 1986 – Joey Killer * 1986 – Fula gubbar * 1987 – Vem kan man lita på? (finns i två varianter med resp utan textraden om Afzelius) * 1987 – Ska vi gå hem till dig * 1989 – Jag mår illa * 1989 – Baby boom * 1989 – Dum dum * 1990 – Stig in och ta en cocktail * 1993 – Varning på stan * 1993 – 4 sekunder * 1993 – Jånni Balle * 1993 – Första gången * 1993 – Dansar aldrig nykter * 1994 – Victoria * 1994 – Mitt decennium * 1994 – Trubaduren * 1997 – Kung för en dag * 1997 – Jag vill * 1998 – Pom pom * 1998 – Hand i hand (tillsammans med Dogge Doggelito) * 2000 – Nitar & läder * 2000 – Hotta brudar * 2001 – Stockholms heta nätter * 2001 – Där vi är e're alltid bäst * 2002 – Vi ska till VM * 2004 – Värsta grymma tjejen * 2004 – Efterfest * 2005 – Nu har pappa laddat bössan * 2006 – Jag är ett bedårande barn av min tid * 2007 – För kung och fosterland * 2007 – Pärlor åt svin * 2007 – Vild & skild * 2008 – 24 timmar * 2009 – Hatten av Most of these were serious hits in Sweden and the guy is HUGHE . He's been misquoted to some extent cos what really pissed him off was , ofcourse in combination with the lousy payment, that his record company Sony owns a serious share in spotify so he said he'd rather be raped bu TPB than by his Sony boss.... | |
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| | #24 |
| Gear Head Join Date: Sep 2003
Posts: 48
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| | #25 | |
| Lives for gear | Quote:
so what would she need to sell on itunes to make $167... let's see about 23 albums or 238 song downloads hmmm | |
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| | #26 |
| Lives for gear Join Date: May 2007 Location: UK
Posts: 9,409
| actually she'd need to sell about 200 albums or 2000 downloads - but I get your point. |
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| | #27 | |
| Lives for gear Join Date: Jun 2002 Location: London
Posts: 1,992
Thread Starter | Quote:
Narcoman: I'm curious as to how you would break that figure down from Point of Sale? R. | |
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| | #28 |
| Lives for gear Join Date: May 2007 Location: UK
Posts: 9,409
| 6.5% publishing {because online doesnt pay the usual 8.5%} and guessed at a 15% artist royalty - minus aggregator/distributor cost and you get roughly those figures. |
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| | #29 |
| Lives for gear | itunes pays $7.00 per album and .70 per song - how the label then redistributes that is another story... point being, at gross revenue - itunes is looking a lot better than spotify... I do not license any of the catalog I manage to any streaming services. None. Zero. I may start w/ baby bands - for the sake of exposure - but even on the low end it's hard for me to see how it's really benefitial. |
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| | #30 |
| 3 + infractions, forum membership suspended. Join Date: Jul 2007
Posts: 423
| How much do the artists, that are played on MTV, get paid? |
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